THE INTENDANT BIGOT.
The Chateau of Beaumanoir had, since the advent of the Intendant Bigot, been the scene of many a festive revelry that matched, in bacchanalian frenzy, the wild orgies of the Regency and the present debaucheries of Croisy and the petits appartements of Versailles.
Its splendor, its luxury, its riotous feasts lasting without intermission sometimes for days, were the themes of wonder and disgust to the unsophisticated people of New France, and of endless comparison between the extravagance of the Royal Intendant and the simple manners and inflexible morals of the Governor-General.
The great hall of the Chateau, the scene of the gorgeous feasts of the Intendant, was brilliantly illuminated with silver lamps, glowing like globes of sunlight as they hung from the lofty ceiling, upon which was painted a fresco of the apotheosis of Louis XIV., where the Grand Monarque was surrounded by a cloud of Condes, Orleanois, and Bourbons, of near and more remote consanguinity. At the head of the room hung a full-length portrait of Marquise de Pompadour, the mistress of Louis XV., and the friend and patroness of the Intendant Bigot; her bold, voluptuous beauty seemed well fitted to be the presiding genius of his house. The walls bore many other paintings of artistic and historic value. The King and Queen; the dark-eyed Montespan; the crafty Maintenon; and the pensive beauty of Louise de la Valliere, the only mistress of Louis XIV. who loved him for his own sake, and whose portrait, copied from this picture, may still be seen in the chapel of the Ursulines of Quebec, where the fair Louise is represented as St. Thais kneeling at prayer among the nuns.
The table in the great hall, a masterpiece of workmanship, was made of a dark Canadian wood then newly introduced, and stretched the length of the hall. A massive gold epergne of choicest Italian art, the gift of La Pompadour, stood on the centre of the table. It represented Bacchus enthroned on a tun of wine, presenting flowing cups to a dance of fauns and satyrs.
Silver cups of Venetian sculpture and goblets of Bohemian manufacture sparkled like stars upon the brilliant table, brimming over with the gold and ruby vintages of France and Spain; or lay overturned amid pools of wine that ran down upon the velvet carpet.
Dishes of Parmesan cheese, caviare, and other provocatives to thirst stood upon the table, amid vases of flowers and baskets of the choicest fruits of the Antilles.
Round this magnificent table sat a score or more of revellers--in the garb of gentlemen, but all in disorder and soiled with wine; their countenances were inflamed, their eyes red and fiery, their tongues loose and loquacious. Here and there a vacant or overturned chair showed where a guest had fallen in the debauch and been carried off by the valets, who in gorgeous liveries waited on the table. A band of musicians sat up in a gallery at the end of the hall, and filled the pauses of the riotous feast with the ravishing strains of Lulli and Destouches.
At the head of the table, first in place as in rank, sat Francois Bigot, Intendant of New France. His low, well-set figure, dark hair, small, keen black eyes, and swarthy features full of fire and animation, bespoke his Gascon blood. His countenance was far from comely,--nay, when in repose, even ugly and repulsive,--but his eyes were magnets that drew men's looks towards him, for in them lay the force of a powerful will and a depth and subtlety of intellect that made men fear, if they could not love him. Yet when he chose--and it was his usual mood--to exercise his blandishments on men, he rarely failed to captivate them, while his pleasant wit, courtly ways, and natural gallantry towards women, exercised with the polished seductiveness he had learned in the Court of Louis XV., made Francois Bigot the most plausible and dangerous man in New France.
He was fond of wine and music, passionately addicted to gambling, and devoted to the pleasant vices that were rampant in the Court of France, finely educated, able in the conduct of affairs, and fertile in expedients to accomplish his ends. Francois Bigot might have saved New France, had he been honest as he was clever; but he was unprincipled and corrupt: no conscience checked his ambition or his love of pleasure. He ruined New France for the sake of himself and his patroness and the crowd of courtiers and frail beauties who surrounded the King, whose arts and influence kept him in his high office despite all the efforts of the Honnetes Gens, the good and true men of the Colony, to remove him.
He had already ruined and lost the ancient Colony of Acadia, through his defrauds and malversations as Chief Commissary of the Army, and instead of trial and punishment, had lately been exalted to the higher and still more important office of Royal Intendant of New France.
On the right of the Intendant sat his bosom friend, the Sieur Cadet, a large, sensual man, with twinkling gray eyes, thick nose, and full red lips. His broad face, flushed with wine, glowed like the harvest moon rising above the horizon. Cadet had, it was said, been a butcher in Quebec. He was now, for the misfortune of his country, Chief Commissary of the Army and a close confederate of the Intendant.
On the left of the Intendant sat his Secretary, De Pean, crafty and unscrupulous, a parasite, too, who flattered his master and ministered to his pleasures. De Pean was a military man, and not a bad soldier in the field; but he loved gain better than glory, and amassed an enormous fortune out of the impoverishment of his country.
Le Mercier, too, was there, Commandant of Artillery, a brave officer, but a bad man; Varin, a proud, arrogant libertine, Commissary of Montreal, who outdid Bigot in rapine and Cadet in coarseness; De Breard, Comptroller of the Marine, a worthy associate of Penisault, whose pinched features and cunning leer were in keeping with his important office of chief manager of the Friponne.
