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醉情花仙
***红尘万丈都没这么流行,甚至就连牛郎织女都出来玩穿越,好孩纸们,你还会玩哪天马行空的过家家失踪吗?都来坐坐玩穿越吧,沙发都准备好了,此时不来,更待何时。保证质量,书足够肥了,请放心跳坑吧***他本是一个平凡到再也不能平凡的凡夫俗子,可是他却有神话般的名字。他的名字叫牛郎。她出生比天贵,却不能比凡人自由,不过就是她的名字注定了他的传说。她的名字叫织女。红尘不出,仙缘美满比喻不了平凡的生活,一道金光,牛郎织女穿越。牛郎织女神话爱情穿越之醉情花仙爱情传说。虐世,虐缘,虐情,虐心,虐身,虐魂,都不过是千年百世,万劫成民,再一度红尘,不藏笔,一剪纸心,只为你回眸间望我一眼。劫,惑,心,色,唯爱永存,只是在那一尘世虐缘浮萍,众人无一不惊讶:“原来他并没有失踪。。。。。。”这本来就是人在江湖,心如四季,如果你想我了,那就来江湖找我吧。***第一次写书,简介无力,情先目睹小文为后快,记得写评论滴脚印哦***嘎嘎,求包养***心滴华丽丽分割线,听说好文是好孩纸点击,收藏,推荐出来的哦***听说好孩纸看文文会收藏和推荐,你,今天收藏了吗?***推荐了吗?***How It Is
Published in French in 1961, and in English in 1964, How It Is is a novel in three parts, written in short paragraphs, which tell (abruptly, cajolingly, bleakly) of a narrator lying in the dark, in the mud, repeating his life as he hears it uttered - or remembered - by another voice. Told from within, from the dark, the story is tirelessly and intimately explicit about the feelings that pervade his world, but fragmentary and vague about all else therein or beyond. Together with Molloy, How It Is counts for many readers as Beckett's greatest accomplishment in the novel form. It is also his most challenging narrative, both stylistically and for the pessimism of its vision, which continues the themes of reduced circumstance, of another life before the present, and the self-appraising search for an essential self, which were inaugurated in the great prose narratives of his earlier trilogy.