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美人目
纵使生不能相守,死不能同衾,那我便冲冠一怒为红颜,弃了江山又何妨?我找了你三年,你终究还是走了;若是再给我一个三年,上穷碧落下黄泉,又有何妨?他纤长的手指触到映着一抹红影的池面,想要紧紧抓住,那抹红影却随着水波散去。他抬起头,隐约间似乎看到一位红衣女子,左手握笛,右手擎伞,踏莲而来……你是皇宫里的帝君,你管的是人间百姓;我是鬼宫里的杀神,我的目的,就是要让怨鬼重生,杀尽人世的贪嗔痴恶!三年前,你消失的那一刻起,我就发誓,再不离开你一尺一丈……因为,丈夫丈夫,一丈之内方为夫。如果没有肩负着重建鬼宫的重任;如果我不过是那闺中的寻常的女子……是不是,一切都会不一样?世间万物芳华,终不过白骨成灰。
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The Homecoming
Years after the events of Spencer's Mountain, Clay Spencer—Clay-Boy's father—fails to return home on Christmas Eve. Leaving his worried family to keep watch at the homestead, Clay-Boy takes to the snowy Virginia hills in search of his father. Along the way, he meets an irate deer, a threatening county sheriff, a congregation of African-American churchgoers, and two elderly women who happen to be bootleggers. The story of Clay-Boy's search for his father is told with warmth and intensity.Along with its prequel, Spencer's Mountain, The Homecoming was the inspiration for the popular television show The Waltons, which starred Richard Thomas, Andrew Duggan, and Patricia Neal, and ran for nine years between 1972 and 1981. Over fifty years after its publication, this novel still has the power to move and inspire.萤火时代的闪电:诗歌观察笔记或反省书
本书以新世纪以来诗歌的热点现象和焦点问题为切入口,具有说服力地辨析和反思了诗人与语言、技艺、现实以及时代的复杂共生关系。这是一个对诗人的精神难度和写作难度提出了更高要求的时代,这个时代需要精神闪电的照彻。作者通过对代表性诗人的精神征候分析和文本细读呈现了整体性意义上的诗歌场域的多层性构成。从碎片化、电子化、浮躁化、活动化的诗歌生态出发,作者对诗人心态以及诗歌的写作、阅读、传播和评价予以厘清和定位以及准确的评骘。与此同时诗人与空间尤其是精神远方的关系在本书中得到深入探讨,城市化时代的“乡愁”“记忆”和“地方性知识”已然成为诗人绕不开的写作路径。