第23章 BERTIE'S CHRISTMAS EVE(2)

The cow-house door had closed noiselessly behind them and the key had turned gratingly in the lock; then they heard Bertie's voice pleasantly wishing them good-night and his footsteps retreating along the garden path.

Luke Steffink strode to the window; it was a small square opening of the old-fashioned sort, with iron bars let into the stonework.

"Unlock the door this instant," he shouted, with as much air of menacing authority as a hen might assume when screaming through the bars of a coop at a marauding hawk. In reply to his summons the hall-door closed with a defiant bang.

A neighbouring clock struck the hour of midnight. If the cows had received the gift of human speech at that moment they would not have been able to make themselves heard. Seven or eight other voices were engaged in describing Bertie's present conduct and his general character at a high pressure of excitement and indignation.

In the course of half an hour or so everything that it was permissible to say about Bertie had been said some dozens of times, and other topics began to come to the front--the extreme mustiness of the cow-house, the possibility of it catching fire, and the probability of it being a Rowton House for the vagrant rats of the neighbourhood. And still no sign of deliverance came to the unwilling vigil-keepers.

Towards one o'clock the sound of rather boisterous and undisciplined carol-singing approached rapidly, and came to a sudden anchorage, apparently just outside the garden-gate. A motor-load of youthful "bloods," in a high state of conviviality, had made a temporary halt for repairs; the stoppage, however, did not extend to the vocal efforts of the party, and the watchers in the cow-shed were treated to a highly unauthorised rendering of "Good King Wenceslas," in which the adjective "good" appeared to be very carelessly applied.

The noise had the effect of bringing Bertie out into the garden, but he utterly ignored the pale, angry faces peering out at the cow-house window, and concentrated his attention on the revellers outside the gate.

"Wassail, you chaps!" he shouted.

"Wassail, old sport!" they shouted back; "we'd jolly well drink y'r health, only we've nothing to drink it in."

"Come and wassail inside," said Bertie hospitably; "I'm all alone, and there's heap's of 'wet'."

They were total strangers, but his touch of kindness made them instantly his kin. In another moment the unauthorised version of King Wenceslas, which, like many other scandals, grew worse on repetition, went echoing up the garden path; two of the revellers gave an impromptu performance on the way by executing the staircase waltz up the terraces of what Luke Steffink, hitherto with some justification, called his rock-garden. The rock part of it was still there when the waltz had been accorded its third encore.

Luke, more than ever like a cooped hen behind the cow-house bars, was in a position to realise the feelings of concert-goers unable to countermand the call for an encore which they neither desire or deserve.

The hall door closed with a bang on Bertie's guests, and the sounds of merriment became faint and muffled to the weary watchers at the other end of the garden. Presently two ominous pops, in quick succession, made themselves distinctly heard.

"They've got at the champagne!" exclaimed Mrs. Steffink.

"Perhaps it's the sparkling Moselle," said Luke hopefully.

Three or four more pops were heard.

"The champagne and the sparkling Moselle," said Mrs. Steffink.

Luke uncorked an expletive which, like brandy in a temperance household, was only used on rare emergencies. Mr. Horace Bordenby had been making use of similar expressions under his breath for a considerable time past. The experiment of "throwing the young people together" had been prolonged beyond a point when it was likely to produce any romantic result.

Some forty minutes later the hall door opened and disgorged a crowd that had thrown off any restraint of shyness that might have influenced its earlier actions. Its vocal efforts in the direction of carol singing were now supplemented by instrumental music; a Christmas-tree that had been prepared for the children of the gardener and other household retainers had yielded a rich spoil of tin trumpets, rattles, and drums. The life-story of King Wenceslas had been dropped, Luke was thankful to notice, but it was intensely irritating for the chilled prisoners in the cow-house to be told that it was a hot time in the old town to-night, together with some accurate but entirely superfluous information as to the imminence of Christmas morning. Judging by the protests which began to be shouted from the upper windows of neighbouring houses the sentiments prevailing in the cow-house were heartily echoed in other quarters.

The revellers found their car, and, what was more remarkable, managed to drive off in it, with a parting fanfare of tin trumpets.

The lively beat of a drum disclosed the fact that the master of the revels remained on the scene.

"Bertie!" came in an angry, imploring chorus of shouts and screams from the cow-house window.

"Hullo," cried the owner of the name, turning his rather errant steps in the direction of the summons; "are you people still there?

Must have heard everything cows got to say by this time. If you haven't, no use waiting. After all, it's a Russian legend, and Russian Chrismush Eve not due for 'nother fortnight. Better come out."

After one or two ineffectual attempts he managed to pitch the key of the cow-house door in through the window. Then, lifting his voice in the strains of "I'm afraid to go home in the dark," with a lusty drum accompaniment, he led the way back to the house. The hurried procession of the released that followed in his steps came in for a good deal of the adverse comment that his exuberant display had evoked.

It was the happiest Christmas Eve he had ever spent. To quote his own words, he had a rotten Christmas.