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Monkey
Probably the most popular book in the history of the Far East, this classic sixteenth century novel is a combination of picaresque novel and folk epic that mixes satire, allegory, and history into a rollicking adventure. It is the story of the roguish Monkey and his encounters with major and minor spirits, gods, demigods, demons, ogres, monsters, and fairies. This translation, by the distinguished scholar Arthur Waley, is the first accurate English version; it makes available to the Western reader a faithful reproduction of the spirit and meaning of the original.钻石宠婚之妙妻狂想娶
现实中,她有一个身价数亿的未婚夫,可她依旧是个处儿。传说中,他有一双儿女,可他依旧是个雏。她是方耀大陆著名的足迹学专家,即将嫁入豪门,却放着锦衣玉食的生活不过,依旧每天奔走与案发现场,天天和脚印打着交道。他是神秘家族的掌权人,出身高贵。人前,他沉稳内敛,淡漠冷情。人后,她面前,他就是个彻头彻尾的市井无赖。人前,她慧眼识天机,成熟干练,雷厉风行,人后,他面前,她是这样的:“哟,爷,您老别跟我说你还是颗青果子。”某女一脸的嫌弃。【PS:架空时代的都市宠文,男强女强,身心干净,一对一,一宠到底,喜欢的亲,点个收藏吧,耐你~】废材逆袭:妖孽王爷独宠逆天妃
她是现代杀手苏倾舞,却遭到男友的背叛,她绝望之下带着项链跳下悬崖,却不想魂穿异世,她成了异灵大陆的洛丞相之女洛倾舞,洛倾舞是异灵大陆无人不知无人不晓的丑八怪加废材,她受尽自己兄弟姐妹的欺负,在一次被她的三妹嫁祸后伤心绝望而自尽身亡,这才让苏倾舞魂穿到洛倾舞的身体上,废材?她苏倾舞会是废材?今后她苏倾舞便是洛倾舞,且看她如何扭转乾坤,从废材变天才……。他是异灵大陆的天才夜王殿下,冷漠,妖孽,腹黑,聪明,灵力高强,却唯独在她面前时温柔似水,且看她和他如何腹黑对腹黑,在他发现自己喜欢上洛倾舞时,却发现洛倾舞的心早已封闭,在面对如此冷情的洛倾舞,他会如何让她再次相信爱情?……………天才魔音师
女主乐观强大,重情又腹黑。人生信条:人不犯我,我不犯人。人若犯我,必百倍千倍还之。◆凤璃音,与相依为命的母亲生活在社会的最底层,受尽百般凌辱。一朝身死,来自异世的凤璃音的灵魂以此重生。本想着代替原主好好活下去。可惜,别人却不愿给她活路。母亲意外身死,小小年纪的她改投母亲的家族--凤族。却不曾想,命运却在此转变。凤族——古老神兽凤凰的守护家族,千年前唯一一个出现过魔音师的家族。何为魔音师,嘿嘿,就是用音乐施展魔法的暗黑魔法师咯!人说魔法师身体羸弱,可她本体为神兽凤凰,身体强悍哪个敢拼?人说魔法师也不是那么稀有啊!她感知五系的元素,全系的魔法师哪个能比?人们还说魔音师不是传说吗?恩恩,她就是那个传说,并且还是五系的魔音师,不服的上来。更更重要的是,她还有一只黑猫作魔兽。黑猫啊,谁有?◆某女摸着自己的嘴,瞪大了眼睛……别人的魔兽都是高大威猛的,为什么到了她这里就成了一只看似什么都不会的黑猫呢??而且……貌似她还被这只黑猫吻了……天理啊…………◆“我是你爹。”男人看着站在对面一脸冷漠的少女,眉头紧皱。“我命令你放了他们。”女子挑眉:“爹?那是什么?我只有娘没有爹。人不犯我我不犯人,人若犯我,我必百倍还之。这只是开始,你带给我和我朋友的伤害,我会一点一点的讨回来。”……◆魔兽纵横的大森林,险象环生的风沙大漠,波涛暗涌的海底大世界,神器绚丽的地底溶洞,不一样的魔域,这是神奇的世界。让我们,一起走过。此文的主题,并不止是爱情,还有感人的友情,励志成长永不放弃的心。美男多多,结局一对一~文风轻松但不小白,有背叛有仇恨但不黑暗,有生死大爱但没有虐,有单打独斗但更多的是组队打怪。请喜欢小白、喜欢暗黑、喜欢虐文的饶道儿!谢谢!The Penelopiad
Margaret Atwood returns with a shrewd, funny, and insightful retelling of the myth of Odysseus from the point of view of Penelope. Describing her own remarkable vision, the author writes in the foreword, I've chosen to give the telling of the story to Penelope and to the twelve hanged maids. The maids form a chanting and singing Chorus, which focuses on two questions that must pose themselves after any close reading of the Odyssey: What led to the hanging of the maids, and what was Penelope really up to? The story as told in the Odyssey doesn't hold water: there are too many inconsistencies. I've always been haunted by the hanged maids and, in The Penelopiad, so is Penelope herself." One of the high points of literary fiction in 2005, this critically acclaimed story found a vast audience and is finally available in paperback.