It was dark when the four-wheeled cab wherein he had brought Avice from the station stood at the entrance to the pile of flats of which Pierston occupied one floor--rarer then as residences in London than they are now. Leaving Avice to alight and get the luggage taken in by the porter Pierston went upstairs. To his surprise his floor was silent, and on entering with a latchkey the rooms were all in darkness.
He descended to the hall, where Avice was standing helpless beside the luggage, while the porter was outside with the cabman.
'Do you know what has become of my servants?' asked Jocelyn.
'What--and ain't they there, saur? Ah, then my belief is that what I suspected is thrue! You didn't leave your wine-cellar unlocked, did you, saur, by no mistake?'
Pierston considered. He thought he might have left the key with his elder servant, whom he had believed he could trust, especially as the cellar was not well stocked.
'Ah, then it was so! She's been very queer, saur, this last week or two. O yes, sending messages down the spakin'-tube which were like madness itself, and ordering us this and that, till we would take no notice at all. I see them both go out last night, and possibly they went for a holiday not expecting ye, or maybe for good! Shure, if ye'd written, saur, I'd ha' got the place ready, ye being out of a man, too, though it's not me duty at all!'
When Pierston got to his floor again he found that the cellar door was open; some bottles were standing empty that had been full, and many abstracted altogether. All other articles in the house, however, appeared to be intact. His letter to his housekeeper lay in the box as the postman had left it.
By this time the luggage had been sent up in the lift; and Avice, like so much more luggage, stood at the door, the hall-porter behind offering his assistance.
'Come here, Avice,' said the sculptor. 'What shall we do now? Here's a pretty state of affairs!'
Avice could suggest nothing, till she was struck with the bright thought that she should light a fire.
'Light a fire?--ah, yes. . . . I wonder if we could manage. This is an odd coincidence--and awkward!' he murmured. 'Very well, light a fire.'
'Is this the kitchen, sir, all mixed up with the parlours?'
'Yes.'
'Then I think I can do all that's wanted here for a bit; at any rate, till you can get help, sir. At least, I could if I could find the fuel-house. 'Tis no such big place as I thought!'
'That's right: take courage!' said he with a tender smile. 'Now, I'll dine out this evening, and leave the place for you to arrange as best you can with the help of the porter's wife downstairs.'
This Pierston accordingly did, and so their common residence began.
Feeling more and more strongly that some danger awaited her in her native island he determined not to send her back till the lover or lovers who seemed to trouble her should have cooled off. He was quite willing to take the risk of his action thus far in his solicitous regard for her.
* * *
It was a dual solitude, indeed; for, though Pierston and Avice were the only two people in the flat, they did not keep each other company, the former being as scrupulously fearful of going near her now that he had the opportunity as he had been prompt to seek her when he had none.
They lived in silence, his messages to her being frequently written on scraps of paper deposited where she could see them. It was not without a pang that he noted her unconsciousness of their isolated position--a position to which, had she experienced any reciprocity of sentiment, she would readily have been alive.
Considering that, though not profound, she was hardly a matter-of-fact girl as that phrase is commonly understood, she was exasperating in the matter-of-fact quality of her responses to the friendly remarks which would escape him in spite of himself, as well as in her general conduct. Whenever he formed some culinary excuse for walking across the few yards of tessellated hall which separated his room from the kitchen, and spoke through the doorway to her, she answered, 'Yes, sir,' or 'No, sir,' without turning her eyes from the particular work that she was engaged in.
