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中国当代舞台美术论稿（中国艺术研究院学术文库）
舞台美术应属于相对偏远的学科，却又有悠久的历史。曹禺先生指出，“没有舞台美术就没有戏剧”，通俗地对其作了艺术定位，又辩证地建构了与戏剧舞台的关系。本书以不同的学术视角，对当代舞台美术的创造，进行了整体性的剖析、读解，折映了当代舞台美术的生命状态、生存空间和未来前景。全书基于作者的创作实践，有论有述，史论并举，对当代戏剧的发展具有一定的启示意义。
豪夫童话（语文新课标课外读物）
现代中、小学生不能只局限于校园和课本，应该广开视野，广长见识，广泛了解博大的世界和社会，不断增加丰富的现代社会知识和世界信息，才有所精神准备，才能迅速地长大，将来才能够自由地翱翔于世界蓝天。否则，我们将永远是妈妈怀抱中的乖宝宝，将永远是温室里面的豆芽菜，那么，我们将怎样走向社会、走向世界呢？
Water in May
Fifteen-year-old Mari Pujols believes that the baby she's carrying will finally mean she' ll have a family member who will love her deeply and won't ever leave her—not like her mama, who took off when she was eight; or her papi, who's in jail; or her abuela, who wants as little to do with her as possible. But when doctors discover a potentially fatal heart defect in the fetus, Mari faces choices she never could have imagined. Surrounded by her loyal girl crew, her off-and-on boyfriend, and a dedicated doctor, Mari navigates a decision that could emotionally cripple the bravest of women. But both Mari and the broken-hearted baby inside her are fighters; and it doesn't take long to discover that this sick baby has the strength to heal an entire family. Inspired by true events, this gorgeous debut has been called “heartfelt, heartbreaking and—yes!—even a little heart-healing, too by bestselling YA novelist Carolyn Mackler.
蹲下来和孩子一起看世界
本书讲述了教师工作具有极强的艺术性。而对于孩子，也就是那些中小学生来说，由他们的本身特点及身心发展规律所决定，老师又必须要能抓住这些孩子的特点，避免成人化的教育方式。因此，老师在教育时，必须要能“蹲下自己的身子”。《蹲下来和孩子一起看世界》吸收了近几年教学实践中的经典案例以及中外教育的各种优势，对“蹲下来”的教育方式进行精辟的阐释，相信对广大教育工作者会大有裨益。