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萌妻爱出逃：老公，请息怒
她带着目的接近他，却一步步的走进他的圈套里。随之她无处可逃，连心也跟着一点迷失。她设计了一场没有新娘的婚礼，逃至大洋彼岸，他追随，强制纠缠，“老婆，不管你怎么逃，你都必须尽到你做妻子的义务……”婚后，他狂狷温柔，宠她上天入地。他说给她一个春天，面朝大海，春暖花开。可是有一天，她视为挚友得女人，竟是他深爱的女人。她痛苦难产，他牵着她的手走进婚姻的殿堂。片段一：她华丽回归，一个恶魔宝贝从头而降，牵着她的裙摆到他的跟前：“爹地，这是我的新女朋友，怎么样？很漂亮吧！”某人暴走，儿子连老子的女人都敢抢，这是要逆天吗？
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千亿宠儿：总裁大人请矜持
青梅竹马的未来老公洗澡忘了带内裤，某女一脸正直的走向浴室……嗯嘛，身材变好了不少嘛……哎呀……怎么这么大了…将来…岂不是…哎呀，好羞射啦…某女狠狠抹了一把口水……”林欢欢！滚出去！“男人的脸上充满阴霾…”老公，今晚要开演唱会哦，不要这么吼嘛，伤嗓子啦。“”还有，老公今天早餐牛奶喝热的还是冰的呀？“”老公，等一下送我去上学好不好啊？“”老公晚上给我补习数学好不好啊？“某女死赖着浴室不走，一边数腹肌一边咽口水……男人的喘气声越来越重……
Burial at Thebes
Commissioned to mark the centenary of the Abbey Theatre in Dublin in 2004, The Burial at Thebes is Seamus Heaney's new verse translation of Sophocles' great tragedy, Antigone - whose eponymous heroine is one of the most sharply individualized and compelling figures in Western drama. Faithful to the 'local row' and to the fierce specificity of the play's time and place, The Burial at Thebes honours the separate and irreconcilable claims of its opposed voices, as they enact the ancient but perennial conflict between family and state in a time of crisis, pitching the morality of private allegiance against that of public service. Above all, The Burial at Thebes honours the sovereign urgency and grandeur of the Antigone, in which language speaks truth to power, then and now.
