When it was done with, another--in which "Goggles" appeared as one of the principals--took its place, and was even more successful. After the experience of Nelson Square, my present salary of thirty-five shillings, occasionally forty shillings, a week seemed to me princely.
There floated before my eyes the possibility of my becoming a great opera singer. On six hundred pounds a week, I felt I could be content. But the O'Kelly set himself to dispel this dream.
"Ye'd be making a mistake, me boy," explained the O'Kelly. "Ye'd be just wasting ye're time. I wouldn't tell ye so if I weren't convinced of it."
"I know it is not powerful," I admitted.
"Ye might almost call it thin," added the O'Kelly.
"It might be good enough for comic opera," I argued. "People appear to succeed in comic opera without much voice.
"Sure, there ye're right," agreed the O'Kelly, with a sigh. "An' of course if ye had an exceptionally fine presence and were strikingly handsome--"
"One can do a good deal with make-up," I suggested.
The O'Kelly shook his head. "It's never quite the same thing. It would depend upon your acting."
I dreamt of becoming a second Kean, of taking Macready's place. It need not interfere with my literary ambition. I could combine the two: fill Drury Lane in the evening, turn out epoch-making novels in the morning, write my own plays.
Every day I studied in the reading-room of the British Museum.
Wearying of success in Art, I might eventually go into Parliament: a Prime Minister with a thorough knowledge of history: why not? With Ollendorf for guide, I continued French and German. It might be the diplomatic service that would appeal to me in my old age. An ambassadorship! It would be a pleasant termination to a brilliant career.
There was excuse for my optimistic mood about this period. All things were going well with me. A story of mine had been accepted. I forget for the moment the name of the journal: it is dead now. Most of the papers in which my early efforts appeared are dead. My contributions might be likened to their swan songs. Proofs had been sent me, which I had corrected and returned. But proofs are not facts. This had happened to me once before, and I had been lifted to the skies only to fall the more heavily. The paper had collapsed before my story had appeared. (Ah, why had they delayed? It might have saved them!)
This time I remembered the proverb, and kept my own counsel, slipping out early each morning on the day of publication to buy the paper, to scan eagerly its columns. For weeks I suffered hope deferred. But at last, one bright winter's day in January, walking down the Harrow Road, I found myself standing still, suddenly stunned, before a bill outside a small news-vendor's shop. It was the first time I had seen my real name in print: "The Witch of Moel Sarbod: a legend of Mona, by Paul Kelver." (For this I had even risked discovery by the Lady 'Ortensia.) My legs trembling under me, I entered the shop. A ruffianly-looking man in dirty shirt-sleeves, who appeared astonished that any one should want a copy, found one at length on the floor underneath the counter. With it in my pocket, I retraced my footsteps as in a dream. On a seat in Paddington Green I sat down and read it.
The hundred best books! I have waded through them all; they have never charmed me as charmed me that one short story in that now forgotten journal. Need I add it was a sad and sentimental composition. Once upon a time there lived a mighty King; one--but with the names I will not bore you; they are somewhat unpronounceable.
Their selection had cost me many hours of study in the British Museum reading-rooms, surrounded by lexicons of the Welsh language, gazetteers, translations from the early Celtic poets--with footnotes.
He loved and was beloved by a beautiful Princess, whose name, being translated, was Purity. One day the King, hunting, lost his way, and being weary, lay down and fell asleep. And by chance the spot whereon he lay was near to a place which by infinite pains, with the aid of a magnifying glass, I had discovered upon the map, and which means in English the Cave of the Waters, where dwelt a wicked Sorceress, who, while he slept, cast her spells upon him, so that he awoke to forget his kingly honour and the good of all his people, his only desire being towards the Witch of Moel Sarbod.
Now, there lived in this Kingdom by the sea a great Magician; and Purity, who loved the King far better than herself, bethought her of him, and of all she had heard concerning his power and wisdom; and went to him and besought his aid that she might save the King. There was but one way to accomplish this: with bare feet Purity must climb the rocky path leading to the Witch's dwelling, go boldly up to her, not fearing her sharp claws nor her strong teeth, and kiss her upon the mouth. In this way the spirit of Purity would pass into the Witch's soul, and she would become a woman. But the form and spirit of the Witch would pass into Purity, transforming her, and in the Cave of the Waters she must forever abide. Thus Purity gave herself that the King might live. With bleeding feet she climbed the rocky path, clasped the Witch's form within her arms, kissed her on the mouth.
And the Witch became a woman and reigned with the King over his people, wisely and helpfully. But Purity became a hideous witch, and to this day abides on Moel Sarbod, where is the Cave of the Waters.
And they who climb the mountain's side still hear above the roaring of the cataract the sobbing of Purity, the King's betrothed. But many liken it rather to a joyous song of love triumphant.
