"Why not?" asked the king, in astonishment.
"Well," cried the man, with threatening fist, "the people want to show you the head of Lamballe, that you may see how the nation takes vengeance on its tyrants."
At that same instant there arose behind the window-pane a pale head encircled with long, fair hair, the livid forehead sprinkled with blood, the eyes lustreless and fixed--the head of Princess Lamballe, which the people had dressed by a friseur, to hoist it upon a pike and show it to the queen.
The queen had seen it; staggering she fell back upon a chair; she gazed fixedly at the window, even after the fearful phantom had disappeared. Her lips were open, as if for a cry which had been silenced by horror. She did not weep, she did not complain, and even the caresses of the children, the gentle address of Princess Elizabeth, and the comforting words of the king could not rouse her out of this stupefying of her whole nature.
Princess Lamballe had been murdered, and deep in her soul the queen saw that this was only the prelude to the fearful tragedy, in which her family would soon be implicated.
Poor Princess Lamballe! She had been killed because she had refused to repeat the imprecations against the queen, which they tried to extort from her lips: "Swear that you love liberty and equality; swear that you hate the king, the queen, and every thing pertaining to royalty."
"I will swear to the first," was the princess's answer, "but to the last I cannot swear, for it does not lie in my heart."
This was the offence of the princess, that hate did not lie in her heart--the offence of so many others who were killed on that 3d of September, that dreadful day on which the hordes of Marseilles opened the prisons, in order to drag the prisoners before the tribunals, or to execute them without further sentence.
The days passed by, and they had to be borne. Marie Antoinette had regained her composure and her proud calmness. She had to overcome even this great grief, and the heart of the queen had not yet been broken. She still loved, she still hoped. She owed it to her husband and children not to despair, and better days might come even yet.
"We must keep up courage," she said, "to live till the dawn of this better day."
And it required spirit to bear the daily torture of this life!
Always exposed to scorn and abuse! Always watched by the eyes of mocking, reviling men! Always scrutinized by Madame Tison, her servant, who followed every one of her motions as a cat watches its prey, and among all these sentinels the most obnoxious of all was the cobbler Simon.
Commissioned by the authorities to supervise the workmen and masons who were engaged in restoring the partially ruined ancient portion of the Temple, Simon had made himself at home within the building, to discharge his duties more comfortably. It was his pleasure to watch this humiliated royal family, to see them fall day by day, and hear the curses that accompanied them at every step. He never appeared in their presence without insulting them, and encouraging with loud laughter those who imitated him in this.
Some of the officials in charge never spoke excepting with dreadful abuse of the king, the queen, and the children.
One of them cried to his comrade in presence of Marie Antoinette:
"If the hangman does not guillotine this accursed family, I will do it!"
When the royal family went down to take their walk in the garden, Santerre used to come up with a troop of soldiers. The sentries whom they passed shouldered arms before Santerre; but as soon as he had passed and the king came, they grounded their arms, and pretended not to see him. In the door that led into the garden, Rocher, the turnkey, used to stand, and take his pleasure in letting the royal family wait before unlocking, while he blew great clouds of smoke into their faces from his long tobacco-pipe. The National Guards who stood in the neighborhood used to laugh at this, and hurl all sorts of low, vile words at the princesses. Then, while the royal prisoners were taking their walk, the cannoneers used to collect in the allees through which they wandered, and dance to the music of revolutionary songs which some of them sang. Sometimes the gardeners who worked there hurried up to join them in this dance, and to encircle the prisoners in their wild evolutions. One of these people displayed his sickle to the king one day, and swore that he would cut off the head of the queen with it. And when, after their sad walk, they had returned to the Temple, they were received by the sentinels and the turnkey with renewed insults; and, as if it were not enough to fill the ear with this abuse, the eye too must have its share. The vilest of expressions were written upon the walls of the corridors which the royal party had to traverse. You might read there: "Madame Veto will soon be dancing again. Down with the Austrian she-wolf! The wolf's brood must be strangled. The king must be hanged with his own ribbon!" Another time they had drawn a gallows, on which a figure was hanging, with the expression written beneath, "Louis taking an air-bath!"
And so, even the short walks of the prisoners were transformed into suffering. At first the queen thought she could not bear it, and the promenades were given up. But the pale cheeks of her daughter, the longing looks which the dauphin cast from the closed window to the garden, warned the mother to do what the queen found too severe a task. She underwent the pain involved in this, she submitted herself, and every day the royal pair took the dear children into the garden again, and bore this unworthy treatment without complaint, that the children might enjoy a little air and sunshine.
