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第11章

Sir, put it to the proof. There is the Bleater on the file--documentary evidence. Weeks, months, before the Exhibition of the Royal Academy, the Bleater's London Correspondent knows the subjects of all the leading pictures, knows what the painters first meant to do, knows what they afterwards substituted for what they first meant to do, knows what they ought to do and won't do, knows what they ought not to do and will do, knows to a letter from whom they have commissions, knows to a shilling how much they are to be paid. Now, no sooner is each studio clear of the remarkable man to whom each studio-occupant has revealed himself as he does not reveal himself to his nearest and dearest bosom friend, than conspiracy and fraud begin. Alfred the Great becomes the Fairy Queen; Moses viewing the Promised Land, turns out to be Moses going to the Fair; Portrait of His Grace the Archbishop of Canterbury, is transformed, as if by irreverent enchantment of the dissenting interest, into A Favourite Terrier, or Cattle Grazing; and the most extraordinary work of art in the list described by the Bleater, is coolly sponged out altogether, and asserted never to have had existence at all, even in the most shadow thoughts of its executant! This is vile enough, but this is not all. Picture-buyers then come forth from their secret positions, and creep into their places in the assassin-multitude of conspirators. Mr. Baring, after expressly telling the Bleater's London Correspondent that he had bought No. 39 for one thousand guineas, gives it up to somebody unknown for a couple of hundred pounds; the Marquis of Lansdowne pretends to have no knowledge whatever of the commissions to which the London Correspondent of the Bleater swore him, but allows a Railway Contractor to cut him out for half the money. Similar examples might be multiplied. Shame, shame, on these men! Is this England?

Sir, look again at Literature. The Bleater's London Correspondent is not merely acquainted with all the eminent writers, but is in possession of the secrets of their souls. He is versed in their hidden meanings and references, sees their manuscripts before publication, and knows the subjects and titles of their books when they are not begun. How dare those writers turn upon the eminent man and depart from every intention they have confided to him? How do they justify themselves in entirely altering their manuscripts, changing their titles, and abandoning their subjects? Will they deny, in the face of Tattlesnivel, that they do so? If they have such hardihood, let the file of the Bleater strike them dumb. By their fruits they shall be known. Let their works be compared with the anticipatory letters of the Bleater's London Correspondent, and their falsehood and deceit will become manifest as the sun; it will be seen that they do nothing which they stand pledged to the Bleater's London Correspondent to do; it will be seen that they are among the blackest parties in this black and base conspiracy. This will become apparent, sir, not only as to their public proceedings but as to their private affairs. The outraged Tattlesnivellian who now drags this infamous combination into the face of day, charges those literary persons with making away with their property, imposing on the Income Tax Commissioners, keeping false books, and entering into sham contracts. He accuses them on the unimpeachable faith of the London Correspondent of the Tattlesnivel Bleater. With whose evidence they will find it impossible to reconcile their own account of any transaction of their lives.

The national character is degenerating under the influence of the ramifications of this tremendous conspiracy. Forgery is committed, constantly. A person of note--any sort of person of note--dies.

The Bleater's London Correspondent knows what his circumstances are, what his savings are (if any), who his creditors are, all about his children and relations, and (in general, before his body is cold) describes his will. Is that will ever proved? Never! Some other will is substituted; the real instrument, destroyed. And this (as has been before observed), is England.

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