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House of Ash
After hearing voices among an eerie copse of trees in the woods, seventeen-year-old Curtis must confront his worst fear: that he has inherited his father's mental illness. A desperate search for answers leads him to discover Gravenhearst, a labyrinth mansion that burned down in 1894. When he locks eyes with a steely Victorian girl in a forgotten mirror, he's sure she's one of the fire's victims. If he can unravel the mystery, he can save his sanity … and possibly the girl who haunts his dreams. But more than 100 years in the past, the girl in the mirror is fighting her own battles. When her mother disappears and her sinister stepfather reveals his true intentions, Mila and her sister fight to escape Gravenhearst and unravel the house's secrets—before it devours them both.电影编剧学
写作这本书的目的,是想向读者介绍写作影视剧本必须具备的一些知识。通过这本书,我想告诉读者,写影视剧本不同于写小说,或写舞台剧本。尽管无论是小说,还是舞台剧本,或是影视剧本,它们都包含主题、人物、情节、结构、语言等要素,但影视剧本有它自身的一些特点。这些特点概括起来说:一是,因为影视是造型和叙事相结合的艺术,因此写影视剧本的人必须具备强烈的造型意识,要学会用镜头去讲故事;二是,因为影视是画面和声音相结合的艺术,因此写影视剧本的人必须掌握视听语言,要学会用声画结合的方式去讲故事;三是,因为影视是时间和空间相结合的艺术,因此写影视剧本的人必须具备影视的时空结构意识,要学会用时空的变化去结构剧本。