登陆注册
5191400000020

第20章 THE STATE AS A WORK OF ART(20)

Among the Florentines, whenever they got rid of, or tried to get rid of, the Medici, tyrannicide was a practice universally accepted and approved.After the flight of the Medici in 1494, the bronze group of Donatello Judith with the dead Holofernes was taken from their collection and placed before the Palazzo della Signoria, on the spot where the 'David' of Michelangelo now stands, with the inscription, 'Exemplum salutis publicae cives posuere 1495.No example was more popular than that of the younger Brutus, who, in Dante, lies with Cassius and Judas Iscariot in the lowest pit of hell, because of his treason to the empire.Pietro Paolo Boscoli, whose plot against Giuliano, Giovanni, and Giulio Medici failed (1513), was an enthusiastic admirer of Brutus, and in order to follow his steps, only waited to find a Cassius.Such a partner he met with in Agostino Capponi.His last utterances in prison a striking evidence of the religious feeling of the time show with what an effort he rid his mind of these classical imaginations, in order to die like a Christian.Afriend and the confessor both had to assure him that St.Thomas Aquinas condemned conspirators absolutely; but the confessor afterwards admitted to the same friend that St.Thomas drew a distinction and permitted conspiracies against a tyrant who bad forced himself on a people against their will.

After Lorenzino Medici had murdered the Duke Alessandro (1537), and then escaped, an apology for the deed appeared,8 which is probably his own work, and certainly composed in his interest, and in which he praises tyrannicide as an act of the highest merit; on the supposition that Alessandro was a legitimate Medici, and, therefore, related to him, if only distantly, he boldly compares himself with Timoleon, who slew his brother for his country's sake.Others, on the same occasion, made use of the comparison with Brutus, and that Michelangelo himself, even late in life, was not unfriendly to ideas of this kind, may be inferred from his bust of Brutus in the Bargello.He left it unfinished, like nearly all his works, but certainly not because the murder of Caesar was repugnant to his feeling, as the couplet beneath declares.

A popular radicalism in the form in which it is opposed to the monarchies of later times, is not to be found in the despotic States of the Renaissance.Each individual protested inwardly against despotism but was disposed to make tolerable or profitable terms with it rather than to combine with others for its destruction.Things must have been as bad as at Camerino, Fabriano, or Rimini, before the citizens united to destroy or expel the ruling house.They knew in most cases only too well that this would but mean a change of masters.The star of the Republics was certainly on the decline.

The Republics: Venice and Florence The Italian municipalities had, in earlier days, given signal proof of that force which transforms the city into the State.It remained only that these cities should combine in a great confederation; and this idea was constantly recurring to Italian statesmen, whatever differences of form it might from time to time display.In fact, during the struggles of the twelfth and thirteenth centuries, great and formidable leagues actually were formed by the cities; and Sismondi is of opinion that the time of the final armaments of the Lombard confederation against Barbarossa (from 1168 on) was the moment when a universal Italian league was possible.But the more powerful States had already developed characteristic features which made any such scheme impracticable.In their commercial dealings they shrank from no measures, however extreme, which might damage their competitors; they held their weaker neighbors in a condition of helpless dependence in short, they each fancied they could get on by themselves without the assistance of the r est, and thus paved the way for future usurpation.

The usurper was forthcoming when long conflicts between the nobility and the people, and between the different factions of the nobility, had awakened the desire for a strong government, and when bands of mercenaries ready and willing to sell their aid to the highest bidder had superseded the general levy of the citizens which party leaders now found unsuited to their purposes.The tyrants destroyed the freedom of most of the cities; here and there they were expelled, but not thoroughly, or only for a short time; and they were always restored, since the inward conditions were favourable to them, and the opposing forces were exhausted.

Among the cities which maintained their independence are two of deep significance for the history of the human race: Florence, the city of incessant movement, which has left us a record of the thoughts and aspirations of each and all who, for three centuries, took part in this movement, and Venice, the city of apparent stagnation and of political secrecy.No contrast can be imagined stronger than that which is offered us by these two, and neither can be compared to anything else which the world has hitherto produced.

同类推荐
  • 怀星堂集

    怀星堂集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 破山禅师语录

    破山禅师语录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 横川行珙禅师语录

    横川行珙禅师语录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 祭统

    祭统

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • Soldiers of Fortune

    Soldiers of Fortune

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 元杂剧本体论

    元杂剧本体论

    本著作是一部关于中国戏曲发生、发展、形成、成熟以及元杂剧演出体制、脚色扮演、唱腔声律等方面的专论,通过对元杂剧的发生、发展、生成以及体制、音律、演出等方面的论述,旨在在当今多元文化背景下,通过对元杂剧文化与艺术的重新思考,揭示元杂剧艺术及传统文化的内涵,希望能为古代戏曲研究提供一些有益的借鉴,并能够成为古典文学、古典音乐爱好者与研究者的参考书目,同时也希望能为广大爱好者与研究者提出一些新的研究空间与思路,从而达到对传统戏曲文化有一个比较深刻与全面的认识
  • 井下传来脚步声

    井下传来脚步声

    大陆矿是一家年产上万吨煤的国有企业,坐落于红旗湖的西端。锦绣林场和将军山之间,差不多是横亘百里荒芜得不成样子的棚户区了。高耸的煤矸石分布在矿区的四周,煤矿经营得好的那些年,进出矿区大门运输原煤的汽车都排成长龙,想应聘进入矿采煤队当工人,那得使大礼托关系走后门才会心想事成。刘传带是这个矿技术股的副股长,掌管着四个采煤队的井下挖采技术,隔个十天半月就跟随采煤工人下一次井,查验安全状况和生产数据。
  • 墨少请留步

    墨少请留步

    三世轮回,只为遇到你。乖,然然。不怕,我在。墨渊然:“我喜欢你”封君:“……”小傻瓜,我爱你封君一直是撩天撩地、无法无天的小霸王,直到遇见了他墨渊然一直是冷静自持、正气凛然的墨家二少,直到遇见了“他”
  • 感动你一生的小故事

    感动你一生的小故事

    生活中的每一个细节,或许只是一朵小花的盛开,一抹云彩的变幻,一阵微风的拂过,或许只是一股涓涓的细流,一个善意的微笑,但你若能轻轻拢住,就会少了一丝浮躁,多了一份感悟,心灵得以沉淀,灵魂就不会为缺少妆点而淡泊,岁月就不会为乏陈色彩而黯然。生命中的感动,带来的是朴实而真切的收获;生活中最美好的景致,不在于言说,而在心与心的沟通中;生命中的感动,带来的是朴实而真切的收获。本书精选了100多篇感人至深的小故事,并在每个故事之后附有妙语点评,书中封面版式精美,令您爱不释手。
  • 绝色庄主腹黑娘子

    绝色庄主腹黑娘子

    她是21世界的天才少女,智商高到无法测试,画的一手好画,惟妙惟肖。莫名穿越,差点命丧黄沙滩。大难不死必有后福!就算在古代,她也能自食其力,活的有声有色。为了赚取银两,答应成为天下第一庄庄主的契约妻子。从此走上各种“斗”的道路。自以为是的姨婆天天登门狂骂。来人呐!漱口水伺候!姨婆估计这辈子都没有漱过口,拿个一坛子不嫌多。高傲又偏心的奶奶,天天算计着怎么挪钱给长孙挥霍。给钱可以,先算算账吧。之前说好一年给多少,现在都超出那么多,怎么还?还有待嫁小姑子欲求不满。来人呐!赶紧去外面贴招亲告示,三月内给小姑子找到如意郎君,嫁出去!人人都说大户人家也没什么好的。看来确实是如此。最最麻烦的还是她那个三不五时不见踪影的“美人”相公。本以为他清冷无欲,应该可以合作愉快。谁知道他腹黑无赖,根本是个扮猪吃老虎的家伙!说什么庄里一切事情由她做主。看她的眼神也越来越怪了。还时不时扑上来吃她豆腐?!喂喂,庄主大人!我们的交易里好像没有这一条吧?她是不是三十六计走为上计?片段欣赏一:“疯婆子,回来吧。从此以后,为夫打不还口,骂不还手。绝对会好好侍奉你的!”叶芸双肩微微颤抖,偶尔还传来几声啜泣声。慕容翎上前,拍拍她的肩膀,不忍地看了一眼她的神情,想安慰的话瞬间卡在了喉咙里。只见叶芸咬牙切齿,手上的信纸几乎被她捏的粉碎。原来她不是感动的呼气,而是气的牙痒痒。好个“打不还口,骂不还手!”,摆明了就是“打要还手,骂要还口”嘛!不回去!打死都不回去!片段欣赏二:“娘子,当初立的字据可还在?”某人狼手不安分的缠上叶芸的腰,顺便在她身上轻拍。没有藏在身上?“当然在了。这么重要的东西,我肯定收的妥妥帖帖的,相公放心。”叶芸皮笑肉不笑,一手拎开他的狼爪。想将她留下帮他处理那一大家子?如意算盘也打的太美了!
  • 天行者

    天行者

    《天行者》是为这些“在二十世纪后半叶中国大地上默默苦行的民间英雄”所献上的一曲悲壮之歌。高考落榜青年张英才来到偏远的界岭山区当代课老师,他被山区艰苦的教学条件所震惊。在困窘的生活中,张英才感受着乡村教师的坚强、执着、认真、负责,也经历了命运给予他们的失落、痛苦、无祭、悲伤,他们所要对抗的不仅仅是来自生活的压力,更是被权力和金钱所践踏的尊严。尽管如此,每天清晨,界岭小学上空的国旗仍然伴随着笛子演奏的国歌声冉冉升起……故事围绕民协教师“转正”的主线,生动展现了以余校长、孙四海、邓有米为代表的界岭小学民办教师的生活和命运,极为真实地再现了山区民办教师的艰难处境。
  • 恶魔校草缠上身:攻略坏丫头

    恶魔校草缠上身:攻略坏丫头

    [狗粮撒不止]凌晨玩逃相亲,被逼的无路可退的安小小,却发现巷子里面居然还有一条黑漆漆的小巷子!谢天谢地,终于有救了!却未曾想到,获救的同时,某位被小家伙缠上了! “辰谦时,要不要考虑做我正宫?” “不了,丑拒。”辰谦时冷淡拒绝。 “阿时,要不要考虑臣服于我?”辰谦时低头若有所思:“我考虑考虑……” 某天,安小小突然被壁咚。 “好了,我来做你正宫了。你好,我心念十几年的宝贝。”
  • 刺客信条:文艺复兴

    刺客信条:文艺复兴

    被意大利的权贵背叛以后,这位年轻人展开了一场传奇般的复仇。为根绝腐败,恢复家族的荣誉,他将学习刺杀的艺术。在此期间,埃齐奥将借助莱昂纳多·达·芬奇和尼科洛·马基雅维利等伟人的智慧——他将会得知,生存取决于那些必不可少的技巧。对他的盟友而言,他将成为一股变革的力量——为自由和正义而战的力量。在他的敌人眼里,他将成为巨大的威胁,并致力为那些欺压意大利人民的暴君带去灭亡。一段关于力量、复仇和阴谋的传奇故事就此展开。
  • 迷彩军营

    迷彩军营

    又过了两天,很多昔日的“战友”都轻轻松松地出来,可以痛痛快快地哭笑,痛痛快快地咒骂了。干警们给每人都发了路费,还说了许多安慰的话,让大家先回家去,三个月之内不要外出活动,随时听候公安机关的进一步询问调查,希望大家继续配合。大家感激,说这几个月好像做了一场梦,恶梦,可得在家好好调养些日子了。一朝遭蛇咬,十年怕井绳,还没脸啊?哪儿也不去了,放心吧。
  • 情忆·名人·美文

    情忆·名人·美文

    蔡先生回国后住在上海的时候,似乎曾经跟了吴先生到他的府上去过。但是除上一所一楼一底的房子之外,什么也不记得。也许这一楼一底的房子还记忆的错误,实在不曾去拜访过也说不定。但是那时候一个印象是相当清楚的。也可以说是蔡先生给我的第一个印象。大约是在张园举行的许多群众大会之一吧,蔡先生的演讲是在那里第一次听到。《情忆·名人·美文》讲述了名人的生平事迹和经典著作。