Hortense's acting was perfection, Caroline was middling, Eugene played very well, Lauriston was rather heavy, Didelot passable, and I may venture to assert, without vanity, that I was not quite the worst of the company. If we were not good actors it was not for want of good instruction and good advice. Talma and Michot came to direct us, and made us rehearse before them, sometimes altogether and sometimes separately. How many lessons have I received from Michot whilst walking in the beautiful park of Malmaison! And may I be excused for saying, that I now experience pleasure in looking back upon these trifles, which are matters of importance when one is young, and which contrasted so singularly with the great theatre on which we did not represent fictitious characters? We had, to adopt theatrical language, a good supply of property. Bonaparte presented each of us with a collection of dramas very well bound; and, as the patron of the company, he provided us with rich and elegant dresses.
--[While Bourrienne, belonging to the Malmaison company, considered that the acting at Neuilly was indecent, Lucien, who refused to act at Malmaison, naturally thought the Malmaison troupe was dull. "Hortense and Caroline filled the principal parts. They were very commonplace. In this they followed the unfortunate Marie Antoinette and her companions.
Louis XVI., not naturally polite, when seeing them act, had said that it was royally badly acted" (see Madame Campan's Life of Marie Antoinette, tome i. p. 299). "The First Consul said of his troupe that it was sovereignly badly acted. . . Murat, Lannes, and even Caroline ranted.
Elisa, who, having been educated at Saint Cyr, spoke purely and without accent, refused to act. Janot acted well the drunken parts, and even the others he undertook. The rest were decidedly bad. Worse than bad-- ridiculous" (Iung's Lucien's, tome ii. p. 256). Rival actors are not fair critics. Let us hear Madame Junot (tome ii. p. 103). "The cleverest of our company was M. de Bourrienne. He played the more dignified characters in real perfection, and his talent was the more pleasing as it was not the result of study, but of a perfect comprehension of his part." And she goes on to say that even the best professional actors might have learnt from him in some parts. The audience was not a pleasant one to face. It was the First Consul's habit to invite forty persons to dinner, and a hundred and fifty for the evening, and consequently to hear, criticise, and banter us without mercy" (Memoirs of Duchesse d'Abrantes, tome ii. p. 108). ]--Bonaparte took great pleasure in our performances. He liked to see plays acted by persons with whom he was familiar. Sometimes he complimented us on our exertions. Although I was as much amused with the thing as others, I was more than once obliged to remind him that my occupations left me but little time to learn my parts. Then he would assume his coaxing manner and say, "Come, do not vex me! You have such a memory!
You know that it amuses me. You see that these performances render Malmaison gay and animated; Josephine takes much pleasure in them. Rise earlier in the morning.--In fact, I sleep too much; is not that the caf?--Come, Bourrienne, do oblige me. You make me laugh so heartily!
Do not deprive me of this pleasure. I have not over much amusement, as you well know."--"All, truly! I would not deprive you of any pleasure.
I am delighted to be able to contribute to your amusement." After a conversation of this sort I could not do less than set about studying my part.
At this period, during summer, I had half the Sunday to myself. I was, however, obliged to devote a portion of this precious leisure to pleasing Bonaparte by studying a new part as a surprise for him. Occasionally, however, I passed the time at Ruel. I recollect that one day, when I had hurried there from Malmaison, I lost a beautiful watch made by Breguet.
It was four o'clock in the afternoon, and the road was that day thronged with people. I made my loss publicly known by means of the crier of Ruel. An hour after, as I was sitting down to table, a young lad belonging to the village brought me my watch. He had found it on the high road in a wheel rut. I was pleased with the probity of this young man, and rewarded both him and his father, who accompanied him. I reiterated the circumstance the same evening to the First Consul, who was so struck with this instance of honesty that he directed me to procure information respecting the young man and his family. I learned that they were honest peasants. Bonaparte gave employment to three brothers of this family; and, what was most difficult to persuade him to, he exempted the young man who brought me the watch from the conscription.
When a fact of this nature reached Bonaparte's ear it was seldom that he did not give the principal actor in it some proof of his satisfaction.
Two qualities predominated in his character--kindness and impatience.
Impatience, when he was under its influence, got the better of him; it was then impossible for him to control himself. I had a remarkable proof of it about this very period.
Canova having arrived in Paris came to St. Cloud to model the figure of the First Consul, of whom he was about to make a colossal statue. This great artist came often, in the hope of getting his model to stand in the proper attitude; but Bonaparte was so tired, disgusted, and fretted by the process, that he very seldom put himself in the required attitude, and then only for a short time. Bonaparte notwithstanding had the highest regard for Canova. Whenever he was announced the First Consul sent me to keep him company until he was at leisure to give him a sitting; but he would shrug up his shoulders and say, "More modeling!
Good Heavens, how vexatious!" Canova expressed great displeasure at not being able to study his model as he wished to do, and the little anxiety of Bonaparte on the subject damped the ardour of his imagination.
Everybody agrees in saying that he has not succeeded in the work, and I have explained the reason. The Duke of Wellington afterwards possessed this colossal statue, which was about twice his own height.
