登陆注册
5394700000009

第9章

We must imagine sun, moon, and stars to be "set" in a "firmament" with, or in, which they move; and above which is yet another watery mass. We must consider "light" and "darkness" to be things, the alternation of which constitutes day and night, independently of the existence of sun, moon, and stars. We must further suppose that, as in the case of the story of the deluge, the Hebrew writer was acquainted with a Gentile (probably Chaldaean or Accadian) account of the origin of things, in which he substantially believed, but which he stripped of all its idolatrous associations by substituting "Elohim" for Ea, Anu, Bel, and the like.

From this point of view the first verse strikes the keynote of the whole. In the beginning "Elohim created the heaven and the earth." Heaven and earth were not primitive existences from which the gods proceeded, as the Gentiles taught; on the contrary, the "Powers" preceded and created heaven and earth.

Whether by "creation" is meant "causing to be where nothing was before" or "shaping of something which pre-existed," seems to me to be an insoluble question.

As I have pointed out, the second verse has an interesting parallel in Jeremiah iv. 23: "I beheld the earth, and, lo, it was waste and void; and the heavens, and they had no light."I conceive that there is no more allusion to chaos in the one than in the other. The earth-disk lay in its watery envelope, like the yolk of an egg in the glaire, and the spirit, or breath, of Elohim stirred the mass. Light was created as a thing by itself; and its antithesis "darkness" as another thing.

It was supposed to be the nature of these two to alternate, and a pair of alternations constituted a "day" in the sense of an unit of time.

The next step was, necessarily, the formation of that "firmament," or dome over the earth-disk, which was supposed to support the celestial waters; and in which sun, moon, and stars were conceived to be set, as in a sort of orrery. The earth was still surrounded and covered by the lower waters, but the upper were separated from it by the "firmament," beneath which what we call the air lay. A second alternation of darkness and light marks the lapse of time.

After this, the waters which covered the earth-disk, under the firmament, were drawn away into certain regions, which became seas, while the part laid bare became dry land. In accordance with the notion, universally accepted in antiquity, that moist earth possesses the potentiality of giving rise to living beings, the land, at the command of Elohim, "put forth" all sorts of plants. They are made to appear thus early, not, Iapprehend, from any notion that plants are lower in the scale of being than animals (which would seem to be inconsistent with the prevalence of tree worship among ancient people), but rather because animals obviously depend on plants; and because, without crops and harvests, there seemed to be no particular need of heavenly signs for the seasons.

These were provided by the fourth day's work. Light existed already; but now vehicles for the distribution of light, in a special manner and with varying degrees of intensity, were provided. I conceive that the previous alternations of light and darkness were supposed to go on; but that the "light" was strengthened during the daytime by the sun, which, as a source of heat as well as of light, glided up the firmament from the east, and slid down in the west, each day. Very probably each day's sun was supposed to be a new one. And as the light of the day was strengthened by the sun, so the darkness of the night was weakened by the moon, which regularly waxed and waned every month. The stars are, as it were, thrown in. And nothing can more sharply mark the doctrinal purpose of the author, than the manner in which he deals with the heavenly bodies, which the Gentiles identified so closely with their gods, as if they were mere accessories to the almanac.

同类推荐
  • 太上正一朝天三八谢罪法忏

    太上正一朝天三八谢罪法忏

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 佛说大乘四法经

    佛说大乘四法经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 十诵律毗尼序

    十诵律毗尼序

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 佛说三转法轮经

    佛说三转法轮经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 四分僧戒本

    四分僧戒本

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 人生三绝:我想,我做,我成功

    人生三绝:我想,我做,我成功

    孤独的夜行者常常听到身后的落叶上有沙沙的脚步声。这当然是一种错觉,因为威胁始终来自前方。他不过是成功地说服了自己去观察退路。其实,一只眼睛就够用了,第二只眼睛是让你确信所有事物都有深度。十年和一百年不同,一百年和千年万年是相同的。生命是一把尺子,可被丈量的是生活,其余是永恒。警惕你的幸福,唯有它能摧毁你。品格不是由你已经占有的东西决定的,恰恰是由你匮乏的那些东西塑造的。
  • 途中:谢阁兰中国书简

    途中:谢阁兰中国书简

    一百年前,法国外交官、诗人维克多·谢阁兰三度来华。写作具有世界范围影响的名著《碑》、《勒内·莱斯》等;其在华期间写给夫人的书信亦成为文学史上珍贵的资料。当代诗人庞培以此契机重回民国之初的华夏时空,虚构并模仿书信作者当时的情感、口吻和初识东方的奇妙目光,为读者寻回失落的往事,宛若时光的墓碑。这是一部内容丰富,构思奇特,形成当代新诗鲜明风格的有趣文本。
  • 情人节

    情人节

    我和济宽也不是没有考虑过这个问题。李嘉曾经建议我们以后可以收养一个小孩。但济宽觉得,毕竟现在这不是一种被普遍认同的关系,我们得为小孩子的将来着想——我们是因为爱,自愿在一起的,小孩子则是被动的。所以我们打算就这样下去。这在老辈人看来,就是一个极大的缺陷。而我,也在公司里做得有点不耐烦了。这种日复一日的重复劳动,让我感到厌倦。除了事业,还有很多其他的问题。爱情不可能在真空里生长,它永远与整个生活缠绕在一起。但我们不担心。我们的心里很安静。
  • 冰火魔厨

    冰火魔厨

    七柄绝世神刃。冰雪女神的叹息——晨露刀。火焰之神的咆哮——正阳刀。自由之风的轻吟——傲天刀。大地苏醒的旋律——长生刀。神机百变的六芒——璇玑刀。贯通天地的曙光——圣耀刀。永世地狱的诅咒——噬魔刀。这是七柄神刀,也是七柄拥有着冰、火、风、土、空间、光明、黑暗的魔法杖。最重要的,它们还是主角的——菜刀。
  • 机智笨探

    机智笨探

    平凡的少年,简单的大学生,一次意外的破获了一个校园杀人案,一步一步成为著名侦探,随之而来的就是一个又一个幕后集团的安排和操纵、金钱、名利、情义、到底什么才是最重要的?
  • 竞技体育博览:畅享2008:百年盛会话源头

    竞技体育博览:畅享2008:百年盛会话源头

    本书共分9章,主要内容包括:奥运史话、现代奥林匹克运动诞生、不灭的奥运圣火、运动员的最高奖赏、奥运会会徽、和平和团结的象征、与夏奥运“平起平坐”的冬奥会及致敬残奥会等。
  • 爱到恨时

    爱到恨时

    那天龙泉招待所的服务员小邱准备打扫客房,他拖着卫生车走到314房间门前,见房门紧闭,门把手上挂着“请勿打扰”的牌子。通常遇到这种情况,小邱会绕过这间客房,先去为其它房间打扫。可今天他决定打破常规,上去摁响门铃,而且用迪斯克的节奏不停地摁。因为早晨接班时,夜班的服务员陈娜挺神秘地告诉他说,314房间住进一对“野鸳鸯”。昨晚有个男的提前来订了客房,随后领来个女的,他们进房后就再也没有出来,至少陈娜没看见他们其中的某个人离开过房。这不禁勾起小邱的好奇心,他决定让那对春风暗度的男女难堪一下子,所以小邱拼命摁电铃。
  • 金刚般若疏

    金刚般若疏

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 太上老君玄妙枕中内德神咒经

    太上老君玄妙枕中内德神咒经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 五行修神

    五行修神

    一个先天血脉浓度为零,不可能走上修真之路的废物,却有着极为超常的智力!天生拥有水之印记却又没有水之血脉,却是神秘五行族之水之传人!身为世袭武修家族的二少爷,却又拥有来自其他星球的古老强悍血脉!在即将登上修真之巅的时候,却又发现原来五行的终极目标另有其意!