登陆注册
5381000000059

第59章 TEN The Salad of Colonel Cray(3)

"Oh yes, we can, my dear," said the Major, looking at her very amiably. "Marco has all the sauces, and we've often done ourselves well in very rough places, as you might know by now.

And it's time you had a treat, Audrey; you mustn't be a housekeeper every hour of the day; and I know you want to hear the music."

"I want to go to church," she said, with rather severe eyes.

She was one of those handsome women who will always be handsome, because the beauty is not in an air or a tint, but in the very structure of the head and features. But though she was not yet middle-aged and her auburn hair was of a Titianesque fullness in form and colour, there was a look in her mouth and around her eyes which suggested that some sorrows wasted her, as winds waste at last the edges of a Greek temple.

For indeed the little domestic difficulty of which she was now speaking so decisively was rather comic than tragic. Father Brown gathered, from the course of the conversation, that Cray, the other gourmet, had to leave before the usual lunch-time; but that Putnam, his host, not to be done out of a final feast with an old crony, had arranged for a special dejeuner to be set out and consumed in the course of the morning, while Audrey and other graver persons were at morning service.

She was going there under the escort of a relative and old friend of hers, Dr Oliver Oman, who, though a scientific man of a somewhat bitter type, was enthusiastic for music, and would go even to church to get it.

There was nothing in all this that could conceivably concern the tragedy in Miss Watson's face; and by a half conscious instinct, Father Brown turned again to the seeming lunatic grubbing about in the grass.

When he strolled across to him, the black, unbrushed head was lifted abruptly, as if in some surprise at his continued presence.

And indeed, Father Brown, for reasons best known to himself, had lingered much longer than politeness required; or even, in the ordinary sense, permitted.

"Well!" cried Cray, with wild eyes. "I suppose you think I'm mad, like the rest?"

"I have considered the thesis," answered the little man, composedly.

"And I incline to think you are not."

"What do you mean?" snapped Cray quite savagely.

"Real madmen," explained Father Brown, "always encourage their own morbidity. They never strive against it. But you are trying to find traces of the burglar; even when there aren't any.

You are struggling against it. You want what no madman ever wants."

"And what is that?"

"You want to be proved wrong," said Brown.

During the last words Cray had sprung or staggered to his feet and was regarding the cleric with agitated eyes. "By hell, but that is a true word!" he cried. "They are all at me here that the fellow was only after the silver--as if I shouldn't be only too pleased to think so! She's been at me," and he tossed his tousled black head towards Audrey, but the other had no need of the direction, "she's been at me today about how cruel I was to shoot a poor harmless house-breaker, and how I have the devil in me against poor harmless natives.

But I was a good-natured man once--as good-natured as Putnam."

After a pause he said: "Look here, I've never seen you before; but you shall judge of the whole story. Old Putnam and I were friends in the same mess; but, owing to some accidents on the Afghan border, I got my command much sooner than most men; only we were both invalided home for a bit. I was engaged to Audrey out there; and we all travelled back together. But on the journey back things happened. Curious things. The result of them was that Putnam wants it broken off, and even Audrey keeps it hanging on-- and I know what they mean. I know what they think I am. So do you.

"Well, these are the facts. The last day we were in an Indian city I asked Putnam if I could get some Trichinopoli cigars, he directed me to a little place opposite his lodgings.

I have since found he was quite right; but `opposite' is a dangerous word when one decent house stands opposite five or six squalid ones; and I must have mistaken the door. It opened with difficulty, and then only on darkness; but as I turned back, the door behind me sank back and settled into its place with a noise as of innumerable bolts.

There was nothing to do but to walk forward; which I did through passage after passage, pitch-dark. Then I came to a flight of steps, and then to a blind door, secured by a latch of elaborate Eastern ironwork, which I could only trace by touch, but which I loosened at last.

I came out again upon gloom, which was half turned into a greenish twilight by a multitude of small but steady lamps below.

They showed merely the feet or fringes of some huge and empty architecture.

Just in front of me was something that looked like a mountain.

I confess I nearly fell on the great stone platform on which I had emerged, to realize that it was an idol. And worst of all, an idol with its back to me.

"It was hardly half human, I guessed; to judge by the small squat head, and still more by a thing like a tail or extra limb turned up behind and pointing, like a loathsome large finger, at some symbol graven in the centre of the vast stone back. I had begun, in the dim light, to guess at the hieroglyphic, not without horror, when a more horrible thing happened. A door opened silently in the temple wall behind me and a man came out, with a brown face and a black coat.

He had a carved smile on his face, of copper flesh and ivory teeth; but I think the most hateful thing about him was that he was in European dress. I was prepared, I think, for shrouded priests or naked fakirs. But this seemed to say that the devilry was over all the earth. As indeed I found it to be.

"`If you had only seen the Monkey's Feet,' he said, smiling steadily, and without other preface, `we should have been very gentle-- you would only be tortured and die. If you had seen the Monkey's Face, still we should be very moderate, very tolerant--you would only be tortured and live. But as you have seen the Monkey's Tail, we must pronounce the worst sentence. which is--Go Free.'

同类推荐
  • 辽东志

    辽东志

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • THE FOOLISH VIRGIN

    THE FOOLISH VIRGIN

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 最上乘论

    最上乘论

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 山舍南溪小桃花

    山舍南溪小桃花

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 太上慈悲九幽拔罪忏

    太上慈悲九幽拔罪忏

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 毒后不好惹

    毒后不好惹

    眼见男朋友与其他人翻云覆雨,悲痛转身,却一朝穿越成为当朝皇后。过往的画面历历在目,高高在上的人…..原本深情已掷的君,将她打入冷月宫,受尽了屈辱!当她昂首挺胸地从冷月宫跨出,一切都已经改变。【情节虚构,请勿模仿】
  • 或许我已爱上你

    或许我已爱上你

    老公找了小三,要让我净身出户。本来我只是为了多赢一点财产,才去跟踪云盛钧。却没想到,事后不光财产没得到,还为自己捅了一大串麻烦。“既然你惹到我,那就别怪我不客气了。”他压在我身上,狠狠的扎进我的脖间……--情节虚构,请勿模仿
  • 金刚般若经挟注

    金刚般若经挟注

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 乱世风华

    乱世风华

    吴尔芬中国作家协会会员,厦门市作家协会副主席。获福建省政府百花文艺奖、厦门市政府文学艺术奖。出版长篇小说《雕版》、《九号房》、《姐妹》、《人皮鼓》,历史专著《厦门与台湾:交融共进》、《话说台湾地方文化根系中华》等。汀州——历练千年的历史名城。唐开元二十四年(公元七百三十六年)建汀州,从此,历经城垣变迁,古城汀州处万山之中,成为盛唐至清末历代州、郡、路、府的治所和闽西政治、经济、文化的中心。汀州——名扬天下的客家首府。自隋唐始,中原汉人为避战乱,筚路蓝缕以启山林,入闽粤蛮地,经千年繁衍,终于开创出一片举世瞩目的客家祖地。
  • 小先生治病(怀旧童书馆·怀旧童年)

    小先生治病(怀旧童书馆·怀旧童年)

    《小先生治病》一书是原来的《小先生治病》和《星星记》两小书的合集。《小先生治病》以书中一篇文章名为书名,也做了新版的(两小书组合版)书名。新版《小先生治病》一书共有三篇作品,分别是《小先生治病》《检讨会》《星星记》。前两篇是作家张天麟为小朋友们身体健康写的,《小先生治病》以故事的形式为小朋友们普及了关于食物中维生素的知识,只有不挑食,摄取各种维生素,才能健康茁壮成长。
  • 庶女国色

    庶女国色

    胡非非表示很无辜,随便逛个街都能碰上“电梯逆天故障”这种事。她做自由落体运动被穿越后,发现……总而言之,这是一个普通公司小职员,穿越成绝色小庶女,各种幸福卖萌秀恩爱,扁扁渣男,揍揍碧池,最终抱得美男归,还顺便把小日子过得有滋有味的“励志甜宠”故事!
  • 刑统

    刑统

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 管子

    管子

    《管子》是我国古老的先秦时代的一部重要典籍,是管仲学派的一部作品总集。该书内容庞杂,年代久远,流传中多遭窜乱,自西汉刘向“定著为八十六篇”之后,李唐以前已缺失十篇之多。《管子》内容博大精深,主要以法家和道家思想为主,兼有儒家、兵家、纵横家、农家、阴阳家的思想,更涉及天文、伦理、地理、教育等问题,在先秦诸子中,“襄为巨轶远非他书所及”。可以说,它是先秦时独成一家之言的最大的一部杂家著作,是研究先秦尤其春秋时期社会政治、经济、军事、法律、文化等各个方面非常重要的原始资料。
  • 古兰经故事

    古兰经故事

    每一位天仙都负责一项专门的工作:吉布利里天仙是真主专门派往先知们那儿的使者;伊斯拉非来天仙专门负责末日来临时对人们进行清算;米卡伊来天仙专门负责宇宙万物;阿兹拉伊来天仙是专门负责掌管死者灵魂的。
  • 鱼凫文化论:首届温江鱼凫文化高端论坛文集

    鱼凫文化论:首届温江鱼凫文化高端论坛文集

    论文集包含方位系统与古蜀文化、鱼凫文化总论、鱼凫文化与考古遗存、蜀王鱼凫与历史文化、鱼凫文地理与名号考论、鱼凫文化与田园城市、鱼凫神话与传说掌故、等几部分,共收录42篇研究文章。