执迷（龙人日志系列 #12）评论

Best known as the basis for Alfred HItchcock's classic film The Lady Vanishes, Ethel White's book The Wheel Spins is a gripping and accomplished work in its own right. The plot is deceptively simple and the premise is classic: a woman meets a mysterious stranger during a long railway journey. It's easy to see in this novel what Hitchcock found so compelling and so well-suited to his particular brand of filmmaking.

Prolific screenwriter and genre novelist Richard Matheson has long maintained an interest in all matters relating to parapsychology, telepathy, ESP and other paranormal activity. His brief and elegantly printed new volume amounts to a lightly fictionalized history as well as quick, evocative episodes of paranormal activity from Greek antiquity all the way through renowned American psychic Edgar Cayce.Most of the episodes in this book depict the famous seers, mediums and performers of the nineteenth-century, whose feats Matheson clearly admires. Margaret and Kate Fox, aged ten and seven, in 1848 convinced their parents and many other Americans that they were in touch with ghosts in a haunted house. (Matheson notes that the adult Margaret recanted, explaining how she herself produced the ghosts' mysterious rapping noises: he believes the recantation fake, arranged by the sisters' enemies.)

Human beings have always been mythmakers. So begins best-selling writer Karen Armstrong's concise yet compelling investigation into myth: what it is, how it has evolved, and why we still so desperately need it. She takes us from the Paleolithic period and the myths of the hunters right up to the Great Western Transformation of the last five hundred years and the discrediting of myth by science. The history of myth is the history of humanity, our stories and beliefs, our curiosity and attempts to understand the world, which link us to our ancestors and each other. Heralding a major series of retellings of international myths by authors from around the world, Armstrong's characteristically insightful and eloquent book serves as a brilliant and thought-provoking introduction to myth in the broadest senseand explains why if we dismiss it, we do so at our peril.

Mad World is a highly entertaining oral history that celebrates the New Wave music phenomenon of the 1980s via new interviews with 35 of the most notable artists of the period. Each chapter begins with a discussion of their most popular song but leads to stories of their history and place in the scene, ultimately painting a vivid picture of this colorful, idiosyncratic time. Mixtape suggestions, fashion sidebars, and quotes from famous contemporary admirers help fill out the fun. Participants include members of Duran Duran, New Order, The Smiths, Tears for Fears, Adam Ant, Echo and the Bunnymen, Devo, ABC, Spandau Ballet, A Flock of Seagulls, Thompson Twins, and INXS.

尹守国，2006年开始小说创作，发表中短篇小说70多万字，作品多次被《新华文摘》、《小说选刊》、《北京文学中篇小说月报》等选载，中国作家协会会员，辽宁省作协签约作家。

小农民元神觉醒，快意花丛……不对，快意恩仇！只要你敢惹到俺的头上，俺就叫你吃不来兜着走！从此猛农过江，蛇行天下！

本书主要以中国明清文学、现当代文学的史实为基点，锁定中国现当代重要作家鲁迅、周作人、郁达夫、林语堂、张爱玲、汪曾祺、贾平凹等为研究对象，通过大量文献史料的钩沉和比对，并加以较为充分的论证和反复的考量，以尝试求证：这些作家的文学创作及其创作理念与明清性灵文学之间的联系；两者之间的内在共通性，以及后者是如何接受明清性灵文学的深刻影响的；此类文学在中国文学史上具有的价值和给予我们的启示。

入殓师一职始于夏商时期，其工作是帮离逝的人梳洗装扮，让其体面的离开人世，传到近代，竟有人误以为东赢是其发源地，这是表面的记载，很少人知道这个世界上还有一个不为人知的存在，那就是灵魂入殓者，又称阴阳入殓师。

“苏怡筱，你别太狂傲了！”“狂怎么了？傲怎么了？我有狂傲的资本你有吗？我敢狂傲你敢吗？我能狂傲你能吗？”本是那银眸邪瞳，天资聪颖的神主继承人，被毒害后来到这逸灵大陆。虽然丹田被废，但苏怡筱的性格，该狂，还是要狂的！一笑，惊动天下。纵横世间，重回故地。苏怡筱看着神界一切，勾唇一笑。所有的一切，是该拿回来了！这一切就当是借给你的，代价就是——你的命！而如此惊世之人，当然也会有人倾心，不过……这登徒子为何缠的如此紧？她走哪儿他跟哪儿，烦都烦死了。只见某只凑近她说：“女人，本王是你男人，以后常见，请多关照。”苏怡筱：“……gun”

我是周远…我的心儿，转眼遗失在过去、现在还是未来？翻开日记本。她在，她沉睡在我心的深处，定格亦如往昔。此前，我是个战士，保护“她”是我的任务。然后我失忆了？可能大概也许。想起来，总会想起来的。不是吗？一切总会过去。我在这里，默默坚持。死亡/重生！

时隔一年，老板的“哑舍”古董店再次开业。千年不死的胡亥现身，寻找皇兄扶苏的灵魂，妄图将其灵魂复活，由此展开胡亥的寻找皇兄之旅。他不能确定扶苏转世，在医生和陆子冈之间游移，屡次出手试探……若是扶苏当真如胡亥所愿复活，那身为其转世的医生……命当为何？！

通过不同年龄、职业、价值取向的六位女子在北京恋爱婚姻生活的讲述来分析、探讨如何结识、选定自己的另一半；如何让他对你死心塌地；如何识破渣男和陷阱；如何在新婚伊始就确定良好的相处模式；如何和婆婆过招？以期给大家提供一点儿借鉴。

帝王的后宫一直以来都是是非之地，是胭脂水粉笼罩的血色战场。后宫中那群如花的女子，或许有显赫的家世，或许有绝美的容颜、机巧的智慧。她们为了争夺爱情，争夺荣华富贵，争夺一个或许并不值得爱恋的男人，钩心斗角，尔虞我诈，将青春和美貌都虚耗在了这场无体无止的斗争中。权与爱，权与情，权与色，权与钱，权与法，权与权……错综复杂地交织在一起，演绎出一幕幕血与火的悲剧，也滋生了一桩桩荒诞离奇的丑事，一个个神秘难解的问题，既惊心动魄，又发人深省。

《你越过那片沼泽（1980年-1990年）（第1辑）》：范小青短篇小说精选集。范小青，女，苏州入。现为江苏省作协主席、党组书记，中国作协全委会委员。1980年起发表文学作品，以小说创作为主，著有长篇小说十七部，代表作有《城市表情》、《女同志》、《赤脚医生万泉和》等，中短篇小说二百余篇，代表作有《城乡简中》、《我在哪里丢失了你》等，电视剧代表作有《费有有女》《干部》等。短篇小说《城乡简史》获第四届鲁迅文学奖。