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大戏剧论坛（第4辑）
论《长生殿》的整本演出、伎乐：横游于亚洲大陆的艺术之舟、礼仪之属和娱乐之需：宫廷戏剧的两种文化属性、上海新式舞台的出现与海派京剧的确立、明清女性戏曲作品的“拟男”现象研究、中国古代历史剧神异情节及其渊源、王瑶卿经典剧目《悦来店》解析、定位李玉茹：从京剧表演艺术发展的角度、戏剧意象论、相通的戏剧源流及相似的审美理念——兼论梅兰芳访日公演成功的艺术因素等等。
The Changeling
Oe introduces Kogito Choko, a writer in his early sixties, as he rekindles a childhood friendship with his estranged brother-in-law, the renowned filmmaker Goro Hanawa. Goro sends Kogito a trunk of tapes he has recorded of reflections about their friendship, but as Kogito is listening one night, he hears something odd. "I'm going to head over to the Other Side now," Goro says, and then Kogito hears a loud thud. After a moment of silence, Goro's voice continues: "But don't worry, I'm not going to stop communicating with you." Moments later, Kogito's wife rushes in; Goro has jumped to his death. With that, Kogito begins a far-ranging search to understand what drove his brother-in-law to suicide. His quest takes him from the forests of southern Japan to the washed-out streets of Berlin, where Kogito confronts the ghosts from his own past and that of his lifelong, but departed, friend.
帝少99式：恋上小娇妻
她一个小小的记者，却在一夜之间睡了全城的商界大佬，好不容易逃走了，第二天就被抓回去领证。自此以后，她每天都千方百计的离开豪宅，离开他。可他不耐其烦的一次一次的把她抓回来，夜夜在她的耳边提醒她“告诉你过，你是我的，一次就是一辈子。”“你想干嘛？”“我其实就想要个妻子，还有一个小可爱，刚好这些你都满足了。”
三生十方：棺材小姐我不约
对一张琴，一壶酒，一溪云，作个闲人也。青葵作为京城首家棺材铺的老板女儿，她从来都不担心寻不着郎。正所谓月黑风高，就给她踩了个狗屎运，立马就讨到了一个少年郎。居然还是人见人爱，花见花开的苏小王爷……果真是狗屎运到头了，重量级的“大郎”啊。青葵决定不论是一哭二闹三上吊，都得把他收入囊中……俗话说：“肥水不流外人田嘛。”虽然这苏小王爷现在还不是自己家的，可是有什么问题呢。树不要皮必死无疑，人不要脸天下无敌。青葵躲在被窝里，贼贼地偷笑，苏小王爷你就等着我吧。
