WELLWYN.It would.[Passing him a coin.] This is for an exceptional purpose--Timson--see.Not--TIMSON.[Touching his forehead.] Certainly, sir.I quite understand.I'm not that sort, as I think I've proved to yer, comin'
here regular day after day, all the week.There's one thing, I ought to warn you perhaps--I might 'ave to give this job up any day.
[He makes a faint demonstration with the little brush, then puts it, absent-mindedly, into his pocket.]
WELLWYN.[Gravely.] I'd never stand in the way of your bettering yourself, Timson.And, by the way, my daughter spoke to a friend about you to-day.I think something may come of it.
TIMSON.Oh! Oh! She did! Well, it might do me a bit o' good.[He makes for the outer door, but stops.] That foreigner! 'E sticks in my gizzard.It's not as if there wasn't plenty o' pigeons for 'im to pluck in 'is own Gawd-forsaken country.Reg-lar jay, that's what Icalls 'im.I could tell yer something--[He has opened the door, and suddenly sees that FERRAND himself is standing there.Sticking out his lower lip, TIMSON gives a roll of his jaw and lurches forth into the street.Owing to a slight miscalculation, his face and raised arms are plainly visible through the window, as he fortifies himself from his battle against the cold.FERRAND, having closed the door, stands with his thumb acting as pointer towards this spectacle.
He is now remarkably dressed in an artist's squashy green hat, a frock coat too small for him, a bright blue tie of knitted silk, the grey trousers that were torn, well-worn brown boots, and a tan waistcoat.
WELLWYN.What luck to-day?
FERRAND.[With a shrug.] Again I have beaten all London, Monsieur--not one bite.[Contemplating himself.] I think perhaps, that, for the bourgeoisie, there is a little too much colour in my costume.
WELLWYN.[Contemplating him.] Let's see--I believe I've an old top hat somewhere.
FERRAND.Ah! Monsieur, 'merci', but that I could not.It is scarcely in my character.
WELLWYN.True!
FERRAND.I have been to merchants of wine, of tabac, to hotels, to Leicester Square.I have been to a Society for spreading Christian knowledge--I thought there I would have a chance perhaps as interpreter.'Toujours meme chose', we regret, we have no situation for you--same thing everywhere.It seems there is nothing doing in this town.
WELLWYN.I've noticed, there never is.
FERRAND.I was thinking, Monsieur, that in aviation there might be a career for me--but it seems one must be trained.
WELLWYN.Afraid so, Ferrand.
FERRAND.[Approaching the picture.] Ah! You are always working at this.You will have something of very good there, Monsieur.You wish to fix the type of wild savage existing ever amongst our high civilisation.'C'est tres chic ca'! [WELLWYN manifests the quiet delight of an English artist actually understood.] In the figures of these good citizens, to whom she offers her flower, you would give the idea of all the cage doors open to catch and make tame the wild bird, that will surely die within.'Tres gentil'! Believe me, Monsieur, you have there the greatest comedy of life! How anxious are the tame birds to do the wild birds good.[His voice changes.]
For the wild birds it is not funny.There is in some human souls, Monsieur, what cannot be made tame.
WELLWYN.I believe you, Ferrand.
[The face of a young man appears at the window, unseen.
Suddenly ANN opens the door leading to the house.
ANN.Daddy--I want you.
WELLWYN.[To FERRAND.] Excuse me a minute!
[He goes to his daughter, and they pass out.FERRAND remains at the picture.MRS.MEGAN dressed in some of ANN's discarded garments, has come out of the model's room.She steals up behind FERRAND like a cat, reaches an arm up, and curls it round his mouth.He turns, and tries to seize her; she disingenuously slips away.He follows.The chase circles the tea table.He catches her, lifts her up, swings round with her, so that her feet fly out; kisses her bent-back face, and sets her down.She stands there smiling.The face at the window darkens.
FERRAND.La Valse!
[He takes her with both hands by the waist, she puts her hands against his shoulders to push him of--and suddenly they are whirling.As they whirl, they bob together once or twice, and kiss.Then, with a warning motion towards the door, she wrenches herself free, and stops beside the picture, trying desperately to appear demure.WELLWYN and ANN have entered.
The face has vanished.
FERRAND.[Pointing to the picture.] One does not comprehend all this, Monsieur, without well studying.I was in train to interpret for Ma'moiselle the chiaroscuro.
WELLWYN.[With a queer look.] Don't take it too seriously, Ferrand.
FERRAND.It is a masterpiece.
WELLWYN.My daughter's just spoken to a friend, Professor Calway.
He'd like to meet you.Could you come back a little later?
FERRAND.Certainly, Ma'moiselle.That will be an opening for me, Itrust.[He goes to the street door.]
ANN.[Paying no attention to him.] Mrs.Megan, will you too come back in half an hour?
FERRAND.'Tres bien, Ma'moiselle'! I will see that she does.We will take a little promenade together.That will do us good.
[He motions towards the door; MRS.MEGAN, all eyes, follows him out.
ANN.Oh! Daddy, they are rotters.Couldn't you see they were having the most high jinks?
WELLWYN.[At his picture.] I seemed to have noticed something.
ANN.[Preparing for tea.] They were kissing.
WELLWYN.Tt! Tt!
ANN.They're hopeless, all three--especially her.Wish I hadn't given her my clothes now.
WELLWYN.[Absorbed.] Something of wild-savage.
ANN.Thank goodness it's the Vicar's business to see that married people live together in his parish.
WELLWYN.Oh! [Dubiously.] The Megans are Roman Catholic-Atheists, Ann.
ANN.[With heat.] Then they're all the more bound.[WELLWYN gives a sudden and alarmed whistle.]
ANN.What's the matter?
WELLWYN.Didn't you say you spoke to Sir Thomas, too.Suppose he comes in while the Professor's here.They're cat and dog.
