登陆注册
4698200000009

第9章

The master, let us suppose, has received his horse and is ready to mount.[1] We will now prescribe certain rules to be observed in the interests not only of the horseman but of the animal which he bestrides. First, then, he should take the leading rein, which hangs from the chin- strap or nose-band,[2] conveniently in his left hand, held slack so as not to jerk the horse's mouth, whether he means to mount by hoisting himself up, catching hold of the mane behind the ears, or to vault on to horseback by help of his spear. With the right hand he should grip the reins along with a tuft of hair beside the shoulder-joint,[3] so that he may not in any way wrench the horse's mouth with the bit while mounting. In the act of taking the spring off the ground for mounting,[4] he should hoist his body by help of the left hand, and with the right at full stretch assist the upward movement[5] (a position in mounting which will present a graceful spectacle also from behind);[6] at the same time with the leg well bent, and taking care not to place his knee on the horse's back, he must pass his leg clean over to the off side; and so having brought his foot well round, plant himself firmly on his seat.[7]

[1] Reading {otan . . . paradexetai . . . os anabesomenos}. Or, reading {otan paradexetai ton ippea (sc. o. ippos) ws anabesomenon}, transl. "the horse has been brought round ready for mounting."[2] So Courier, "la muserolle." It might be merely a stitched leather strap or made of a chain in part, which rattled; as {khrusokhalinon patagon psalion} (Aristoph. "Peace," 155) implies. "Curb" would be misleading.

[3] "Near the withers."

[4] Or, "as soon as he has got the springing poise preliminary to mounting."[5] "Give himself simultaneously a lift." Reading {ekteinon}, or if{enteinon}, "keeping his right arm stiff."[6] Or, "a style of mounting which will obviate an ungainly attitude behind."[7] Lit. "lower his buttocks on to the horse's back."To meet the case in which the horseman may chance to be leading his horse with the left hand and carrying his spear in the right, it would be good, we think, for every one to practise vaulting on to his seat from the right side also. In fact, he has nothing else to learn except to do with his right limbs what he has previously done with the left, and vice versa. And the reason we approve of this method of mounting is[8] that it enables the soldier at one and the same instant to get astride of his horse and to find himself prepared at all points, supposing he should have to enter the lists of battle on a sudden.

[8] Lit. "One reason for the praise which we bestow on this method of mounting is that at the very instant of gaining his seat thesoldier finds himself fully prepared to engage the enemy on a sudden, if occasion need."But now, supposing the rider fairly seated, whether bareback or on a saddle-cloth, a good seat is not that of a man seated on a chair, but rather the pose of a man standing upright with his legs apart. In this way he will be able to hold on to the horse more firmly by his thighs; and this erect attitude will enable him to hurl a javelin or to strike a blow from horseback, if occasion calls, with more vigorous effect. The leg and foot should hang loosely from the knee; by keeping the leg stiff, the rider is apt to have it broken in collision with some obstacle; whereas a flexible leg[9] will yield to the impact, and at the same time not shift the thigh from its position. The rider should also accustom the whole of his body above the hips to be as supple as possible; for thus he will enlarge his scope of action, and in case of a tug or shove be less liable to be unseated. Next, when the rider is seated, he must, in the first place, teach his horse to stand quiet, until he has drawn his skirts from under him, if need be,[10] and got the reins an equal length and grasped his spear in the handiest fashion; and, inthe next place, he should keep his left arm close to his side. This position will give the rider absolute ease and freedom,[11] and his hand the firmest hold.

同类推荐
  • 客窗闲话

    客窗闲话

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 葮川独泛

    葮川独泛

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 吹万禅师语录

    吹万禅师语录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 大唐大慈恩寺三藏法师传

    大唐大慈恩寺三藏法师传

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 漕船志

    漕船志

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 朝云北郭录

    朝云北郭录

    还没想好写啥呢就乱编点吧啦啦啦啦啦啦啦啦
  • 今世说

    今世说

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 出马先生

    出马先生

    命不好娶了个出马仙撑着,本以为娶回来的是个天仙,没想到竟然娶回来一个姑奶奶,手底下一大堆牛鬼蛇神,且个个都得当祖宗供着。过了一段日子的张墨成觉得,有时候活着还真不如死了算了……
  • 粤漂

    粤漂

    大家好我叫龙德强彝族名字叫,纳言阿各原以为来东莞了,就能和别人一样找到属于自己的工作。可是没想到上半年被中介浪费了,然而我心爱的为了眼前的利益背叛了我,我妹妹也离开了我。如今我的工作还没有找到一份稳稳当当的工作。不知道谁能告诉我明天的路往哪儿走。
  • 洛阳牡丹记

    洛阳牡丹记

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 风之无限

    风之无限

    yes还是no,这是一个简单的选择。难的,是选择之后所要承受的后果。尤其当这个选择背后,代表着的是甘于现状的平庸与无限危险和机遇之时。因为过去的憧憬与现在的不甘,风逸尘踏入了这个曾经梦寐以求的世界。可当唯一依仗,故事剧情都开始崩坏之时,他所能做的也只有挣扎。在这无限的国度,轮回的世界中,挣扎着,活下去。
  • 和小奶狗谈恋爱

    和小奶狗谈恋爱

    如果人可以长尾巴~总会觉得有点难为情呢~因为只要和你在一起,我总会忍不住摇尾巴吧~
  • 八荒

    八荒

    一个人失去另一个人的过程,是极缓慢的,但往往却被我们误以为是电光石火的事。将万事都放下了,转一个身就走了。苏有信说,白色足可承当一切,因它自身没有悲喜,事实上,女子间的相互慰藉,与男女之间的,一样少,总是不够多。她要穿着极治艳的裙,逡巡这白的城白的国。像途经所罗门王百合山谷的茨冈人。大凡不见得有好理由跟好代价,但只觉必须要去做的,不那么严格来讲,便已经是爱情,时光当前,一切厮守都没有用处。爱在文字中不寂,不灭,不穷匮,居心险恶地,泛滥成洪荒之灾,简直要息壤才能将它克制得住。
  • 欢喜代嫁:独宠小小新娘

    欢喜代嫁:独宠小小新娘

    她是天真娇憨的代嫁小新娘,冷漠无情的庄主相公那边在欢喜的娶妾,她则包袱款款的准备离家出走,行走江湖间,遇美男无数……
  • 迷途

    迷途

    三个已婚女子分别从上海、北京和新加坡出发,完成她们心心念念的越南之旅。身体是感情的巨大出口,裸露的皮肤,心中的欲望,就像干柴一样被点燃。生命中本就应该有几段值得回味的恣意,不再年轻的女人们一样有年轻的情感困惑。中年女性,婚姻深处多的是落寞和孤独。不同职业、不同经历,却有着同样的深刻到灵魂的寂寞面孔……