She must have said so much that, with the expression of her grievance, her mood changed. She went back to her own room in the gallery, and sat there for a long time thinking. And she thought herself into a mood of absolute unselfishness, of absolute self-contempt, too. She said to herself that she was no good; that she had failed in all her efforts--in her efforts to get Edward back as in her efforts to make him curb his expenditure. She imagined herself to be exhausted; she imagined herself to be done. Then a great fear came over her.
She thought that Edward, after what she had said to him, must have committed suicide. She went out on to the gallery and listened; there was no sound in all the house except the regular beat of the great clock in the hall. But, even in her debased condition, she was not the person to hang about. She acted. She went straight to Edward's room, opened the door, and looked in.
He was oiling the breech action of a gun. It was an unusual thing for him to do, at that time of night, in his evening clothes. It never occurred to her, nevertheless, that he was going to shoot himself with that implement. She knew that he was doing it just for occupation--to keep himself from thinking. He looked up when she opened the door, his face illuminated by the light cast upwards from the round orifices in the green candle shades.
She said:
"I didn't imagine that I should find Nancy here." She thought that she owed that to him. He answered then:
"I don't imagine that you did imagine it." Those were the only words he spoke that night. She went, like a lame duck, back through the long corridors; she stumbled over the familiar tiger skins in the dark hall. She could hardly drag one limb after the other. In the gallery she perceived that Nancy's door was half open and that there was a light in the girl's room. A sudden madness possessed her, a desire for action, a thirst for self-explanation.
Their rooms all gave on to the gallery; Leonora's to the east, the girl's next, then Edward's. The sight of those three open doors, side by side, gaping to receive whom the chances of the black night might bring, made Leonora shudder all over her body. She went into Nancy's room.
The girl was sitting perfectly still in an armchair, very upright, as she had been taught to sit at the convent. She appeared to be as calm as a church; her hair fell, black and like a pall, down over both her shoulders. The fire beside her was burning brightly; she must have just put coals on. She was in a white silk kimono that covered her to the feet. The clothes that she had taken off were exactly folded upon the proper seats. Her long hands were one upon each arm of the chair that had a pink and white chintz back.
Leonora told me these things. She seemed to think it extraordinary that the girl could have done such orderly things as fold up the clothes she had taken off upon such a night--when Edward had announced that he was going to send her to her father, and when, from her mother, she had received that letter. The letter, in its envelope, was in her right hand.
Leonora did not at first perceive it. She said:
"What are you doing so late?"
The girl answered: "Just thinking."
They seemed to think in whispers and to speak below their breaths.
Then Leonora's eyes fell on the envelope, and she recognized Mrs Rufford's handwriting.
It was one of those moments when thinking was impossible, Leonora said. It was as if stones were being thrown at her from every direction and she could only run. She heard herself exclaim:
"Edward's dying--because of you. He's dying. He's worth more than either of us. . . ."The girl looked past her at the panels of the half-closed door.
"My poor father," she said, "my poor father." "You must stay here," Leonora answered fiercely. "You must stay here. I tell you you must stay here.""I am going to Glasgow," Nancy answered. "I shall go to Glasgow tomorrow morning. My mother is in Glasgow."It appears that it was in Glasgow that Mrs Rufford pursued her disorderly life. She had selected that city, not because it was more profitable but because it was the natal home of her husband to whom she desired to cause as much pain as possible.
"You must stay here," Leonora began, "to save Edward. He's dying for love of you."The girl turned her calm eyes upon Leonora. "I know it," she said.
"And I am dying for love of him."
Leonora uttered an "Ah," that, in spite of herself, was an "Ah" of horror and of grief.
"That is why," the girl continued, "I am going to Glasgow--to take my mother away from there." She added, "To the ends of the earth," for, if the last months had made her nature that of a woman, her phrases were still romantically those of a schoolgirl.
It was as if she had grown up so quickly that there had not been time to put her hair up. But she added: "We're no good--my mother and I."Leonora said, with her fierce calmness:
"No. No. You're not no good. It's I that am no good. You can't let that man go on to ruin for want of you. You must belong to him."The girl, she said, smiled at her with a queer, far-away smile--as if she were a thousand years old, as if Leonora were a tiny child.
"I knew you would come to that,' she said, very slowly. "But we are not worth it--Edward and I."
