登陆注册
875300000015

第15章 在行路中遇见自己 (14)

I have no objection to go to see ruins, aqueducts, pictures, in company with a friend or a party, but rather the contrary, for the former reason reserved. They are intelligible matters, and will bear talking about. The sentiment here is not tacit, but communicable and overt. Salisbury Plain is barren of criticism, but Stonehenge will bear a discussion antiquarian, picturesque, and philosophical. In setting out on a party of pleasure, the first consideration always is where we shall go to, in taking a solitary ramble, the question is what we shall meet with by the way. “The mind is its own place”; nor are we anxious to arrive at the end of our journey. I can myself do the honours indifferently well to works of art and curiosity. I once took a party to Oxford with no mean éclat—showed them that seat of the Muses at a distance, “With glistering spires and pinnacles adorn’ d—” descanted on the learned air that breathes from the grassy quadrangles and stone walls of halls and colleges—was at home in the Bodleian; And at Blenheim quite superseded the powdered Cicerone that attended us, and that pointed in vain with his wand to commonplace beauties in matchless pictures. As another exception to the above reasoning, I should not feel confident in venturing on a journey in a foreign country without a companion. I should want at intervals to hear the sound of my own language. There is an involuntary antipathy in the mind of an Englishman to foreign manners and notions that requires the assistance of social sympathy to carry it off. As the distance from home increases, this relief, which was at first a luxury, becomes a passion and an appetite. A person would almost feel stifled to find himself in the deserts of Arabia without friends and countrymen there must be allowed to be something in the view of Athens or old Rome that claims the utterance of speech; and I own that the Pyramids are too mighty for any single contemplation. In such situations, so opposite to all one’ s ordinary train of ideas, one seems a species by one’ s self, a limb torn off from society, unless one can meet with instant fellowship and support.—Yet I did not feel this want or craving very pressing once, when I first set my foot on the laughing shores of France. Calais was peopled with novelty and delight. The confuse, busy murmur of the place was like oil and wine poured into my ears; nor did the mariners’ hymn, which was sung from the top of an old crazy vessel in the harbour, as the sun went down, send an alien sound into my soul. I only breathed the air of general humanity. I walked over “the vine-covered hills and gay regions of France,” erect and satisfied; for the image of man was not cast down and chained to the foot of arbitrary thrones: I was at no loss for language, for that of all the great schools of painting was open to me. The whole is vanished like a shade. Pictures, heroes, glory, freedoms, all are fled, nothing remains but the Bourbons and the French people! —There is undoubtedly a sensation in travelling into foreign parts that is to be had nowhere else, but it is more pleasing at the time than lasting. It is too remote from our habitual associations to be a common topic of discourse or reference, and, like a dream or another state of existence, does not piece into our daily modes of life. It is an animated but a momentary hallucination. It demands an effort to exchange our actual for our ideal identity; and to feel the pulse of our old transports revive very keenly, we must “jump” all our present comforts and connexions. Our romantic and itinerant character is not to be domesticated. Dr. Johnson remarked how little foreign travel added to the facilities of conversation in those who had been abroad. In fact, the time we have spent there is both delightful, and in one sense instructive; but it appears to be cut out of our substantial downright existence, and never to join kindly on to it. We are not the same, but another, and perhaps more enviable individual, all the time we are out of our own country. We are lost to ourselves, as well as our friend. So the poet somewhat quaintly sings, “Out of my country and myself I go.” Those who wish to forget painful thoughts, do well to absent themselves for a while from the ties and objects that recall them; but we can be said only to fulfill our destiny in the place that gave us birth. I should on this account like well enough to spend the whole of my life in traveling abroad, if I could anywhere borrow another life to spend afterwards at home!

这世上最快乐的事情之一就是旅行,不过我喜欢独自出门。在房间里,我享受的是社会生活,但是在室外,大自然就是我最好的伙伴。虽然我是一个人,但我从不感到孤独。

“田野是书房,自然是书籍。”

我不认为边走边谈有多明智。置身于乡村田野,我希望自己像草木一样复得自然。我不是来挑剔灌木丛和黑牛的,我走出城市是为了忘却城市和城市中的一切。有的人或许也是因为这个目的来到海滨,却又随身带去了城市的喧闹。我向往世界有着博大的空间而没有世俗的牵绊。我喜欢独处,身在其中独享其乐,而不会去要求“于僻远处觅友,共话独居之乐”。

同类推荐
  • 爱玛(纯爱·英文馆)

    爱玛(纯爱·英文馆)

    主人公爱玛是个美丽、聪慧而富有的姑娘,同时也是一位不折不扣的幻想家。她热心关注身边的浪漫故事,却又固执地认为自己永远不会陷入其中。她自作主张为孤女哈丽埃特导演了一次又一次的恋爱。当哈丽埃特误以为自己爱上了地方官奈特利先生时,爱玛才惊觉原来自己也在爱着奈特利先生。这虽与她一开始就宣布的终身不嫁的誓言有悖,但坠入情网的她不得不放弃自己天真的誓言。
  • 理智与情感(纯爱·英文馆)

    理智与情感(纯爱·英文馆)

    《理智与情感》是简·奥斯丁富于幽默情趣的处女作。埃莉诺和玛丽安娜两姐妹生在一个英国乡绅家庭,姐姐善于用理智来控制情感,妹妹的情感却毫无节制,因此面对爱情时,她们作出了不同的反映……
  • 那些给我勇气的句子(每天读一点英文)

    那些给我勇气的句子(每天读一点英文)

    这是一套与美国人同步阅读的中英双语丛书,该丛书由美国英语教师协会推荐,特点有三:内文篇目取自世界上最经典、最有影响的寓言故事,适于诵读,“实战提升”部分,包括单词注解、实用句型和智慧点津。
  • 儿子与情人(英文版)

    儿子与情人(英文版)

    《儿子与情人》D.H.劳伦斯的成名作,是其早期创作中成熟且有影响力的作品。最初,《儿子与情人》因为被斥为“有伤风化”的色情文学而先后在英美等国被禁止发行。20世纪60年代,经过轰动性的法庭审判方才解禁。随着人们对其作品认识的深入,这部《儿子与情人》已被誉为世界文学名著长廊中独具特色的佳作,1999年,《儿子与情人》被评为“20世纪英国百佳小说”。
  • 把沉睡的时光摇醒

    把沉睡的时光摇醒

    《把沉睡的时光摇醒》精选了梭罗、海明威、罗斯金、莫里斯、里尔克、笛福、兰姆、马克·吐温、托尔斯泰、毛姆、戴克、怀特、艾默生等50多位全球公认的文学巨匠,近百篇最美的散文,100多幅精美插画。全书精致雅美,传承名家之灵气,有如万般激流在心中翻涌,又似气吞山河的力量,抑或万物如谜般沉默静美,给人无限的想象和心灵滋养。
热门推荐
  • 掌控穿越女:娘子不好惹

    掌控穿越女:娘子不好惹

    从阴沟里掉下去,她不过就看了场好戏,居然就要赖上她,让她负责?好吧,负责就负责。乖乖,居然丢下她去询花问柳,也不看看她是谁,不去助兴她就不叫莫芜茨。什么,让她为他解决难题?行,就怕你没有这个本事。嗯哼?只准州官放火,不准百姓点灯。当她好欺负?那就让他见识她莫芜茨的手段……
  • 江西诗社宗派图录

    江西诗社宗派图录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 回忆一个恶人

    回忆一个恶人

    监狱大院长大的杨顺成在监狱高高在上,虐待犯人,肆无忌惮。他喜欢同学高玲玲,喜欢诗,吉他弹得好,会写歌。毕业去了西藏,穿着皮大衣回来看高玲玲,遭高玲玲漠视,他断琴告别。他去广东佛山强奸了房东女儿,劫车杀人碎尸,成为彻头彻尾的恶人。是音乐给了他新生,他加入火柴乐队,但是结局却被枪毙。
  • 烈火红颜

    烈火红颜

    小说吧首篇特工酷文,热血与爱情,强强联手他是来自C国的特工,气宇轩昂洁身自好。什么?他不爱女人,也不爱男人?不,他没病!一世柔情,只为遇见一个“他”传说“他”俊美无双,比女人还要漂亮万分传说“他”心狠手辣,比女人还睚眦必报传说“他”身份多样,比女人还善变“他”是苍狼,欧洲佣兵界顶尖军团隼的大BOSS什么叫不打不相识,什么是打是亲骂是爱苍狼手中的枪指着石岩的脑门:“你看清楚了,我是男人,别让我再说第二遍。”石岩挡开枪管,伸手捏住某人的下巴:“我管你是男人还是女人?是男人咱们就搞基,是女人你就给我生儿子,就这么说定了!”一朝“鸳鸯戏水”,他探出了“他”胸前的波澜沟壑“你,是女人?”“混蛋,留下你的狗眼和狗爪!”石岩心下大喜:“是女人就好,真好,你真是女人?我再确定一下!”“去死!”当一切尘埃落定,某狼失踪,石岩千里追妻“该死的,你敢带球跑?”某狼妖娆一笑:“我习惯了战场,习惯了厮杀和冒险,你让我跟你回去每天柴米油盐酱醋茶,奶粉,尿布,孩子,男人?噢,上帝,滚你妈的蛋!”
  • 重生之侯门闺懒

    重生之侯门闺懒

    一道圣旨降下,蒋婷从低贱的罪户之女,变成了高贵的侯门千金!终于达成了前世衣来伸手饭来张口的米虫梦想,蒋婷觉得很幸福。嗯,日后再挑个家世良好,老实巴交,没有野心的好相公,那日子简直就是幸福美好加三级啊!可惜好景不长,尚未及笄,蒋婷的懒“闺”生活就出现了严重危机。府内有小心眼的后娘要算计她的婚事嫁妆,府外有爱记仇的毛头小子专门给她的亲事捣鬼添乱!蒋婷急了眼。虽然她万事都懒得计较,可这挑老公的事情,绝对绝对要自己来啊!【情节虚构,请勿模仿】
  • 杂纂二续

    杂纂二续

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 储蓄小常识

    储蓄小常识

    本书针对青少年而编写,一共分为3篇:第1篇从“储蓄”的定义、目的、种类和方式入手,讲述了“储蓄”的基本常识;第2篇讲述了“利率”的基本含义和各种类型;第3篇讲述了“储蓄机构”的定义、分类等基本内容。
  • 头门

    头门

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 大叔,别想跑

    大叔,别想跑

    二十一世纪孤女林伊被莫名其妙的女人带到莫名其妙的世界,成为莫名其妙的小屁孩。林伊觉得自己可能真的是天煞孤星命,才想出几个月的婆婆转眼却为了救她而死。好不容易被偏偏少年郎给捡了回去,可是...这位大叔,咱有话好商量,看我这么可爱你忍心杀我吗?看在你长的好看的份上,只要你不杀我,将来我长大了勉强就娶了你吧。儿时习武习医理,长时习魔法习炼药,有可爱的空间器灵相伴,日子好生洒脱。不过,大叔,啥叫我身上背负着血海深仇?为啥要她杀女皇为母报仇?算了,既然占了这个身体那就背负该有的责任,反正她看女皇也不顺眼,顺手就灭了吧。只是好端端的一个世界,却像个马蜂窝一样,总是会莫名其妙的掉到别的世界,还让不让人好了?
  • 崩溃

    崩溃

    李莉在某天晚上发现自己的小狗被人割断了喉咙,她开始寻找杀死小狗的凶手,这个家庭里的任何一个人都是疑凶,在黑夜里举着匕首的丈夫,心怀鬼胎的婆婆,变异的儿子,惊恐的小保姆……家庭中的任何一个人都在经历着前所未有的困难,他们各自的表情都和自己受伤的心灵有关,都有无法向别人言说的故事,也最终使这个家庭中的每个人走向绝望的境地……