Mrs Merdle, during these passages, said little to Fanny, but said more about her. She was, as it were, forced to look at her through her eye-glass, and in general conversation to allow commendations of her beauty to be wrung from her by its irresistible demands.
The defiant character it assumed when Fanny heard these extollings (as it generally happened that she did), was not expressive of concessions to the impartial bosom; but the utmost revenge the bosom took was, to say audibly, 'A spoilt beauty--but with that face and shape, who could wonder?'
It might have been about a month or six weeks after the night of the new advice, when Little Dorrit began to think she detected some new understanding between Mr Sparkler and Fanny. Mr Sparkler, as if in attendance to some compact, scarcely ever spoke without first looking towards Fanny for leave. That young lady was too discreet ever to look back again; but, if Mr Sparkler had permission to speak, she remained silent; if he had not, she herself spoke.
Moreover, it became plain whenever Henry Gowan attempted to perform the friendly office of drawing him out, that he was not to be drawn. And not only that, but Fanny would presently, without any pointed application in the world, chance to say something with such a sting in it that Gowan would draw back as if he had put his hand into a bee-hive.
There was yet another circumstance which went a long way to confirm Little Dorrit in her fears, though it was not a great circumstance in itself. Mr Sparkler's demeanour towards herself changed. It became fraternal. Sometimes, when she was in the outer circle of assemblies--at their own residence, at Mrs Merdle's, or elsewhere--she would find herself stealthily supported round the waist by Mr Sparkler's arm. Mr Sparkler never offered the slightest explanation of this attention; but merely smiled with an air of blundering, contented, good-natured proprietorship, which, in so heavy a gentleman, was ominously expressive.
Little Dorrit was at home one day, thinking about Fanny with a heavy heart. They had a room at one end of their drawing-room suite, nearly all irregular bay-window, projecting over the street, and commanding all the picturesque life and variety of the Corso, both up and down. At three or four o'clock in the afternoon, English time, the view from this window was very bright and peculiar; and Little Dorrit used to sit and muse here, much as she had been used to while away the time in her balcony at Venice.
Seated thus one day, she was softly touched on the shoulder, and Fanny said, 'Well, Amy dear,' and took her seat at her side. Their seat was a part of the window; when there was anything in the way of a procession going on, they used to have bright draperies hung out of the window, and used to kneel or sit on this seat, and look out at it, leaning on the brilliant colour. But there was no procession that day, and Little Dorrit was rather surprised by Fanny's being at home at that hour, as she was generally out on horseback then.
'Well, Amy,' said Fanny, 'what are you thinking of, little one?'
'I was thinking of you, Fanny.'
'No? What a coincidence! I declare here's some one else. You were not thinking of this some one else too; were you, Amy?'
Amy HAD been thinking of this some one else too; for it was Mr Sparkler. She did not say so, however, as she gave him her hand.
Mr Sparkler came and sat down on the other side of her, and she felt the fraternal railing come behind her, and apparently stretch on to include Fanny.
