登陆注册
4811400000772

第772章

Let us first consider the most prominent personages. - It is certain, that, among the aristocracy, the wealthiest and most conspicuous families had ceased to render services proportionate to the cost of their maintenance. Most of the seigniors and ladies of the Court, the worldly bishops, abbés, and parliamentarians of the drawing-room, knew but little more than how to solicit with address, make a graceful parade of themselves and spend lavishly. An ill-understood system of culture had diverted them from their natural avocations, and converted them into showy and agreeable specimens of vegetation, often hollow, blighted, sapless and over-pruned, besides being very costly, over-manured and too freely watered; and the skillful gardening which shaped, grouped and arranged them in artificial forms and bouquets, rendered their fruit abortive that flowers might be multiplied. - But the flowers were exquisite, and even in a moralist's eyes, such flowering counts for something. On the side of civility, good-breeding and deportment, the manners and customs of high life had reached a degree of perfection, which never, in France or elsewhere, had been attained before, and which has never since been revived;[49] and of all the arts through which men have emancipated themselves from primitive coarseness, that which teaches them mutual consideration is, perhaps, the most precious. The observance of this, not alone in the drawing-room, but in the family, in business, in the street, with regard to relatives, inferiors, servants and strangers, gives dignity, as well as a charm, to human intercourse. Delicate regard for what is proper becomes a habit, an instinct, a second nature, which nature, superimposed on the original nature, is the best, inasmuch as the internal code which governs each detail of action and speech, prescribes the standard of behavior and respect for oneself, as well as respect and refined behavior towards others. - To this merit, add mental culture. Never was there an aristocracy so interested in general ideas and refinement of expression; it was even too much so; literary and philosophical preoccupation excluded all others of the positive and practical order;they talked, instead of acting. But, in this limited circle of speculative reason and of pure literary forms, it excelled; writings and how to write furnished the ordinary entertainment of polite society; every idea uttered by a thinker caused excitement in the drawing-room: the talent and style of authors were shaped by its taste;[50] it was in the drawing-rooms that Montesquieu, Voltaire, Rousseau, d'Alembert, the Encyclopedists, great and little, Beaumarchais, Bernardin de Saint-Pierre, Champfort, and Rivarol, involuntarily sought listeners and found them, not merely admirers and entertainers, but friends, protectors, patrons, benefactors and followers. - Under the instruction of the masters, the disciples had become philanthropists; moreover, the amenities of manners developed in all souls compassion and benevolence: "Nothing was more dreaded by opulent men than to be regarded as insensitive."[51] They concerned themselves with children, with the poor, with the peasantry, setting their wits to work to afford them relief; their zeal was aroused against oppression, their pity was excited for every misfortune. Even those whose duties compelled them to be rigid tempered their rigidity with explanations or concessions.

"Ten years before the Revolution," says R?derer,[52] "the criminal courts of France were no longer like before. . . . Their attitude had changed. . . All the young magistrates, and this I can bear witness to, for I was one myself, pronounced judgments more in accordance with the principles of Beccaria,[53] than according to law." -As to the men in authority, military administrators and commandants, it was impossible to be more patient, more mindful of human blood.

Their qualities turned also here into defects, for, through excess of humanity, they were unable to maintain order, as is evident when facing the insurrections that took place between 1789 and 1792. Even with the force in their own hands, amidst gross insults and extreme dangers, they dreaded to make use of it; they could not bring themselves to repressing brutes, rascals and maniacs: following the example of Louis XVI., they considered themselves as shepherds of the people, and let themselves be trampled upon rather than fire upon their flock. - In reality, they had noble, and even generous and big hearts: in the bailiwick assemblies, in March, 1789, long before the night of August 4, they voluntarily surrendered every pecuniary privilege; under severe trials, their courage, heightened by polished manners, adds even to their heroism, elegance, tact and gaiety. The most corrupt, a Duke of Orleans, the most frivolous and the most blasé, a Duc de Biron, meet death with stoical coolness and disdain.[54] Delicate women who complain of a draught in their drawing-rooms, make no complaint of a straw mattress in a damp, gloomy dungeon, where they sleep in their clothes so that they may not wake up stiffened, and they come down into the court of the Conciergerie with their accustomed cheerfulness. Men and women, in prison, dress themselves as formerly, with the same care, that they may meet and talk together with the same grace and spirit, in a corridor with an iron grating within a step of the revolutionary Tribunal, and on the eve of the scaffold.[55] -- This moral temper is evidently of the rarest; if it errs on either side it is on that of being too refined, bad for use, good for ornament.

And yet, in the upper class there were associated with two or three thousand idlers amongst a frivolous aristocracy, as many serious men, who, to their drawing-room experience, added experience in business.

同类推荐
  • 玉栖述雅

    玉栖述雅

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 新传奇品

    新传奇品

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 念佛警策

    念佛警策

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 送客归常州

    送客归常州

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 崔浩

    崔浩

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 行刑人(希区柯克最悬疑的故事集)

    行刑人(希区柯克最悬疑的故事集)

    本书辑录了希区柯克悬疑小说近三十部。希区柯克的故事,你永远猜不到最后的结局,无论你如何细心,读到最后都会感到无比意外和吃惊。这些作品悬念迭出,情节惊险曲折,引人人胜,让读者的心时刻都在悬着。对于喜欢悬疑的读者而言,无疑能使自己的好奇心从中得到最大限度的满足,获得最精彩的阅读享受,值得再三捧读。
  • 葡萄病虫防治原色图谱

    葡萄病虫防治原色图谱

    全书分为5个章节,分别为:果树病虫害防治基础知识、葡萄侵染性的识别与防治、葡萄非侵染性的识别与防治、葡萄虫害的识别与防治,农药使用规则。囊括了葡萄病虫害56种,其中病害45种,虫害11种。书中彩图123幅,所列病虫病原尽可能按新的分类系统核实订正学名。
  • 重生之傅氏风云

    重生之傅氏风云

    心思细腻貌美如花且灵力魔法值100+的王小优同学,被师傅放下山后第一个任务就是开一家满足人们一切愿望的商店。当然,每个人为了实现自己的愿望都是要付出代价的。傅紫馨作为人鱼商店的第一个客人,王小优答应让傅紫馨重生。于是王小优跟着傅紫馨回到了几年前的傅家,二人励志要打造炮灰逆袭绝不失手。可是最后,王小优却发现,事情根本就不是这个样子的,身边的所有人,对自己都有隐瞒,而最大的骗局,竟然是……
  • 重生暖婚:神医的懒散妻

    重生暖婚:神医的懒散妻

    重生回归,本以为能弥补前世没有亲人的遗憾,却不想伤她最深,心冷远走他乡,却遇此生挚爱,更得逆天空间,打造强悍威武豪气生活。强自身,觅良缘,携手谱写闲云野鹤悠然自得小人生。田园日子空闲下来也无聊,索性卖卖灵果,销销灵泉,搞搞美容业,空余时间发展发展,不曾想摊子铺太大,回头一看吓一跳,怎么办,想撒手不管,回乡种田。一道男音淡淡提醒:“忙完了这些,是不是该给我家开枝散叶了。”
  • 附身吕布

    附身吕布

    新书《回到古代当匠神》已发布一个二十一世纪企业高管,在即将踏上人生巅峰之际,老天却跟他开了一个玩笑,一场车祸,让他灵魂穿梭时空,附身于气数将尽,不久之后,将要城破人亡,被吊死在白门楼上的吕布身上。为了能在这个时代生存,甚至更好的生存下去,吕布开始了自己逆命改运的旅程(感谢疯魔提供的书友群,群号578078151,有兴趣的兄弟欢迎加入)
  • 大学是座城

    大学是座城

    最具实力的新生代作家韩梦泽,“成长三部曲”收官之作。三段大学故事,将高校“生态圈”横陈于眼前。一座城池中的爱恨缠绕,一群人的青春史诗。带你回头看,这里的正直与欺骗、追梦与幻灭、成长与疼痛。
  • coser什么的,不干啦!

    coser什么的,不干啦!

    初入大学的社团纳新日,大一新生夏小悠对学校动漫社某位cos越前龙马的学长一见钟情,鼓起勇气加入动漫社。前辈们为了争取被校方并入动漫社的Cosplay分部的重新独立。决定带着夏小悠一同去劝说某位已经几乎不参与社团活动的coser参与社团活动,组织舞台剧谋取独立机会。然而,见到本尊之后——那人问:“新人,你就没什么想和我说的吗?”夏小悠惊诧不已:“原来你是女孩子吗?”某位coser眼都不抬,爱答不理,“我一直都是女的,你似乎误会了什么?”她还说,“初心什么的,能吃吗?”喂喂!说好的热血中二的校园生活呢?这和她想象的不一样啊!
  • 小人物日记

    小人物日记

    《小人物日记》是英国幽默文学中的名作。该书托名小职员查尔斯·普特尔的日记,实为虚构作品。主人公查尔斯·普特尔是一家公司的小职员,工作上勤勤恳恳,兢兢业业,在生活中则是一位讲究派头,精打细算的绅士,为人处事虽不免刻板老套,却喜欢结交朋友,爱说俏皮话。不过也常常因为自作聪明,或者为了显示风度和幽默,而弄巧成拙,闹出不少笑话:装修新家时把浴缸染成了红色;参加市长家的晚宴弄得洋相出尽;与街坊朋友相处甚欢但也时而不堪其扰……随着老普的儿子卢品的归来,围绕着卢品的交友、婚恋、工作等等发生了一连串令人啼笑皆非的闹剧,两代人不用的生活方式和价值观的碰撞,为这个中产家庭增添了更多的烦恼和笑声……
  • 沉默的权威:中国基础教育教研组织

    沉默的权威:中国基础教育教研组织

    本书探讨中国基础教育教学中的重要组织机构教研组(教研室)的性质、历史与现状、基本职能、以及与教研室工作相关的各种社会、教育因素,并对教研室的历史使命和未来发展作出了深刻的理论思考。
  • 三字经(普及版)

    三字经(普及版)

    《三字经(普及版)》的特点是,对《三字经》全文做了通俗易懂的讲解,并设置5个板块,以帮助读者全面领会它的内涵。例如,每段句子依照内容,精选一则故事,用故事形象说明道理;用一则知识链接,开拓读者的视野。这正是《三字经(普及版)》的不同之处,相信每一个青少年都会从中真正受益。