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The Rise of Germany, 1939-1941
The Second World War is one of the most significant conflicts in history, but for seven decades our understanding of the war has remained mostly fixed, framed by the accounts of participants and an early generation of historians. James Holland, one of the leading young historians of World War II, has spent over a decade conducting new research, interviewing survivors, and exploring archives that have never before been so accessible to unearth forgotten memoirs, letters, and official records. In The Rise of Germany, Holland draws on this research to reconsider the strategy, tactics, and economic, political, and social aspects of the war. The Rise of Germany is a masterful book that redefines our understanding of the opening years of World War II. Beginning with the lead-up to the outbreak of war in 1939 and ending in the middle of 1941 on the eve of Operation Barbarossa, the Nazi invasion of Russia, The Rise of Germany is a landmark history of the war on land, in the air, and at sea.快穿拯救男神100次
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公元26世纪,在一个“新世界”里,近乎所有人都住在城市,并说着同一种语言。这些人在出生之前,就被预设成为贵、低、贱几种种姓,于工业化的育婴房里成批生产。在乌托邦集权主义者的统治下,新社会“安定、本分、稳定”,偶有对现状产生怀疑或叛逆心态者,均被视为不安定因素放逐到边远地区。在那里,人人安居乐业、衣食无忧,但家庭,个性,甚至喜怒哀乐却消失殆尽……雪球专刊第018期:影视梦工厂
虽说电影行业历年都起码保持了30%以上的增长速度,但看看华谊兄弟、光线传媒等公司,经营性现金流年年小于利润,甚至经常为负。钱都被存货和预付款给占用了,没有办法电影电视得先投钱去拍吧,而电影院电视台都得先收到钱才延期支付给它们,因此,只要想继续成长,经营性现金流就不会好看。华谊上市没几年,募集资金就用光了,还借了很多借款,盈利能力也才10%左右的ROE,而且影视风险还不低,现在市场份额越来越向大片集中,投入需要越来越高,连续几部票房毒药就可将公司陷入泥沼之中。国外影视巨头无不被收编到巨型传媒集团里,估计就是想用多元化来平衡影视的高波动性。