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金牌召唤师：小妖妃霸天下
一朝穿越，她这个爹不疼娘不爱的庶出公主被丢入魔窟，献给大妖当小妾，可为毛她掉的是狐狸窝？“你是妖王赐给我们的老婆吗？”小狐狸萌萌的看着她！“我去，毛都没有长齐娶什么老婆。”某女鄙视：“不知道老娘以前是专门降妖除魔的嘛，你们这些小狐狸都给我排队站好，不乖的宰了做衣裳。”废柴华丽转身，带着一群小狐狸闯天下，开个妓院赚大钱，某妖王太帅，抓来站台，某皇帝太妖孽，抢来接客……什么？不乖，那行，皇位不还你。
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Burial at Thebes
Commissioned to mark the centenary of the Abbey Theatre in Dublin in 2004, The Burial at Thebes is Seamus Heaney's new verse translation of Sophocles' great tragedy, Antigone - whose eponymous heroine is one of the most sharply individualized and compelling figures in Western drama. Faithful to the 'local row' and to the fierce specificity of the play's time and place, The Burial at Thebes honours the separate and irreconcilable claims of its opposed voices, as they enact the ancient but perennial conflict between family and state in a time of crisis, pitching the morality of private allegiance against that of public service. Above all, The Burial at Thebes honours the sovereign urgency and grandeur of the Antigone, in which language speaks truth to power, then and now.
老榆树下的女人（中篇小说）
一场大雾就在卢梨花的眼皮底下升起来，也就是说，卢梨花亲眼目睹了大雾是怎样由薄变厚到浓得化不开。前半夜，卢梨花坐在炕上看老榆树，看着看着，老榆树就不那么清晰了，像披了一层薄纱。卢梨花揉揉眼睛，老榆树还是一点点地隐没在白纱里了，“你呀，真淘气，跟我捉迷藏呢？还是有心上人啦，要弃我而去？”此时，卢梨花还没有意识到下雾了，她还在细声细语地埋怨老榆树。直到完全看不清老榆树了，卢梨花才回过神儿来，她把脸贴在玻璃窗上，别说看天上的星星，就连常兴明锁在窗户下那辆破旧的自行车都影影绰绰。卢梨花这才意识到是下雾了。大雾把老榆树吞噬掉，把卢梨花烦乱的心事淹没在遥远的地方。