登陆注册
5381900000003

第3章

We have therefore to discuss the whole subject of 'unqualified'

coming-to-be and passingaway; we have to inquire whether these changes do or do not occur and, if they occur, to explain the precise conditions of their occurrence. We must also discuss the remaining forms of change, viz. growth and 'alteration'. For though, no doubt, Plato investigated the conditions under which things come-to-be and pass-away, he confined his inquiry to these changes; and he discussed not all coming-to-be, but only that of the elements. He asked no questions as to how flesh or bones, or any of the other similar compound things, come-to-be; nor again did he examine the conditions under which 'alteration' or growth are attributable to things.

A similar criticism applies to all our predecessors with the single exception of Democritus. Not one of them penetrated below the surface or made a thorough examination of a single one of the problems. Democritus, however, does seem not only to have thought carefully about all the problems, but also to be distinguished from the outset by his method. For, as we are saying, none of the other philosophers made any definite statement about growth, except such as any amateur might have made. They said that things grow 'by the accession of like to like', but they did not proceed to explain the manner of this accession. Nor did they give any account of 'combination': and they neglected almost every single one of the remaining problems, offering no explanation, e.g. of 'action' or 'passion' how in physical actions one thing acts and the other undergoes action. Democritus and Leucippus, however, postulate the 'figures', and make 'alteration' and coming-to-be result from them.

They explain coming-to-be and passing-away by their 'dissociation' and 'association', but 'alteration' by their 'grouping' and 'Position'.

And since they thought that the 'truth lay in the appearance, and the appearances are conflicting and infinitely many, they made the 'figures' infinite in number. Hence-owing to the changes of the compound-the same thing seems different and conflicting to different people: it is 'transposed' by a small additional ingredient, and appears utterly other by the 'transposition' of a single constituent. For Tragedy and Comedy are both composed of the same letters.

Since almost all our predecessors think (i) that coming-to-be is distinct from 'alteration', and (ii) that, whereas things 'alter' by change of their qualities, it is by 'association' and 'dissociation'

that they come-to-be and pass-away, we must concentrate our attention on these theses. For they lead to many perplexing and well-grounded dilemmas. If, on the one hand, coming-to-be is 'association', many impossible consequences result: and yet there are other arguments, not easy to unravel, which force the conclusion upon us that coming-to-be cannot possibly be anything else. If, on the other hand, coming-to-be is not 'association', either there is no such thing as coming-to-be at all or it is 'alteration': or else we must endeavour to unravel this dilemma too-and a stubborn one we shall find it. The fundamental question, in dealing with all these difficulties, is this: 'Do things come-to-be and "alter" and grow, and undergo the contrary changes, because the primary "reals" are indivisible magnitudes? Or is no magnitude indivisible?' For the answer we give to this question makes the greatest difference. And again, if the primary 'reals' are indivisible magnitudes, are these bodies, as Democritus and Leucippus maintain? Or are they planes, as is asserted in the Timaeus?

To resolve bodies into planes and no further-this, as we have also remarked elsewhere, in itself a paradox. Hence there is more to be said for the view that there are indivisible bodies. Yet even these involve much of paradox. Still, as we have said, it is possible to construct 'alteration' and coming-to-be with them, if one 'transposes'

the same by 'turning' and 'intercontact', and by 'the varieties of the figures', as Democritus does. (His denial of the reality of colour is a corollary from this position: for, according to him, things get coloured by 'turning' of the 'figures'.) But the possibility of such a construction no longer exists for those who divide bodies into planes.

For nothing except solids results from putting planes together: they do not even attempt to generate any quality from them.

Lack of experience diminishes our power of taking a comprehensive view of the admitted facts. Hence those who dwell in intimate association with nature and its phenomena grow more and more able to formulate, as the foundations of their theories, principles such as to admit of a wide and coherent development: while those whom devotion to abstract discussions has rendered unobservant of the facts are too ready to dogmatize on the basis of a few observations. The rival treatments of the subject now before us will serve to illustrate how great is the difference between a 'scientific' and a 'dialectical'

method of inquiry. For, whereas the Platonists argue that there must be atomic magnitudes 'because otherwise "The Triangle" will be more than one', Democritus would appear to have been convinced by arguments appropriate to the subject, i.e. drawn from the science of nature. Our meaning will become clear as we proceed. For to suppose that a body (i.e. a magnitude) is divisible through and through, and that this division is possible, involves a difficulty. What will there be in the body which escapes the division?

同类推荐
  • Amphitryon

    Amphitryon

    Amphitryon was played for the first time in Paris, at the Theatre du Palais-Royal, January 13, wkkk.net was successfully received, holding the boards until the 18th of March, when Easter intervened.汇聚授权电子版权。
  • 六十种曲春芜记

    六十种曲春芜记

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 廿二史札记

    廿二史札记

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 沩山警策句释记

    沩山警策句释记

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 梵网经

    梵网经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 告诉你一个杜甫的故事

    告诉你一个杜甫的故事

    《告诉你一个杜甫的故事》从杜甫的儿时生活写起,一直写到他所创作的大量流传千古的著名诗篇 ,再现了这位中国古代伟大诗人坎坷、波折的一生,旨在让广大青少年朋友了解这位唐代现实主义诗人不平凡的人生经历,并从中学习他那种在面 对困难和挫折时,始终都能以积极的入世精神,勇敢、忠实、深刻地反映社会现实的崇高品格,以及他那种遭遇磨难后一直都未曾动摇过的爱国主 义精神,同时也可以对他的诗歌进行全面的认识和评价。
  • Dreams & Dust

    Dreams & Dust

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 太公兵法

    太公兵法

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 第三破格者

    第三破格者

    “才能”一种天生的能力。拥有才能的人,被称之为是被命运眷顾幸运者。而没有才能的的普通人面对才能时将会无法理解,只能扭曲成自己所能接受的事实。拥有才能【间隙空间】的刘常安绝对想不到当他踏入桓祥的时候。不能相互理解就无法攻击的才能。拥有一整座大陆体积的西装暴徒。可以一脚凿穿地球别人的大师兄。…………而这些将是他要面对站在世界顶端的才能者。不过先得搞清楚“肃律反正”、“自然机器”、“心灵补完计划”、“世界公证所”这些听起来很危险的都是什么东西。
  • 六道佩恩的自我修养

    六道佩恩的自我修养

    从坑爹系统里选择成为年幼的长门,同时接到了一个坑爹的终极任务不管这个终极任务是什么,总之先把火影里看不过去的东西都给矫正过来好了,忍界和平,由我长门来完成至于之后再被系统扔到哪个世界,到时候再说吧
  • 毒步天下:天才腹黑煞神

    毒步天下:天才腹黑煞神

    现代装疯卖傻的富家千金一朝穿越,成为被追杀的亡国公主。她血眸童颜,狡黠腹黑,举世无双,实力冠绝天下,以绝世天才之名,翻手为云,覆手为雨。惊才绝艳的小毒医,名冠天下的玄皇陛下,皆是她这个扮猪吃老虎的腹黑。无意间捡得妖孽一只,从此伴君不相离!
  • 请你留在我身边

    请你留在我身边

    爱好写作的文艺女生何语星,大三暑假,因无法忍受父母的争吵而离家出走。下车后,她却将装有钱等重要物品的包落在了车上,回去找时,车已离开,工作人员让她第二天再去。她饥肠辘辘地在街上走,无意中,发现一“偷车贼”,她用力举起拉杆箱将“偷车贼”打倒在地。一会儿,警察来将俩人带去了警察局,结果是一场乌龙事件。原来,“偷车贼”是位大律师。出了警局,语星因饥饿和低血糖晕倒了,恰被顾惜救起。顾惜得知她的情况,让她去自己家借住。一件事接着另一件事情,让生活在两个世界的人相识、相知,慢慢地相爱了。热恋当中,顾惜被查出了癌症,他不愿意让语星跟着自己受苦,提出分手。被抛弃的语星选择了出国。五年后,语星以著名作家身份归来,同时,也知道了顾惜和自己分手的原因,她愧疚不已,但顾惜已有照顾他五年的未婚妻。带着深深的苦痛,语星又一次离开了。然而,婚礼当天,顾惜却出了车祸,语星又一次回到了顾惜的身边。
  • 深情她不知

    深情她不知

    有种深情她不知,盛晴晴因为一只拖鞋,和宁华年结缘。关于宁华年这个人,有人说他高冷无比,暗恋他的女孩鼓起勇气给他发消息:“男神,你属什么?”“属狗。”“不,你属于我。”“嗯,你是狗吗?”“……”聊天记录一经传出,宁华年就更是让人形容成了一朵“高岭之花”。可是谁能告诉盛晴晴,为什么她遇到的宁华年,是另外一个样子的?某一天宁华年双手支着下巴,冲着盛晴晴微笑:“我以后不养狗了。”“为什么?”“我养你,毕竟养猪能够发家致富。”
  • 学霸女神长公主

    学霸女神长公主

    学霸女穿越至古代,却在天山古崖遇险,她成了农家养女牙子。牙子得到巨蟒的救治,身体在灵石床的淬炼下发生巨变……收养牙子的吕家是“狼窝”,牙子利用“本尊”的智慧,除掉了吕家“恶人”……李掌柜教会牙子生意经,她成了会做生意的“吕公子”……为保护亲人,牙子跟随生母悟真大师练就“绝世武功”……牙子诛杀青峰寨匪徒,手刃权臣丁谓派来的高手……牙子接受生父宋真宗的临终托付,帮助弟弟赵祯登基为帝,被封为卫国长公主。长公主辅佐皇太后和皇上,扳倒权臣丁谓,剪除奸贼曹利用……长公主功成后,低调返乡,用做生意赚的钱修建庄园,供养家人,促成两家子女的姻缘……长公主培养曹若兮成为皇后,使其成为弟弟宋仁宗的贤内助……
  • 奋迅王问经

    奋迅王问经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。