Annalists were appointed in each of the principal communities, whose business it was to record the most important events which occurred in them. Other functionaries of a higher character, usually the amautas, were intrusted with the history of the empire, and were selected to chronicle the great deeds of the reigning Inca, or of his ancestors.6 The narrative, thus concocted, could be communicated only by oral tradition;but the quipus served the chronicler to arrange the incidents with method, and to refresh his memory. The story, once treasured up in the mind, was indelibly impressed there by frequent repetition. It was repeated by the amauta to his pupils, and in this way history, conveyed partly by oral tradition, and partly by arbitrary signs, was handed down from generation to generation, with sufficient discrepancy of details, but with a general conformity of outline to the truth.
The Peruvian quipus were, doubtless, a wretched substitute for that beautiful contrivance, the alphabet, which, employing a few simple characters as the representatives of sounds, instead of ideas, is able to convey the most delicate shades of thought that ever passed through the mind of man. The Peruvian invention, indeed, was far below that of the hieroglyphics, even below the rude picture-writing of the Aztecs; for the latter art, however incompetent to convey abstract ideas, could depict sensible objects with tolerable accuracy. It is evidence of the total ignorance in which the two nations remained of each other, that the Peruvians should have borrowed nothing of the hieroglyphical system of the Mexicans, and this, notwithstanding that the existence of the maguey plant agave, in South America might have furnished them with the very material used by the Aztecs for the construction of their maps.7It is impossible to contemplate without interest the struggles made by different nations, as they emerge from barbarism, to supply themselves with some visible symbols of thought,--that mysterious agency by which the mind of the individual may be put in communication with the minds of a whole community. The want of such a symbol is itself the greatest impediment to the progress of civilization. For what is it but to imprison the thought, which has the elements of immortality, within the bosom of its author, or of the small circle who come in contact with him, instead of sending it abroad to give light to thousands, and to generations yet unborn! Not only is such a symbol an essential element of civilization, but it may be assumed as the very criterion of civilization;for the intellectual advancement of a people will keep pace pretty nearly with its facilities for intellectual communication.
Yet we must be careful not to underrate the real value of the Peruvian system; nor to suppose that the quipus were as awkward an instrument, in the hand of a practised native, as they would be in ours. We know the effect of habit in all mechanical operations, and the Spaniards bear constant testimony to the adroitness and accuracy of the Peruvians in this. Their skill is not more surprising than the facility with which habit enables us to master the contents of a printed page, comprehending thousands of separate characters, by a single glance, as it were, though each character must require a distinct recognition by the eye, and that, too, without breaking the chain of thought in the reader's mind. We must not hold the invention of the quipus too lightly, when we reflect that they supplied the means of calculation demanded for the affairs of a great nation, and that, however insufficient, they afforded no little help to what aspired to the credit of literary composition.
The office of recording the national annals was not wholly confined to the amautas. It was assumed in part by the haravecs, or poets, who selected the most brilliant incidents for their songs or ballads, which were chanted at the royal festivals and at the table of the Inca.8 In this manner, a body of traditional minstrelsy grew up, like the British and Spanish ballad poetry, by means of which the name of many a rude chieftain, that might have perished for want of a chronicler, has been borne down the tide of rustic melody to later generations.
Yet history may be thought not to gain much by this alliance with poetry;for the domain of the poet extends over an ideal realm peopled with the shadowy forms of fancy, that bear little resemblance to the rude realities of life. The Peruvian annals may be deemed to show somewhat of the effects of this union, since there is a tinge of the marvellous spread over them down to the very latest period, which, like a mist before the reader's eye, makes it difficult to distinguish between fact and fiction.
