"The sense of beauty and gentleness, of moral beauty and faithful gentleness, grew upon him as the clear evening closed in. When he went to visit his relative at Putney, he still carried with him his work, and the books he more immediately wanted. Although his bodily powers had been giving way, his most conspicuous qualities, his memory for books, and his affection remained; and when his hair was white, when his ample chest had grown slender, when the very proportion of his height had visibly lessened, his step was still ready, and his dark eyes brightened at every happy expression, and at every thought of kindness. His death was simply exhaustion; he broke off his work to lie down and repose. So gentle was the final approach, that he scarcely recognised it till the very last, and then it came without terrors. His physical suffering had not been severe; at the latest hour he said that his only uneasiness was failing breath. And that failing breath was used to express his sense of the inexhaustible kindness he had received from the family who had been so unexpectedly made his nurses,--to draw from one of his sons, by minute, eager, and searching questions, all that he could learn about the latest vicissitudes and growing hopes of Italy,--to ask the friends and children around him for news of those whom he loved,--and to send love and messages to the absent who loved him."
Thus, with a manly simplicity and filial affection, writes the eldest son of Leigh Hunt in recording his father's death. These are the closing words of a new edition of The Autobiography of Leigh Hunt, published by Messrs. Smith and Elder, of Cornhill, revised by that son, and enriched with an introductory chapter of remarkable beauty and tenderness. The son's first presentation of his father to the reader, "rather tall, straight as an arrow, looking slenderer than he really was; his hair black and shining, and slightly inclined to wave; his head high, his forehead straight and white, his eyes black and sparkling, his general complexion dark; in his whole carriage and manner an extraordinary degree of life," completes the picture. It is the picture of the flourishing and fading away of man that is born of a woman and hath but a short time to live.
In his presentation of his father's moral nature and intellectual qualities, Mr Hunt is no less faithful and no less touching. Those who knew Leigh Hunt, will see the bright face and hear the musical voice again, when he is recalled to them in this passage: "Even at seasons of the greatest depression in his fortunes, he always attracted many visitors, but still not so much for any repute that attended him as for his personal qualities. Few men were more attractive, in society, whether in a large company or over the fireside. His manners were peculiarly animated; his conversation, varied, ranging over a great field of subjects, was moved and called forth by the response of his companion, be that companion philosopher or student, sage or boy, man or woman; and he was equally ready for the most lively topics or for the gravest reflections--his expression easily adapting itself to the tone of his companion's mind. With much freedom of manners, he combined a spontaneous courtesy that never failed, and a considerateness derived from a ceaseless kindness of heart that invariably fascinated even strangers." Or in this: "His animation, his sympathy with what was gay and pleasurable; his avowed doctrine of cultivating cheerfulness, were manifest on the surface, and could be appreciated by those who knew him in society, most probably even exaggerated as salient traits, on which he himself insisted WITH A SORT OF GAY AND OSTENTATIOUS WILFULNESS."
The last words describe one of the most captivating peculiarities of a most original and engaging man, better than any other words could.
