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左手增广贤文,右手小窗幽记
没有多少人能傲视天下,也没有几个人能看透人生。世俗中难免为名利所累,众人都说,视名利如粪土,但谁又能抵挡得住诱惑?据说晋朝的狄希酿得好酒,人饮后能醉千日。而今日醉心于名与利者,无一日不醉。高官厚禄、荣华富贵,自古皆然。如果能从醉中醒来,需要服上一剂清凉散,从这个意义上来说,《增广贤文》和《小窗幽记》都是一剂普惠人间的清凉散。凝望
杨春雪只是深深地点了点头,用来表示她的感激,她深情的目光始终凝视着一个方向。在她的前方山林叠嶂,渺渺茫茫,她保持着一种憧憬状态,岿然于景致之间,独钟在历史的风景之中。她突然偏了一下头,似乎聆听到了一种声音,对我说:“你听……”我侧耳去倾听,只是听到了各种山鸟的啁啾声,小溪的汩汩声,再就风的声音,并没有感到有什么特别的声音。我想告诉自己感受到的这一切,我扭过脸,依然看到她还是那副专注的神情,我不忍心打搅她的宁静,只是默默地注视着她。过了很长一段时间,她才不好意思地对我笑了,不好意思地说:“我还以为我听到了汽车的声音呢,其实什么也没有的。老了,老了。”随即,她又对我笑笑,还有些难为情地说:“你说,他们会来接我吗?”Mediums Rare
Prolific screenwriter and genre novelist Richard Matheson has long maintained an interest in all matters relating to parapsychology, telepathy, ESP and other paranormal activity. His brief and elegantly printed new volume amounts to a lightly fictionalized history as well as quick, evocative episodes of paranormal activity from Greek antiquity all the way through renowned American psychic Edgar Cayce.Most of the episodes in this book depict the famous seers, mediums and performers of the nineteenth-century, whose feats Matheson clearly admires. Margaret and Kate Fox, aged ten and seven, in 1848 convinced their parents and many other Americans that they were in touch with ghosts in a haunted house. (Matheson notes that the adult Margaret recanted, explaining how she herself produced the ghosts' mysterious rapping noises: he believes the recantation fake, arranged by the sisters' enemies.)