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“她呢?”从黑色霸气的最新款的玛莎拉蒂车下来的男人,语气略显着一丝的冷冽和怒意,浑身散发着凛冽的气息,冷冷的语气暴露了他此时的愤怒。一旁的佣人低着头,低声地说道:“少奶奶在小少爷的房间。”唐亦琛俊彦上挂着那一层冰霜并没有因为佣人的话而软和几分,深邃的眸色反而是更为的黯沉,眸底深处折射出冰渣子,让周遭的空气温度骤降!变脸狂妃:嚣张魅天下
白天,她是人见人欺兽见兽鄙的废材公主;晚上,她摇身一变,成了令人闻风丧胆的神秘杀手组织头目,狠辣嗜血,身份成谜。当废材公主不再隐忍,当冷酷杀手突然温情,但却更加腹黑时,这天又将会怎么变呢?(女主慢慢变强)(情节虚构,切勿模仿)萌妃嫁到:妖孽殿下太缠人
旅游,哪里去好呢?来点新鲜的,古代怎么样?夏天的回答是“好”。理想很丰满,现实却很骨感。古代一点也不好玩儿,好友丢了,还拾了个呆呆的王爷。某王爷:“姐姐,我饿了。”夏天:“滚,本小姐也还没吃饭了。”某王爷:“姐姐,陪我玩会儿好不好?”夏天:“没时间,我不挣钱拿什么养活你。”······Burial at Thebes
Commissioned to mark the centenary of the Abbey Theatre in Dublin in 2004, The Burial at Thebes is Seamus Heaney's new verse translation of Sophocles' great tragedy, Antigone - whose eponymous heroine is one of the most sharply individualized and compelling figures in Western drama. Faithful to the 'local row' and to the fierce specificity of the play's time and place, The Burial at Thebes honours the separate and irreconcilable claims of its opposed voices, as they enact the ancient but perennial conflict between family and state in a time of crisis, pitching the morality of private allegiance against that of public service. Above all, The Burial at Thebes honours the sovereign urgency and grandeur of the Antigone, in which language speaks truth to power, then and now.