For the hypothesis, as we said, it is necessary to show that Bacon possessed poetic genius. The proof cannot possibly be found in his prose works. In the prose of Mr. Ruskin there are abundant examples of what many respectable minds regard as poetic qualities. But, if the question arose, 'Was Mr. Ruskin the author of Tennyson's poems?' the answer could be settled, for once, by internal evidence. We have only to look at Mr. Ruskin's published verses. These prove that a great writer of 'poetical prose' may be at the opposite pole from a poet. In the same way, we ask, what are Bacon's acknowledged compositions in verse? Mr. Holmes is their admirer. In 1599 Bacon wrote in a letter, 'Though I profess not to be a poet, I prepared a sonnet,' to Queen Elizabeth. He PREPARED a sonnet! 'Prepared' is good. He also translated some of the Psalms into verse, a field in which success is not to be won. Mr. Holmes notes, in Psalm xc., a Shakespearean parallel. 'We spend our years as a tale that is told.' Bacon renders:
As a tale told, which sometimes men attend, And sometimes not, our life steals to an end.
In 'King John,' iii. 4, we read:--
Life is as tedious as a twice-told tale Vexing the dull ear of a drowsy man.
Now, if we must detect a connection, Bacon might have read 'King John' in the Folio, for he versified the Psalms in 1625. But it is unnecessary to suppose a reminiscence. Again, in Psalm civ. Bacon has--
The greater navies look like walking woods.
They looked like nothing of the sort; but Bacon may have remembered Birnam Wood, either from Boece or Holinshed, or from the play itself. One thing is certain: Shakespeare did not write Bacon's Psalms or compare navies to 'walking woods'! Mr. Holmes adds:
'Many of the sonnets [of Shakespeare] show the strongest internal evidence that they were addressed [by Bacon] to the Queen, as no doubt they were.' That is, Bacon wrote sonnets to Queen Elizabeth, and permitted them to pass from hand to hand, among Shakespeare's 'private friends,' as Shakespeare's (1598). That was an odd way of paying court to Queen Elizabeth. Chalmers had already conjectured that Shakespeare (not Bacon) in the sonnets was addressing the Virgin Queen, whom he recommended to marry and leave offspring-- rather late in life. Shakespeare's apparent allusions to his profession--
I have gone here and there, And made myself a motley to the view, and The public means which public manners breeds, refer, no doubt, to Bacon's versatile POLITICAL behaviour. It has hitherto been supposed that sonnet lvii. was addressed to Shakespeare's friend, a man, not to any woman. But Mr. Holmes shows that the Queen is intended. Is it not obvious?
I, MY SOVEREIGN, watch the clock for you.
Bacon clearly had an assignation with Her Majesty--so here is 'scandal about Queen Elizabeth.' Mr. Holmes pleasingly remarks that Twickenham is 'within sight of Her Majesty's Palace of White Hall.'
She gave Bacon the reversion of Twickenham Park, doubtless that, from the windows of White Hall, she might watch her swain. And Bacon wrote a masque for the Queen; he skilfully varied his style in this piece from that which he used under the name of Shakespeare.
With a number of other gentlemen, some named, some unnamed, Bacon once, at an uncertain date, interested himself in a masque at Gray's Inn, while he and his friends 'partly devised dumb shows and additional speeches,' in 1588.
Nothing follows as to Bacon's power of composing Shakespeare's plays. A fragmentary masque, which may or may not be by Bacon, is put forward as the germ of what Bacon wrote about Elizabeth in the 'Midsummer Night's Dream.' An Indian WANDERER from the West Indies, near the fountain of the AMAZON, is brought to Elizabeth to be cured of blindness. Now the fairy, in the 'Midsummer Night's Dream,' says, capitalised by Mr. Holmes:
I DO WANDER EVERYWHERE.
Here then are two wanderers--and there is a river in Monmouth and a river in Macedon. Puck, also, is 'that merry WANDERER of the night.' Then 'A BOUNCING AMAZON' is mentioned in the 'Midsummer Night's Dream,' and 'the fountain of the great river of the Amazons' is alluded to in the fragment of the masque. Cupid too occurs in the play, and in the masque the wanderer is BLIND; now Cupid is blind, sometimes, but hardly when 'a certain aim he took.' The Indian, in the masque, presents Elizabeth with 'his gift AND PROPERTY TO BE EVER YOUNG,' and the herb, in the play, has a 'VIRTUOUS PROPERTY.'
For such exquisite reasons as these the masque and the 'Midsummer Night's Dream' are by one hand, and the masque is by Bacon. For some unknown cause the play is full of poetry, which is entirely absent from the masque. Mr. Holmes was a Judge; sat on the bench of American Themis--and these are his notions of proof and evidence.
The parallel passages which he selects are on a level with the other parallels between Bacon and Shakespeare. One thing is certain: the writer of the masque shows no signs of being a poet, and a poet Bacon explicitly 'did not profess to be.' One piece of verse attributed to Bacon, a loose paraphrase of a Greek epigram, has won its way into 'The Golden Treasury.' Apart from that solitary composition, the verses which Bacon 'prepared' were within the powers of almost any educated Elizabethan. They are on a level with the rhymes of Mr. Ruskin. It was only when he wrote as Shakespeare that Bacon wrote as a poet.
