which swept over Europe during the latter half of the eighteenth century, first breaking or uprooting the received philosophical systems, theological conceptions, and scientific theories, and then shaking to their foundations the existing political and social institutions. The Russian Noblesse had neither the traditional conservative spirit, nor the firm, well-reasoned, logical beliefs which in England and Germany formed a powerful barrier against the spread of French influence. They had been too recently metamorphosed, and were too eager to acquire a foreign civilisation, to have even the germs of a conservative spirit. The rapidity and violence with which Peter's reforms had been effected, together with the peculiar spirit of Greek Orthodoxy and the low intellectual level of the clergy, had prevented theology from associating itself with the new order of things. The upper classes had become estranged from the beliefs of their forefathers without acquiring other beliefs to supply the place of those which had been lost. The old religious conceptions were inseparably interwoven with what was recognised as antiquated and barbarous, whilst the new philosophical ideas were associated with all that was modern and civilised. Besides this, the sovereign, Catherine II., who enjoyed the unbounded admiration of the upper classes, openly professed allegiance to the new philosophy, and sought the advice and friendship of its high priests. If we bear in mind these facts we shall not be surprised to find among the Russian nobles of that time a considerable number of so-called "Voltaireans" and numerous unquestioning believers in the infallibility of the Encyclopedie.
What is a little more surprising is, that the new philosophy sometimes found its way into the ecclesiastical seminaries. The famous Speranski relates that in the seminary of St. Petersburg one of his professors, when not in a state of intoxication, was in the habit of preaching the doctrines of Voltaire and Diderot!
The rise of the sentimental school in Western Europe produced an important change in Russian literature, by undermining the inordinate admiration for the French pseudo-classical school.
Florian, Richardson, Sterne, Rousseau, and Bernardin de St. Pierre found first translators, and then imitators, and soon the loud-
sounding declamation and wordy ecstatic despair of the stage heroes were drowned in the deep-drawn sighs and plaintive wailings of amorous swains and peasant-maids forsaken. The mania seems to have been in Russia even more severe than in the countries where it originated. Full-grown, bearded men wept because they had not been born in peaceful primitive times, "when all men were shepherds and brothers." Hundreds of sighing youths and maidens visited the scenes described by the sentimental writers, and wandered by the rivers and ponds in which despairing heroines had drowned themselves. People talked, wrote, and meditated about "the sympathy of hearts created for each other," "the soft communion of sympathetic souls," and much more of the same kind. Sentimental journeys became a favourite amusement, and formed the subject of very popular books, containing maudlin absurdities likely to produce nowadays mirth rather than tears. One traveller, for instance, throws himself on his knees before an old oak and makes a speech to it; another weeps daily on the grave of a favourite dog, and constantly longs to marry a peasant girl; a third talks love to the moon, sends kisses to the stars, and wishes to press the heavenly orbs to his bosom! For a time the public would read nothing but absurd productions of this sort, and Karamzin, the great literary authority of the time, expressly declared that the true function of Art was "to disseminate agreeable impressions in the region of the sentimental."
The love of French philosophy vanished as suddenly as the inordinate admiration of the French pseudo-classical literature.
When the great Revolution broke out in Paris the fashionable philosophic literature in St. Petersburg disappeared. Men who talked about political freedom and the rights of man, without thinking for a moment of limiting the autocratic power or of emancipating their serfs, were naturally surprised and frightened on discovering what the liberal principles could effect when applied to real life. Horrified by the awful scenes of the Terror, they hastened to divest themselves of the principles which led to such results, and sank into a kind of optimistic conservatism that harmonised well with the virtuous sentimentalism in vogue. In this the Empress herself gave the example. The Imperial disciple and friend of the Encyclopaedists became in the last years of her reign a decided reactionnaire.
During the Napoleonic wars, when the patriotic feelings were excited, there was a violent hostility to foreign intellectual influence; and feeble intermittent attempts were made to throw off the intellectual bondage. The invasion of the country in 1812 by the Grande Armee, and the burning of Moscow, added abundant fuel to this patriotic fire. For some time any one who ventured to express even a moderate admiration for French culture incurred the risk of being stigmatised as a traitor to his country and a renegade to the national faith. But this patriotic fanaticism soon evaporated, and exaggerations of the ultra-national party became the object of satire and parody. When the political danger was past, and people resumed their ordinary occupations, those who loved foreign literature returned to their old favourites--or, as the ultra-
