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本书讲述的主要是民国时期的历史文化,作者选取了与一般史书不同的角度,内容多为与人物或历史事件有关的奇闻趣事。大到军阀与总统,小到茶壶与牙刷,无论话题大小,都被作者信手拈来,为读者讲述了一番不为人知的另类历史,更能引发读者对历史真相的深刻思考。迷失的坟茔
毛驴脖子上的铃铛声、车轮轧雪的吱哑声,伴随着西北风的哨音,汇成一曲生离死别的哀乐。黑丫咬着头巾的一角,眼里含着泪水,一鞭一鞭地抽在毛驴身上。她想一步赶到车站,又多么想叫毛驴慢慢走,能跟于了尘多呆一会。随着火车一声长鸣,黑丫使劲把于了尘推上火车。于了尘打开车窗,把手中的两只玉镯送给黑丫一个。黑丫双手捧着,按在胸口上,跟着开动的列车跑,恩情绵绵,怨离惜别,哀苦万般,言以难表。淮海战役结束后不久,村里来了民兵队,四处清乡,剿匪除霸,大面积扫荡国民党残渣余孽,于仁信是重点专政对象。恶人告状,于家的家丁郎三反咬一口,告于仁信欺男霸女,剥削穷人,害死人命。民兵把于仁信拉出去暴打一顿,关了起来,放出来没几天,就一命呜呼。The Sexual Outlaw
In this angry, eloquent outcry against the oppression of homosexuals, the author of the classic City of Night gives "an explosive non-fiction account, with commentaries, of three days and nights in the sexual underground" of Los Angeles in the 1970s--the "battlefield" of the sexual outlaw. Using the language and techniqus of the film, Rechy deftly intercuts the despairing, joyful, and defiant confessions of a male hustler with the "chorus" of his own subversive reflections on sexual identity and sexual politics, and with stark documentary reports our society directs against homosexuals--"the only minority against whose existence there are laws."