But when I looked round I saw no trace of the officers, nor of the Cossacks, nor of the small house and the garden, and, stranger still, the millet had been reaped and the plain was covered with low stubble, and on it were pitched some curiously-shaped tents, which I saw were guarded by soldiers. But these soldiers were Chinamen, and yet unlike any Chinamen I had ever seen; for some of them carried halberds, the double-armed halberds of the period of Charles I., and others, halberds with a crescent on one side, like those which were used in the days of Henry VII. And I then noticed that a whole multitude of soldiers were lying asleep on the ground, armed with two-edged swords and bows and arrows. And their clothes seemed unfamiliar and brighter than the clothes which Chinese soldiers wear nowadays.
As I wondered what all this meant, a note of music came stealing through the night, and at first it seemed to be the same tune as I heard in the temple before I dropped off to sleep; but presently I was sure that this was a mistake, for the sound was richer and more mellow, and like that of a bell, only of an enchanted bell, such as that which is fabled to sound beneath the ocean. And the music seemed to rise and fall, to grow clear and full, and just as it was floating nearer and nearer, it died away in a sigh: but as it did so the distant hills seemed to catch it and to send it back in the company of a thousand echoes, till the whole night was filled and trembling with an unearthly chorus. The sleeping soldiers gradually stirred and sat listening spellbound to the music. And in the eyes of the sentries, who were standing as motionless as bronze statues in front of the tents, I could see the tears glistening. And the whole of the sleeping army awoke from its slumber and listened to the strange sound. From the tents came men in glittering silks (the Generals, I supposed) and listened also. The soldiers looked at each other and said no word. And then all at once, as though obeying some silent word of command given by some unseen captain, one by one they walked away over the plain, leaving their tents behind them. They all marched off into the east, as if they were following the music into the heart of the hills, and soon, of all that great army which had been gathered together on the plain, not one man was left. Then the music changed and seemed to grow different and more familiar, and with a start I became aware that I had been asleep and dreaming, and that I was sitting on the temple steps once more in the twilight, and that not far off, round a fire, some soldiers were singing. It was a dream, and my sleep could not have been a long one, for it was still twilight and the darkness had not yet come.
Fully awake now, I remembered clearly the old legend which had haunted me, and had taken shape in my dream. It was that of an army which on the night before the battle had heard the flute of Chang Liang. By his playing he had brought before the rude soldiers the far-off scenes of their childhood, which they had not looked upon for years--the sights and sounds of their homes, the faces and the spots which were familiar to them and dear. And they, as they heard this music, and felt these memories well up in their hearts, were seized with a longing and a desire for home so potent and so imperative that one by one they left the battlefield in silence, and when the enemy came at the dawn, they found the plain deserted and empty, for in one minute the flute of Chang Liang had stolen the hearts of eight thousand men.
And I felt certain that I had heard the flute of Chang Liang this night and that the soldiers had heard it too; for now round a fire a group of them were listening to the song of one of their comrades, a man from the south, who was singing of the quiet waters of the Don, and of a Cossack who had come back to his native land after many days and found his true love wedded to another. I felt it was the flute of Chang Liang which had prompted the southerner to sing, and without doubt the men saw before them the great moon shining over the broad village street in the dark July and August nights, and heard the noise of dancing and song and the cheerful rhythmic accompaniment of the concertina. Or (if they came from the south) they saw the smiling thatched farms, whitewashed, or painted in light green distemper, with vines growing on their walls; or again, they felt the smell of the beanfields in June, and saw in their minds' eye the panorama of the melting snows, when at a fairy touch the long winter is defeated, the meadows are flooded, and the trees seem to float about in the shining water like shapes invoked by a wizard. They saw these things and yearned towards them with all their hearts, here in this uncouth country where they were to fight a strange people for some unaccountable reason. But Chang Liang had played his flute to them in vain. It was in vain that he had tried to lure them back to their homes, and in vain that he had melted their hearts with the memories of their childhood. For the battle began at dawn the next morning, and when the enemy attacked they found an army there to meet them; and the battle lasted for two days on this very spot; and many of the men to whom Chang Liang had brought back through his flute the sights and the sounds of their childhood, were fated never to hear again those familiar sounds, nor to see the land and the faces which they loved.
