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为什么?洛晚昔蹲在门槛上问老天。您这算是惩罚我么?我生活美满幸福自由,还是您是在妒忌我?不过,有武林世家的小公子和太子殿下为我做跑堂小二,我也应该知足了吧!洛晚昔这么安慰自己。只是老天爷,您啊!为什么喜欢我的不是手无缚鸡之力的小白脸就是凶神恶煞五大三粗的猛男?好不容易来了一个看得上眼的大小姐,以为是同乡却偏偏是土著。好不容易把太子殿下训练成了油嘴滑舌的小二却又被拎回去做皇帝。好不容易开了家客栈准备混吃混喝等死却被猥琐的大叔逼着继承他的衣钵。老天,你折磨我是吧!我才不要去皇宫做太子妃,也不要去山贼窝做压寨夫人。不是压寨夫人?那也不去!更不要说去豪门做什么大少奶奶了。这辈子,我死都要死在开门迎客!
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In this angry, eloquent outcry against the oppression of homosexuals, the author of the classic City of Night gives "an explosive non-fiction account, with commentaries, of three days and nights in the sexual underground" of Los Angeles in the 1970s--the "battlefield" of the sexual outlaw. Using the language and techniqus of the film, Rechy deftly intercuts the despairing, joyful, and defiant confessions of a male hustler with the "chorus" of his own subversive reflections on sexual identity and sexual politics, and with stark documentary reports our society directs against homosexuals--"the only minority against whose existence there are laws."