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随身空间之良田农女
一朝重生到农家，挨饿受冻未脱贫。鸡飞狗跳麻雀闹，鸡毛蒜皮是非多。啥？娶俺当扶贫？我呸，俺人穷志不短，拖家带口奔小康！田园魔方空间大，土肥水清好种田，田中自有黄金屋，田中自有男如玉。咔咔咔，转转转，金田银地一锅兜，看我农家小萝莉，变废柴田为金银地！翻手田，覆手地，金银财帛滚滚，美男排排我选！论家的小日子红红火火滴旺起来啦！来，排排队，选个男银陪种田！富的冒油滴不要，苦的掉渣滴不要，帅到人妖滴不要，土到嗝屁滴也不要！小剧场一：“相公？快来嘛！”女人躺在床上，媚眼如丝。“嘘——”“干啥？”“我听听娘走了没。”小剧场二：“宝宝，快喝奶！”“宝宝，不许吐奶！”“宝宝，你又尿地图了！”“臭小子，霸占了你爹地盘，还这么嚣张！”“啪——啪——”“哇——”“混蛋，你干嘛打我儿子？！”“他欺负我女人！”“你欺负我儿子！”飞起一脚，猛踹过去。“哎呦——疼，女人，你敢打我！我打你儿子！”“打我儿子，就打你！！！”某女强悍叉腰。小宝宝满脸黑线——瞧这极品的一家子！！！
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Double Tongue
An aged prophetess at Delphi, the most sacred oracle in ancient Greece, looks back over her strange life as the Pythia, the First Lady and voice of the god Apollo. As a young virgin with disturbing psychic powers, Arieka was handed over to the service of the shrine by her parents. She has now spent sixty years as the very medium, the torn mouthpiece, of equivocal mantic utterances from the bronze tripod in the sanctuary beneath the temple. Over a lifetime at the mercy of god and priest and people she has watched the decay of Delphi's fortunes and its influence in the world. Her reflections on the mysteries of the oracle, which her own weird gifts have embodied, are matched by her feminine insight into the human frailties of the High Priest himself, a true Athenian, whose intriguing against the Romans brings about humiliation and disaster. This extraordinary short novel was left in draft at Golding's sudden death in 1993 but it is a psychological and historical triumph.
恶魔的霸宠：丫头，啵一个
【甜宠文】壁咚、脚咚、车咚、床咚这还不够，温六少最擅长扮猪吃老虎，耍流氓！某女溺水，某男给她做人工呼吸，食髓知味。事后，某男说：“洛七夜，刚刚你亲我一口，现在我亲你一口，两清！”从此，某男赖上了，时不时玩意外。某女终于发火：“温永恒，哪有那么多意外？”某男邪魅一笑：“那就来点实际的……”【男女身心干净，1v1】【拐个校草来恋爱系列文】
爱丽尔
当代美国诗人普拉斯经典代表作：死亡是一门艺术。美国著名诗人普拉斯的重要代表诗歌集。她在1963年2月11日自杀时，在书桌上留下了一个黑色的弹簧活页夹，里面是四十首诗作的手稿合集，集子最初的起名是《爱丽尔和其他诗》。后来由其丈夫休斯根据该手稿顺序进行了整理和删减，并于1965年和1966年分别出版了英国版和美国版两个不同版本的《爱丽尔》诗集。这个修订版本的《爱丽尔》与之前两个版本完全不同——它收录了完整的四十首诗歌，并严格遵照普拉斯最后留下的手稿顺序来编排，更加原汁原味地呈现作者那时候的思想状态。