Being then in a pleasant frame of mind (from which I infer that poisoning is not always disagreeable in some stages of the process), I resolved to go to the play. It was Covent Garden Theatre that I chose; and there, from the back of a centre box, Isaw Julius Caesar and the new Pantomime. To have all those noble Romans alive before me, and walking in and out for my entertainment, instead of being the stern taskmasters they had been at school, was a most novel and delightful effect. But the mingled reality and mystery of the whole show, the influence upon me of the poetry, the lights, the music, the company, the smooth stupendous changes of glittering and brilliant scenery, were so dazzling, and opened up such illimitable regions of delight, that when I came out into the rainy street, at twelve o'clock at night, I felt as if Ihad come from the clouds, where I had been leading a romantic life for ages, to a bawling, splashing, link-lighted, umbrella-struggling, hackney-coach-jostling, patten-clinking, muddy, miserable world.
I had emerged by another door, and stood in the street for a little while, as if I really were a stranger upon earth: but the unceremonious pushing and hustling that I received, soon recalled me to myself, and put me in the road back to the hotel; whither Iwent, revolving the glorious vision all the way; and where, after some porter and oysters, I sat revolving it still, at past one o'clock, with my eyes on the coffee-room fire.
I was so filled with the play, and with the past - for it was, in a manner, like a shining transparency, through which I saw my earlier life moving along - that I don't know when the figure of a handsome well-formed young man dressed with a tasteful easy negligence which I have reason to remember very well, became a real presence to me. But I recollect being conscious of his company without having noticed his coming in - and my still sitting, musing, over the coffee-room fire.
At last I rose to go to bed, much to the relief of the sleepy waiter, who had got the fidgets in his legs, and was twisting them, and hitting them, and putting them through all kinds of contortions in his small pantry. In going towards the door, I passed the person who had come in, and saw him plainly. I turned directly, came back, and looked again. He did not know me, but I knew him in a moment.
At another time I might have wanted the confidence or the decision to speak to him, and might have put it off until next day, and might have lost him. But, in the then condition of my mind, where the play was still running high, his former protection of me appeared so deserving of my gratitude, and my old love for him overflowed my breast so freshly and spontaneously, that I went up to him at once, with a fast-beating heart, and said:
'Steerforth! won't you speak to me?'
He looked at me - just as he used to look, sometimes -but I saw no recognition in his face.
'You don't remember me, I am afraid,' said I.
'My God!' he suddenly exclaimed. 'It's little Copperfield!'
I grasped him by both hands, and could not let them go. But for very shame, and the fear that it might displease him, I could have held him round the neck and cried.
'I never, never, never was so glad! My dear Steerforth, I am so overjoyed to see you!'
