How the fatigues and annoyances of travel fill one with bitter prejudices sometimes! I might enter Florence under happier auspices a month hence and find it all beautiful, all attractive. But I do not care to think of it now, at all, nor of its roomy shops filled to the ceiling with snowy marble and alabaster copies of all the celebrated sculptures in Europe--copies so enchanting to the eye that I wonder how they can really be shaped like the dingy petrified nightmares they are the portraits of. I got lost in Florence at nine o'clock, one night, and staid lost in that labyrinth of narrow streets and long rows of vast buildings that look all alike, until toward three o'clock in the morning. It was a pleasant night and at first there were a good many people abroad, and there were cheerful lights about.
Later, I grew accustomed to prowling about mysterious drifts and tunnels and astonishing and interesting myself with coming around corners expecting to find the hotel staring me in the face, and not finding it doing any thing of the kind. Later still, I felt tired. I soon felt remarkably tired.
But there was no one abroad, now--not even a policeman. I walked till Iwas out of all patience, and very hot and thirsty. At last, somewhere after one o'clock, I came unexpectedly to one of the city gates. I knew then that I was very far from the hotel. The soldiers thought I wanted to leave the city, and they sprang up and barred the way with their muskets. I said:
"Hotel d'Europe!"
It was all the Italian I knew, and I was not certain whether that was Italian or French. The soldiers looked stupidly at each other and at me, and shook their heads and took me into custody. I said I wanted to go home.
They did not understand me. They took me into the guard-house and searched me, but they found no sedition on me. They found a small piece of soap (we carry soap with us, now,) and I made them a present of it, seeing that they regarded it as a curiosity. I continued to say Hotel d'Europe, and they continued to shake their heads, until at last a young soldier nodding in the corner roused up and said something. He said he knew where the hotel was, I suppose, for the officer of the guard sent him away with me. We walked a hundred or a hundred and fifty miles, it appeared to me, and then he got lost. He turned this way and that, and finally gave it up and signified that he was going to spend the remainder of the morning trying to find the city gate again. At that moment it struck me that there was something familiar about the house over the way. It was the hotel!
It was a happy thing for me that there happened to be a soldier there that knew even as much as he did; for they say that the policy of the government is to change the soldiery from one place to another constantly and from country to city, so that they can not become acquainted with the people and grow lax in their duties and enter into plots and conspiracies with friends. My experiences of Florence were chiefly unpleasant. I will change the subject.
At Pisa we climbed up to the top of the strangest structure the world has any knowledge of--the Leaning Tower. As every one knows, it is in the neighborhood of one hundred and eighty feet high--and I beg to observe that one hundred and eighty feet reach to about the hight of four ordinary three-story buildings piled one on top of the other, and is a very considerable altitude for a tower of uniform thickness to aspire to, even when it stands upright--yet this one leans more than thirteen feet out of the perpendicular.
It is seven hundred years old, but neither history or tradition say whether it was built as it is, purposely, or whether one of its sides has settled.
There is no record that it ever stood straight up. It is built of marble.
It is an airy and a beautiful structure, and each of its eight stories is encircled by fluted columns, some of marble and some of granite, with Corinthian capitals that were handsome when they were new. It is a bell tower, and in its top hangs a chime of ancient bells. The winding staircase within is dark, but one always knows which side of the tower he is on because of his naturally gravitating from one side to the other of the staircase with the rise or dip of the tower. Some of the stone steps are foot-worn only on one end; others only on the other end; others only in the middle.
To look down into the tower from the top is like looking down into a tilted well. A rope that hangs from the centre of the top touches the wall before it reaches the bottom. Standing on the summit, one does not feel altogether comfortable when he looks down from the high side; but to crawl on your breast to the verge on the lower side and try to stretch your neck out far enough to see the base of the tower, makes your flesh creep, and convinces you for a single moment in spite of all your philosophy, that the building is falling. You handle yourself very carefully, all the time, under the silly impression that if it is not falling, your trifling weight will start it unless you are particular not to "bear down" on it.
The Duomo, close at hand, is one of the finest cathedrals in Europe.
It is eight hundred years old. Its grandeur has outlived the high commercial prosperity and the political importance that made it a necessity, or rather a possibility. Surrounded by poverty, decay and ruin, it conveys to us a more tangible impression of the former greatness of Pisa than books could give us.
The Baptistery, which is a few years older than the Leaning Tower, is a stately rotunda, of huge dimensions, and was a costly structure. In it hangs the lamp whose measured swing suggested to Galileo the pendulum.
