登陆注册
5234300000013

第13章 CHAPTER II(6)

It seem more and more certain that, as the cells of an immense organism, we are connected with everything that exists by an inextricable network of vibrations, waves, influences, of nameless, numberless and uninterrupted fluids. Nearly always, in nearly all men, everything carried along by these invisible wires falls into the depths of the unconsciousness and passes unperceived, which does not mean that it remains inactive. But sometimes an exceptional circumstance--in the present case, the marvellous sensibility of a first-class medium--suddenly reveals to us, by the vibrations and the undeniable action of one of those wires, the existence of the infinite network. I will not speak here of trails discovered and followed in an almost mediumistic manner, after an object of some sort has been sniffed at. Such stories, though highly probable, as yet lack adequate support. But, within a similar order of ideas, and in a humbler world and one with more modest limits, the dog, for instance, is incessantly surrounded by different scents and smells to which he appears indifferent until his attention is aroused by one or other of these vagrant effluvia, when he extricates it from the hopeless tangle. It would seem as though the trail took life, vibrating like a chord in unison with the animal's wishes, becoming irresistible, and taking it to its goal after innumerable winds and turns.

We see the mysterious network revealed also in "cross-correspondence." Two or three mediums who do not know one another, who are often separated by seas; or continents, who are ignorant of the whereabouts of the one who is to complete their thought, each write a part of a sentence which, as it stands, conveys no meaning whatever. On piecing the fragments together, we perceive that they fit to perfection and acquire an intelligible and obviously premeditated sense. We here find once more the same faculty that permits the medium to detect, among thousands of others, a definite force which was wandering in space. It is true that, in these cases, the spiritualists maintain that the whole experiment is organized and directed by a discarnate intelligence, independent of the mediums, which means to prove its existence and its identity in this manner. Without incontinently rejecting this theory, which is not necessarily indefensible, we will merely remark that, since the faculty is manifested in psychometry without the intervention of the spirits, there can be no sufficient reason for attributing it to them in cross-correspondence.

But in whom does it reside? Is it hidden in ourselves or in the medium? According to Dr. Osty, the clairvoyants are mirrors reflecting the intuitive thought that is latent in each of us. In other words--it is we ourselves who are clairvoyant, and they but reveal to us nor own clairvoyance. Their mission is to stir, to awaken, to galvanize, to illumine the secrets of our subconsciousness and to bring them to the surface of our normal lives. They act upon our inner darkness exactly as, in the photographic dark-room, the developing-bath acts upon the sensitized plate, I am convinced that the theory is accurate as regards intuition and clairvoyance proper, that is to say, in all cases where we are in the medium's presence and more or less directly in touch with him. But is it so in psychometry? Is it we who, unknown to ourselves, know all that the object contains, or is it the medium alone who discovers it in the object itself, independently of the person who produces the object? When, for instance, we receive a letter from a stranger, does this letter, which has absorbed like a sponge the whole life and by choice the subconscious life of the writer, disgorge all that it contained into our subconsciousness? Do we instantly learn all that concerns its author, absolutely as though he were standing before us in the flesh and, above all, with his soul laid bare, though we remain profoundly ignorant of the fact that we have learnt it until the medium's intervention tells us so?

This, if you like, is simply shifting the question. Let it be the medium or myself that discovers the unknown personality in the object or tracks it across time and space: all that we do is to widen the scope of our riddle, while leaving it no less obscure.

同类推荐
  • Massacres of the South

    Massacres of the South

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • Redgauntlet

    Redgauntlet

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 佛说缘本致经

    佛说缘本致经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 评复古记

    评复古记

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 卫生家宝产科备要

    卫生家宝产科备要

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 分析马克思:社会合作及其发展

    分析马克思:社会合作及其发展

    《分析马克思:社会合作及其发展》以马克思理论为导向,详细分析了马克思理论下的社会合作及其发展。
  • 魔湖(第二部)

    魔湖(第二部)

    水,万物之源,在这个宇宙中生成了无数的精灵。精灵中的精灵在时光中守护着所有的孩子。有一天,它从高高的天空中俯瞰,望见了孤独徜徉在魔湖湖畔的丹奥。那承受着比我们童年时还要多很多苦恼的男孩子。精灵中的精灵说:喏,这是丹奥,没有姓氏的孩子,从湖水上漂浮而来的婴儿,命运注定他有更多的生命承受与担当。
  • The Pigeon

    The Pigeon

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 飞升咨询所

    飞升咨询所

    诸天万界,每日都有大量至强者打破位面桎梏飞升,而林枫的工作,便是给因飞升失败意外掉落地球的异界大能们送温暖。“咳,给我介绍个工作,送你堕天使之翼。”路西法脸色一红。“额,教我上网,给你在封神榜上记个名……”姜子牙拿着手机,纠结万分。“给我一吨肉,以后让你在神兽界横着走!”饕餮面黄肌瘦,营养不良。
  • 竹马谋婚青梅

    竹马谋婚青梅

    他们因为一起商业新闻相识,却发现两人的关系不仅仅那么简单。曾经引起的舆论逼死了他的父亲的新闻是她所谓?悉心调查,却不想她却住进他的心里。他将她锁在自己怀里,“要报道我的新闻,你需要付出代价!”她拍开在她身上作乱的手,瞪大双眼看着他,“我靠笔吃饭,卖艺不卖身!”他挑唇邪恶一笑,与她更为贴近,“哦?我接受采访,要人不要钱。”她推拒他坚实的胸膛,“如果你再对我动手动脚,我就将你的恶行公布于众。”
  • 无敌转修系统

    无敌转修系统

    系统在手,天下我有,踏斗破,游盘龙,直达万界,成就万天至尊
  • 天府之皇

    天府之皇

    “呼呼~~”凌助纵身一跃,从云端直接落到北海一座孤岛上!“灵气竟然已经枯竭……”凌助苦笑,忽然他目光凝聚,盯着大雾模糊的海面。金甲独目男子踏着海水缓缓踱步,他的背上负有一柄耀眼的古剑,海浪遇到他自动向两旁分开!“三世剑皇!”凌助喃喃道,“你果然追来了,从南大陆追到北海,真不愧为逆皇!”“看来,只有化古了……”手中晶光闪闪的莽古开始消融,凌助的体内古老强大的气息渐渐苏醒……
  • 竹马太妖孽

    竹马太妖孽

    小时候,他是她的竹马,长大后,他一把搂住她:"叫老公,乖……"只是后来,她只想要好好的爱他,只希望能好好的呆在他的身边,可是当她认为自己和他能够永远在一起的时候,一场误会让徜徉,原以为会幸福的她,觉得自己被他背叛。但是为什么,在她想要重新开始的时候,他又出现在她的面前,是巧合?还是故意?这一切的雾水情缘,似乎又重新回到了那个时候,儿时的欢脱疯狂……
  • 陌生的恐惧

    陌生的恐惧

    他是我的初中同桌,他是一个为了实现理想能豁出命去打拼的人,也是一个有着坎坷经历的人。十七岁的他独自闯进陌生的城市寻找梦中的路,在这个陌生的城市里用血与命征服了原本陌生的世界,造就了人生的精彩......他就是一本书!
  • 影视表演艺术:创作理论与实用教程

    影视表演艺术:创作理论与实用教程

    本书以影视表演创作理论、影视表演教学研究、影视表演实用教程为主要内容。将影视表演专业理论知识融会贯通到具体的教学环节和教学实例中,形成了较为系统规范的影视表演教学体系。本书用生动鲜活的教学个案稀释复杂的专业理论,还原表演课堂的原貌,通过具体的、可见的环节展现教学理念,具有很强的可读性和操作性。