登陆注册
5362600000445

第445章

Almost all the opinions we have are taken on authority and trust; and 'tis not amiss; we could not choose worse than by ourselves in so weak an age. That image of Socrates' discourses, which his friends have transmitted to us, we approve upon no other account than a reverence to public sanction: 'tis not according to our own knowledge; they are not after our way; if anything of the kind should spring up now, few men would value them. We discern no graces that are not pointed and puffed out and inflated by art; such as glide on in their own purity and simplicity easily escape so gross a sight as ours; they have a delicate and concealed beauty, such as requires a clear and purified sight to discover its secret light. Is not simplicity, as we take it, cousin-german to folly and a quality of reproach? Socrates makes his soul move a natural and common motion: a peasant said this; a woman said that; he has never anybody in his mouth but carters, joiners, cobblers, and masons; his are inductions and similitudes drawn from the most common and known actions of men; every one understands him. We should never have recognised the nobility and splendour of his admirable conceptions under so mean a form; we, who think all things low and flat that are not elevated, by learned doctrine, and who discern no riches but in pomp and show. This world of ours is only formed for ostentation: men are only puffed up with wind, and are bandied to and fro like tennis-balls. He proposed to himself no vain and idle fancies; his design was to furnish us with precepts and things that more really and fitly serve to the use of life;

"Servare modum, finemque tenere, Naturamque sequi."

["To keep a just mean, to observe a just limit, and to follow Nature."--Lucan, ii. 381.]

He was also always one and the same, and raised himself, not by starts but by complexion, to the highest pitch of vigour; or, to say better, mounted not at all, but rather brought down, reduced, and subjected all asperities and difficulties to his original and natural condition; for in Cato 'tis most manifest that 'tis a procedure extended far beyond the common ways of men: in the brave exploits of his life, and in his death, we find him always mounted upon the great horse; whereas the other ever creeps upon the ground, and with a gentle and ordinary pace, treats of the most useful matters, and bears himself, both at his death and in the rudest difficulties that could present themselves, in the ordinary way of human life.

It has fallen out well that the man most worthy to be known and to be presented to the world for example should be he of whom we have the most certain knowledge; he has been pried into by the most clear-sighted men that ever were; the testimonies we have of him are admirable both in fidelity and fulness. 'Tis a great thing that he was able so to order the pure imaginations of a child, that, without altering or wresting them, he thereby produced the most beautiful effects of our soul: he presents it neither elevated nor rich; he only represents it sound, but assuredly with a brisk and full health. By these common and natural springs, by these ordinary and popular fancies, without being moved or put out, he set up not only the most regular, but the most high and vigorous beliefs, actions, and manners that ever were. 'Tis he who brought again from heaven, where she lost her time, human wisdom, to restore her to man with whom her most just and greatest business lies.

See him plead before his judges; observe by what reasons he rouses his courage to the hazards of war; with what arguments he fortifies his patience against calumny, tyranny, death, and the perverseness of his wife: you will find nothing in all this borrowed from arts and sciences: the simplest may there discover their own means and strength; 'tis not possible more to retire or to creep more low. He has done human nature a great kindness in showing it how much it can do of itself.

We are all of us richer than we think we are; but we are taught to borrow and to beg, and brought up more to make use of what is another's than of our own. Man can in nothing fix himself to his actual necessity: of pleasure, wealth, and power, he grasps at more than he can hold; his greediness is incapable of moderation. And I find that in curiosity of knowing he is the same; he cuts himself out more work than he can do, and more than he needs to do: extending the utility of knowledge to the full of its matter:

"Ut omnium rerum, sic litterarum quoque, intemperantia laboramus."

["We carry intemperance into the study of literature, as well as into everything else."--Seneca, Ep., 106.]

And Tacitus had reason to commend the mother of Agricola for having restrained her son in his too violent appetite for learning.

同类推荐
  • 比丘避女恶名欲自杀经

    比丘避女恶名欲自杀经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 大汉三合明珠宝剑全传

    大汉三合明珠宝剑全传

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 解脱道论

    解脱道论

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 易原

    易原

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 孟夏纪

    孟夏纪

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 我的系统我的道

    我的系统我的道

    传说中的灵气复苏来了。身为主角的我不出意外的得到了我的金手指——神主系统。可为什么?为什么我被系统抛弃了?好吧,没了就没了,我跳槽主神空间行不行?
  • 美丽的散文

    美丽的散文

    散文是美的,它能给人以美的享受,然而什么样的散文才是最美的散文呢?秦牧曾说:“精粹警辟的、谈笑风生的、亲切感人的、玲珑剔透的,使你读时入了神、读后印象久久不会消失的好散文,还是不多。”他还说:“一篇好的散文,应该通过各种各样的内容给人以思想的启发、美的感受、情操的陶冶。”品读精美的散文,宛如清风般涤荡沐浴;让散文的清扬与美丽永远地伴随你。
  • 修邪

    修邪

    一道白色遁光飘然降至城主府外,落下一个白发白袍的老者,老者手持拂尘,仙风道骨,一身卓然仙气,望之犹若……
  • 亿万盛宠只为你

    亿万盛宠只为你

    他们是青梅竹马,两人的日常就是斗斗小嘴,互怼互损。他嘴上说嫌弃她,实际心里在意得要命,看她跟别的男生亲近,他就醋劲大发,索性把她绑在自己身边,成为他一个人的专属。出版名《我和你的微甜时光》,甜宠文,1v1。
  • 情自难当

    情自难当

    他是宏泰集团大少爷,为人冷峻,做事干净利落,本应该和未婚妻在下一个夏天就举行圆满的婚礼,完成家族的使命,却误打误撞碰上了脱线女孩顾如菡。顾如菡说,人生永远都不可能如初见,不然她的初见这么悲惨,一定是上天和她开了一个大大的玩笑。作为记者的她,本来想在新入职的时候给主编留一个好的印象,哪想知采访的居然是这么一个不近人情的家伙,被三番五次的拒绝以后,在闺蜜的打击下,准备蹲守在他出现的每一个点。她的纠缠,让他对她冷眼相对,他一向都高高在上,从来没有见过这样的一个人,为了赚钱死皮赖脸。她抬头观望,每一个眼神都停留在他的身上,都说他是焦点,说他是个大新闻,心里暗暗发誓,为了搞定他在所不惜。
  • 东方舞蹈审美论

    东方舞蹈审美论

    “东方”这个词总是勾连着独特的美学意象和文化气质,“东方舞蹈”则是这种美学意象最为生动、可感的呈现。本书作者从“东方美学”的宏观视角对中国、日本、印度的传统舞蹈艺术进行了形态描述与学理分析相融合的研究,从身体观念、审美特征、美学气质与艺术精神四个层面论述了“东方舞蹈”的独特艺术魅力。
  • 恐龙科考百科(科学探索百科)

    恐龙科考百科(科学探索百科)

    本套书全面而系统地介绍了当今世界各种各样的科学难解之谜,集知识性、趣味性、新奇性、疑问性与科学性于一体,深入浅出,生动可读,通俗易懂。目的是使读者在兴味盎然地领略科学难解之谜现象的同时,能够加深思考,启迪智慧,开阔视野,增加知识;能够正确了解和认识这个世界,激发求知的欲望和探索的精神,激起热爱科学和追求科学的热情,不断掌握开启人类世界的金钥匙,不断推动人类社会向前发展,使我们真正成为人类社会的主人。
  • 风雨修罗令

    风雨修罗令

    何为正?何为邪?终不免为一己之欲望。如何坚守本心,不为外物所动,不为外情所扰,我命由我不由天。
  • 起世因本经

    起世因本经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 谁动了朕的弃后

    谁动了朕的弃后

    她是最不受宠的皇后,大婚之日就被皇帝打入冷宫,受尽欺凌。后来,他动了真情,黑夜里热情地向她索取,“摇光,朕要你,只想要你。”她却冷冷笑道,“谢陛下厚爱,可惜,我不想要你!