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天地一道
穆弈至今都没有想通，自己被命运这样安排的理由到底是什么。他想让晟余老神告诉他，但晟余老神却说你要复活我，为我复仇；他想让仙帝仙尊告诉他，但仙帝仙尊一个想着官升，一个想着官飞升，就连另一位憨憨的仙帝也仍沉浸在自己存有后人的喜悦之中；最后他想让作者告诉他，于是作者最终告诉了他一切的真相，告诉了他可以让这天地免于一难的真相。得知真相的他只感觉身中数枪，他开始有些恍惚，他开始有些不清楚，自己到底是穆弈还是……谁。他站在不知为何处的山巅，远眺着眼前界外，灰蒙蒙无尽的海洋，作下了这首饱含他感慨万千的诗：自是西行久长恨，年华犹未弈新天。九转神丹十三仙，荒行四野苦涩甜。邀来君，不识天，只道伶仃恒未变。意寿灭，纵天却，唯剩三魂游人间。孤烛照尽沧溟遍，穷道独守霜鬓年。台前常伴茕秋客，此行只幸寐余闲。墨者引，疑大千，说书声起终明辨。今朝醉，虚实解，一步瑶来一步陷。长天若驻掌中芥，墨渊真我违天变。混沌不知深与浅，难与海内君相见。
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盗亦有道之废材七小姐
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Selected Poems, 1930-1988
It was as a poet that Samuel Beckett launched himself in the little reviews of 1930s Paris, and as a poet that he ended his career. This new selection, from Whoroscope (1930) to 'what is the word' (1988), describes a lifetime's arc of writing. It was as a poet moreover that Beckett made his first breakthrough into writing in French, and the Selected Poems represents work in both languages, including the sequence of brief but highly crafted mirlitonnades, which did so much to usher in the style of his late prose, and come as close as anything he wrote to honouring the ambition to 'bore one hole after another in language, until what lurks behind it - be it something or nothing - begins to seep through.' Also included are several of Beckett's translations from contemporaries - Apollinaire, Eluard, Michaux, Montale - in versions which count among his own poetic achievements. It is edited by David Wheatley.
