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Seeing Things
This collection of Seamus Heaney's work, especially in the vivid and surprising twelve-line poems entitled "e;Squarings"e;, shows he is ready to re-imagine experience and "e;to credit marvels"e;. The title poem, "e;Seeing Things"e;, is typical of the whole book. It begins with memories of an actual event, then moves towards the visionary while never relinquishing its feel for the textures and sensations of the world. Translations of Virgil and Homer provide a prelude and a coda where motifs implicit in the earlier lyrics are given direct expression in extended narratives. Journeys to underworlds and otherworlds correspond to the journeys made by poetic language itself. From the author of "e;The Haw Lantern"e;, "e;Wintering Out"e;, "e;Station Island"e; and "e;North"e;.Realm of the Pagans
Martine is happily engaged to Kelvin until he unceremoniously dumps her in Greece. When handsome, arrogant Luke Leoros proposes instead, Martine is happy to accept--only to prove to Kelvin that she's over him.But Luke is also no stranger to heartbreak--and after his own painful breakup, he no longer believes in love. Still, Martine finds herself irresistibly drawn to him--and his caresses set her blood on fire. When Kelvin returns and begs her to take him back, will Martine agree or stay with the man who stirs her passion and her heart?Burial at Thebes
Commissioned to mark the centenary of the Abbey Theatre in Dublin in 2004, The Burial at Thebes is Seamus Heaney's new verse translation of Sophocles' great tragedy, Antigone - whose eponymous heroine is one of the most sharply individualized and compelling figures in Western drama. Faithful to the 'local row' and to the fierce specificity of the play's time and place, The Burial at Thebes honours the separate and irreconcilable claims of its opposed voices, as they enact the ancient but perennial conflict between family and state in a time of crisis, pitching the morality of private allegiance against that of public service. Above all, The Burial at Thebes honours the sovereign urgency and grandeur of the Antigone, in which language speaks truth to power, then and now.I Hated to Do It
For over 40 years, Donald C. Farber was Kurt Vonnegut's attorney, literary agent, and close friend. In this deeply felt memoir, Farber offers a rare portrait of Vonnegut that is both candid and entertaining. A renowned entertainment lawyer with a largely famous clientele and a highly acclaimed author in his own right, Farber provides colorful anecdotes that detail the daily realities of working with Vonnegut from the perspective of the person who knew him best. The millions of fans around the world who mourned Vonnegut's passing will treasure this new and intimate portrait of him, not just as an acclaimed author, but also as a witty, eclectic, and brave personality that contributed greatly to our culture.
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