The reader is besought to observe them, for a reason that shall presently be given. Lastly: "The anxiety to recognise the right of others, the tendency to 'refine', which was noted by an early school companion, and the propensity to elaborate every thought, made him, along with the direct argument by which he sustained his own conviction, recognise and almost admit all that might be said on the opposite side". For these reasons, and for others suggested with equal felicity, and with equal fidelity, the son writes of the father, "It is most desirable that his qualities should be known as they were; for such deficiencies as he had are the honest explanation of his mistakes; while, as the reader may see from his writings and his conduct, they are not, as the faults of which he was accused would be, incompatible with the noblest faculties both of head and heart. To know Leigh Hunt as he was, was to hold him in reverence and love."
These quotations are made here, with a special object. It is not, that the personal testimony of one who knew Leigh Hunt well, may be borne to their truthfulness. It is not, that it may be recorded in these pages, as in his son's introductory chapter, that his life was of the most amiable and domestic kind, that his wants were few, that his way of life was frugal, that he was a man of small expenses, no ostentations, a diligent labourer, and a secluded man of letters.
It is not, that the inconsiderate and forgetful may be reminded of his wrongs and sufferings in the days of the Regency, and of the national disgrace of his imprisonment. It is not, that their forbearance may be entreated for his grave, in right of his graceful fancy or his political labours and endurances, though - Not only we, the latest seed of Time, New men, that in the flying of a wheel Cry down the past, not only we, that prate Of rights and wrongs, have loved the people well.
It is, that a duty may be done in the most direct way possible. An act of plain, clear duty.
Four or five years ago, the writer of these lines was much pained by accidentally encountering a printed statement, "that Mr. Leigh Hunt was the original of Harold Skimpole in Bleak House". The writer of these lines, is the author of that book. The statement came from America. It is no disrespect to that country, in which the writer has, perhaps, as many friends and as true an interest as any man that lives, good-humouredly to state the fact, that he has, now and then, been the subject of paragraphs in Transatlantic newspapers, more surprisingly destitute of all foundation in truth than the wildest delusions of the wildest lunatics. For reasons born of this experience, he let the thing go by.
But, since Mr. Leigh Hunt's death, the statement has been revived in England. The delicacy and generosity evinced in its revival, are for the rather late consideration of its revivers. The fact is this:
Exactly those graces and charms of manner which are remembered in the words we have quoted, were remembered by the author of the work of fiction in question, when he drew the character in question.
Above all other things, that "sort of gay and ostentatious wilfulness" in the humouring of a subject, which had many a time delighted him, and impressed him as being unspeakably whimsical and attractive, was the airy quality he wanted for the man he invented.
Partly for this reason, and partly (he has since often grieved to think) for the pleasure it afforded him to find that delightful manner reproducing itself under his hand, he yielded to the temptation of too often making the character SPEAK like his old friend. He no more thought, God forgive him! that the admired original would ever be charged with the imaginary vices of the fictitious creature, than he has himself ever thought of charging the blood of Desdemona and Othello, on the innocent Academy model who sat for Iago's leg in the picture. Even as to the mere occasional manner, he meant to be so cautious and conscientious, that he privately referred the proof sheets of the first number of that book to two intimate literary friends of Leigh Hunt (both still living), and altered the whole of that part of the text on their discovering too strong a resemblance to his "way".
He cannot see the son lay this wreath on the father's tomb, and leave him to the possibility of ever thinking that the present words might have righted the father's memory and were left unwritten. He cannot know that his own son may have to explain his father when folly or malice can wound his heart no more, and leave this task undone.
