This second marriage of Mr.Browning's was a critical event in the life of his eldest son;it gave him,to all appearance,two step-parents instead of one.There could have been little sympathy between his father and himself,for no two persons were ever more unlike,but there was yet another cause for the systematic unkindness under which the lad grew up.Mr.Browning fell,as a hard man easily does,greatly under the influence of his second wife,and this influence was made by her to subserve the interests of a more than natural jealousy of her predecessor.An early instance of this was her banishing the dead lady's portrait to a garret,on the plea that her husband did not need two wives.The son could be no burden upon her because he had a little income,derived from his mother's brother;but this,probably,only heightened her ill-will towards him.
When he was old enough to go to a University,and very desirous of going --when,moreover,he offered to do so at his own cost --she induced his father to forbid it,because,she urged,they could not afford to send their other sons to college.
An earlier ambition of his had been to become an artist;but when he showed his first completed picture to his father,the latter turned away and refused to look at it.He gave himself the finishing stroke in the parental eyes,by throwing up a lucrative employment which he had held for a short time on his mother's West Indian property,in disgust at the system of slave labour which was still in force there;and he paid for this unpractical conduct as soon as he was of age,by the compulsory reimbursement of all the expenses which his father,up to that date,had incurred for him;and by the loss of his mother's fortune,which,at the time of her marriage,had not been settled upon her.It was probably in despair of doing anything better,that,soon after this,in his twenty-second year,he also became a clerk in the Bank of England.He married and settled in Camberwell,in 1811;his son and daughter were born,respectively,in 1812and 1814.
He became a widower in 1849;and when,four years later,he had completed his term of service at the Bank,he went with his daughter to Paris,where they resided until his death in 1866.
Dr.Furnivall has originated a theory,and maintains it as a conviction,that Mr.Browning's grandmother was more than a Creole in the strict sense of the term,that of a person born of white parents in the West Indies,and that an unmistakable dash of dark blood passed from her to her son and grandson.Such an occurrence was,on the face of it,not impossible,and would be absolutely unimportant to my mind,and,I think I may add,to that of Mr.Browning's sister and son.
The poet and his father were what we know them,and if negro blood had any part in their composition,it was no worse for them,and so much the better for the negro.But many persons among us are very averse to the idea of such a cross;I believe its assertion,in the present case,to be entirely mistaken;I prefer,therefore,touching on the facts alleged in favour of it,to passing them over in a silence which might be taken to mean indifference,but might also be interpreted into assent.
We are told that Mr.Browning was so dark in early life,that a nephew who saw him in Paris,in 1837,mistook him for an Italian.
He neither had nor could have had a nephew;and he was not out of England at the time specified.It is said that when Mr.Browning senior was residing on his mother's sugar plantation at St.Kitt's,his appearance was held to justify his being placed in church among the coloured members of the congregation.We are assured in the strongest terms that the story has no foundation,and this by a gentleman whose authority in all matters concerning the Browning family Dr.Furnivall has otherwise accepted as conclusive.
If the anecdote were true it would be a singular circumstance that Mr.Browning senior was always fond of drawing negro heads,and thus obviously disclaimed any unpleasant association with them.
I do not know the exact physical indications by which a dark strain is perceived;but if they are to be sought in the colouring of eyes,hair,and skin,they have been conspicuously absent in the two persons who in the present case are supposed to have borne them.
The poet's father had light blue eyes and,I am assured by those who knew him best,a clear,ruddy complexion.His appearance induced strangers passing him in the Paris streets to remark,'C'est un Anglais!'The absolute whiteness of Miss Browning's skin was modified in her brother by a sallow tinge sufficiently explained by frequent disturbance of the liver;but it never affected the clearness of his large blue-grey eyes;and his hair,which grew dark as he approached manhood,though it never became black,is spoken of,by everyone who remembers him in childhood and youth,as golden.
It is no less worthy of note that the daughter of his early friend Mr.Fox,who grew up in the little social circle to which he belonged,never even heard of the dark cross now imputed to him;and a lady who made his acquaintance during his twenty-fourth year,wrote a sonnet upon him,beginning with these words:
Thy brow is calm,young Poet --pale and clear As a moonlighted statue.
The suggestion of Italian characteristics in the Poet's face may serve,however,to introduce a curious fact,which can have no bearing on the main lines of his descent,but holds collateral possibilities concerning it.His mother's name Wiedemann or Wiedeman appears in a merely contracted form as that of one of the oldest families naturalized in Venice.It became united by marriage with the Rezzonico;and,by a strange coincidence,the last of these who occupied the palace now owned by Mr.Barrett Browning was a Widman-Rezzonico.
The present Contessa Widman has lately restored her own palace,which was falling into ruin.
That portrait of the first Mrs.Browning,which gave so much umbrage to her husband's second wife,has hung for many years in her grandson's dining-room,and is well known to all his friends.
It represents a stately woman with an unmistakably fair skin;and if the face or hair betrays any indication of possible dark blood,it is imperceptible to the general observer,and must be of too slight and fugitive a nature to enter into the discussion.
A long curl touches one shoulder.One hand rests upon a copy of Thomson's 'Seasons',which was held to be the proper study and recreation of cultivated women in those days.
The picture was painted by Wright of Derby.
A brother of this lady was an adventurous traveller,and was said to have penetrated farther into the interior of Africa than any other European of his time.His violent death will be found recorded in a singular experience of the poet's middle life.
