The first to captivate and take his fancy were the pots, out of which he would have very gladly helped himself to a moderate pipkinful; then the wine skins secured his affections; and lastly, the produce of the frying-pans, if, indeed, such imposing cauldrons may be called frying-pans; and unable to control himself or bear it any longer, he approached one of the busy cooks and civilly but hungrily begged permission to soak a scrap of bread in one of the pots; to which the cook made answer, "Brother, this is not a day on which hunger is to have any sway, thanks to the rich Camacho; get down and look about for a ladle and skim off a hen or two, and much good may they do you."
"I don't see one," said Sancho.
"Wait a bit," said the cook; "sinner that I am! how particular and bashful you are!" and so saying, he seized a bucket and plunging it into one of the half jars took up three hens and a couple of geese, and said to Sancho, "Fall to, friend, and take the edge off your appetite with these skimmings until dinner-time comes."
"I have nothing to put them in," said Sancho.
"Well then," said the cook, "take spoon and all; for Camacho's wealth and happiness furnish everything."
While Sancho fared thus, Don Quixote was watching the entrance, at one end of the arcade, of some twelve peasants, all in holiday and gala dress, mounted on twelve beautiful mares with rich handsome field trappings and a number of little bells attached to their petrals, who, marshalled in regular order, ran not one but several courses over the meadow, with jubilant shouts and cries of "Long live Camacho and Quiteria! he as rich as she is fair; and she the fairest on earth!"
Hearing this, Don Quixote said to himself, "It is easy to see these folk have never seen my Dulcinea del Toboso; for if they had they would be more moderate in their praises of this Quiteria of theirs."
Shortly after this, several bands of dancers of various sorts began to enter the arcade at different points, and among them one of sword-dancers composed of some four-and-twenty lads of gallant and high-spirited mien, clad in the finest and whitest of linen, and with handkerchiefs embroidered in various colours with fine silk; and one of those on the mares asked an active youth who led them if any of the dancers had been wounded. "As yet, thank God, no one has been wounded," said he, "we are all safe and sound;" and he at once began to execute complicated figures with the rest of his comrades, with so many turns and so great dexterity, that although Don Quixote was well used to see dances of the same kind, he thought he had never seen any so good as this. He also admired another that came in composed of fair young maidens, none of whom seemed to be under fourteen or over eighteen years of age, all clad in green stuff, with their locks partly braided, partly flowing loose, but all of such bright gold as to vie with the sunbeams, and over them they wore garlands of jessamine, roses, amaranth, and honeysuckle. At their head were a venerable old man and an ancient dame, more brisk and active, however, than might have been expected from their years. The notes of a Zamora bagpipe accompanied them, and with modesty in their countenances and in their eyes, and lightness in their feet, they looked the best dancers in the world.
Following these there came an artistic dance of the sort they call "speaking dances." It was composed of eight nymphs in two files, with the god Cupid leading one and Interest the other, the former furnished with wings, bow, quiver and arrows, the latter in a rich dress of gold and silk of divers colours. The nymphs that followed Love bore their names written on white parchment in large letters on their backs. "Poetry" was the name of the first, "Wit" of the second, "Birth" of the third, and "Valour" of the fourth. Those that followed Interest were distinguished in the same way; the badge of the first announced "Liberality," that of the second "Largess," the third "Treasure," and the fourth "Peaceful Possession." In front of them all came a wooden castle drawn by four wild men, all clad in ivy and hemp stained green, and looking so natural that they nearly terrified Sancho. On the front of the castle and on each of the four sides of its frame it bore the inscription "Castle of Caution." Four skillful tabor and flute players accompanied them, and the dance having been opened, Cupid, after executing two figures, raised his eyes and bent his bow against a damsel who stood between the turrets of the castle, and thus addressed her:
I am the mighty God whose sway Is potent over land and sea.
The heavens above us own me; nay, The shades below acknowledge me.
I know not fear, I have my will, Whate'er my whim or fancy be;
For me there's no impossible, I order, bind, forbid, set free.
Having concluded the stanza he discharged an arrow at the top of the castle, and went back to his place. Interest then came forward and went through two more figures, and as soon as the tabors ceased, he said:
But mightier than Love am I, Though Love it be that leads me on, Than mine no lineage is more high, Or older, underneath the sun.
To use me rightly few know how, To act without me fewer still, For I am Interest, and I vow For evermore to do thy will.
Interest retired, and Poetry came forward, and when she had gone through her figures like the others, fixing her eyes on the damsel of the castle, she said:
With many a fanciful conceit, Fair Lady, winsome Poesy Her soul, an offering at thy feet, Presents in sonnets unto thee.
If thou my homage wilt not scorn, Thy fortune, watched by envious eyes, On wings of poesy upborne Shall be exalted to the skies.
Poetry withdrew, and on the side of Interest Liberality advanced, and after having gone through her figures, said:
To give, while shunning each extreme, The sparing hand, the over-free, Therein consists, so wise men deem, The virtue Liberality.
